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Thunderbird Club

@Engle;
My guitarists both love them in their telecasters that I built for them.

It really makes a huge impact on the Pbass I just finished with 916 pickups: it’s like a volume and treble boost when the cap and the pot are taken out of the circuit. Nearly a straight to jack tone.

I may experiment with a no-load and .1uf cap on the 64. That should give a WIDE tone shaping ability!
Like the Blackbirds.
 
My Wife Yoli and I took an unplanned trip to Napa and are staying through Thursday, as her birthday getaway. So worry not if I don’t answer a page !

lol:
Any locals in the club that have destination suggestions or want to meetup? DM me,

And no, I did not bring a bird with me!
Have a good trip! I always invite this to come with me on trips.
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Yeah, I was looking at offloading the VP (great bass but just tonally not for me) until I put Thunderbuckers in it.
I go back and forth on offing my VP. For me, it’s my least comfortable Thunderbird to play. But I won’t give it away, which I’d pretty much have to do if no one local wants it because shipping is so high. It stays at the mountain house. But when I’m there, I gravitate toward playing the Epi Blackbird more because it is more comfortable and frankly sounds better. My experience with my VP is why I haven’t bought a Sparkle Blue ‘64.
 
Likewise, I like my ‘64 better. Noticeably darker than my VP or the Embassy I had, both with first gen 760 ProBuckers.
I would not want my Embassy any darker. (Of course my amps and cabs likely have more lows than most, and likely why I don't have a thinness issue with the VPs.) I'm not a bright person (can be taken many ways), but the Embassy can get dull sounding if strings lacking good clarity and mid punch are not there. My first used set or two on it went that direction. New NPS Stringjoy's I had were the trick. They are not super bright, but well balanced and have tight lows. Currently it's a great match, but I do tend to touch the treble on the head with it, whereas normally I leave it alone.
 
I go back and forth on offing my VP. For me, it’s my least comfortable Thunderbird to play. But I won’t give it away, which I’d pretty much have to do if no one local wants it because shipping is so high. It stays at the mountain house. But when I’m there, I gravitate toward playing the Epi Blackbird more because it is more comfortable and frankly sounds better. My experience with my VP is why I haven’t bought a Sparkle Blue ‘64.
What's uncomfortable? Besides the fear of whacking someone in the head who's twelve feet away? I can play mine until my fingers protest about playing anything.
 
Are the '64 reissue and VP dimensionality the same?
Identical, probably not. Close enough that there’s no blatantly noticable difference, yes. The neck rake is the only significant difference I feel or see in these two basses when playing them back to back. That and the ‘64 almost sounds like a hybrid of a 760 ProBucker and a TB+ pickup, right about half way between the two, which is a pretty sweet spot to my ears.
 
Based on those measurements alone, I might like a '64 a whole lot more than an earlier VP.


You're always welcome to drop by and try one out, Will 😺
 
Here's a Twofer Tuesday in keeping with another topic being discussed. The burst is a 2019 VP. The purple sparkle is a 2023 64. The yardstick is lined up with the middle of the bass side bridge bolt; it just looks off due to perspective distortion from the camera being close to the bass.
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The problem in measuring from the bridge stud is that Epiphone has a long history of mounting its two piece bridge in the wrong spot on specific runs of the VP and the Eppi Embassy. On many early VPs (some months after the initial release in 2017) they put out a batch of birds with the bridge too close to the 12th fret, requiring users to back the E string saddle back as far as it would go to intonate properly. That could account for the difference you’re seeing.

I’d be interested to see what the difference between the two models is when measured from the 12th fret on your basses. I’ll measure mine as well since I know I don’t have the bridge location issue in either of my basses.

Update: just measured the first run 2017 VP and the current ‘64 Purple Sparkle basses from centerline of the 12th fret to the centerline of the neck pickup (as identified by the screw head placement) and there is virtually no difference between the two that can’t be accounted for in acceptable tolerances. The actual difference is 1/16 of an inch (10-29/32” for the VP vs 10-27/32” for the ‘64). The difference could easily be accounted for in the build up of tolerances on the unit to unit difference in fret locations plus the slop of the route for the pickup, the slop of the pickup located in the route, combined with any normal tolerances in the drilling of the screw holes in the pickup cover, combined with any slop in the screw in the pickup. Plus or minus one 32nd of an inch is well within the tolerance stack up for something like this.

I’m calling them virtually identical on neck pup placement.
 
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I wouldn’t say my VP is bass shy, it just has less bottom end than the ‘64 reissue.
…which has less bottom end than the CP, which has less bottom end than my Greco, which has less bottom end than the Eppi Special Edition with LP looking pups, which has less bottom end than the Goth, which has a lot less bottom end than my ThunderCaster, which is the Kardashian of bass booty.
 

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