I can say that the Gator WILL NOT WORK.
At least for my Epi VP and Epi 64
It absolutely will. He has Gibsons. I've been using them for 12 years.
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I can say that the Gator WILL NOT WORK.
At least for my Epi VP and Epi 64
It’s less about the headstock, and more about the extended shape of the body.These are the modern Epis with huge headstocks, longer than any other standard Thunderbird.
That’s pretty cool! Congrats!I decided to buy myself something completely different for a change. Its not a Thunderbird, but maybe you can appreciate it. Zemaitis CM22B MF, built by Greco. So far I am thrilled with my purchase
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Hmph! Can't sound any good-doesn't have purple silks.
Seriously,.
That’s a very cool bass Andy.
Thanks guys!!That’s pretty cool! Congrats!
Congrats Dude! Always wanted one of those, prefer that LP shape to Gibson's!..were those domestic made?I decided to buy myself something completely different for a change. Its not a Thunderbird, but maybe you can appreciate it. Zemaitis CM22B MF, built by Greco. So far I am thrilled with my purchase
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These amps are inherently big and thick sounding.Yes they are. The more I use mine the more I like it. And you know how goofy picky I can be. I'm still getting acquainted with mine and it's EQ, and I have two less sliders than you.

Love seeing other's settings. I know cabs and rooms are different but it can spark ideas not thought of.all this ABM love!.....,...LETS GO!....
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Looks fantastic Andy!I decided to buy myself something completely different for a change. Its not a Thunderbird, but maybe you can appreciate it. Zemaitis CM22B MF, built by Greco. So far I am thrilled with my purchase
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You have effectively created a tone labyrinth to chase tone in!These amps are inherently big and thick sounding.
But using the eq properly gets you a great clear clean tone with lots of punch.
Be interesting to hear the differences between it and the Quilter.
And I just received the Empress para eq for bass.
All set for tone chasing.![]()
I recorded a bit with my Peavey Centurian a few months ago, and it still does the job.You have effectively created an tone labyrinth to chase tone in!
I have to have as simple as possible or I keep pondering which thing to adjust, no, that other one, both, no the other direction on the first one..... Like a dumb bass player dog chasing it's tone tail. Maybe that's one reason I gravitated to Ampeg. Not a lot of EQ options. But I did love my old Peavey head.
I know exactly how to get what I want.You have effectively created an tone labyrinth to chase tone in!
I have to have as simple as possible or I keep pondering which thing to adjust, no, that other one, both, no the other direction on the first one..... Like a dumb bass player dog chasing it's tone tail. Maybe that's one reason I gravitated to Ampeg. Not a lot of EQ options. But I did love my old Peavey head.
Greco makes these in Korea. The build quality is top notch on this one. No regrets so far.Congrats Dude! Always wanted one of those, prefer that LP shape to Gibson's!..were those domestic made?
My favored tone is a Thunderbird into an ACC 360 with the bright switch engaged. Just enough clank and scoop to put an electric blue pinstripe around the almost black, dark teal sound.You have effectively created a tone labyrinth to chase tone in!
I have to have as simple as possible or I keep pondering which thing to adjust, no, that other one, both, no the other direction on the first one..... Like a dumb bass player dog chasing it's tone tail. Maybe that's one reason I gravitated to Ampeg. Not a lot of EQ options. But I did love my old Peavey head.
I like to set and forget as well and very rarely ever EQ the Ampegs. With the ABM all those knobs and sliders are temptations or like doors on a game show. Wonder what's behind slider #3? Is is better than knob #2! When I bring it to the house to have more time, I get what I want, but at church with a diff cab in a big room it's all fairly different.I know exactly how to get what I want.
So for me, it’s easy and I’m very familiar with Ashdown amps.
I don’t mind turning a few extra dials or sliding the sliders.
I’m also pretty much set and forget once I’ve found my lane.
But I hear ya Donnie.
Yeah same here, I only putz with the settings when something drastically changed (usually in transport)....I know exactly how to get what I want.
So for me, it’s easy and I’m very familiar with Ashdown amps.
I don’t mind turning a few extra dials or sliding the sliders.
I’m also pretty much set and forget once I’ve found my lane.
But I hear ya Donnie.
Ampeg B-15, old Sunns...Volume, Bass, Treble. C(n,r) = n!/(r!(n-r)! Old school = 2, @JJR58 with that Empress will be approaching the asymptote of infinity.You have effectively created a tone labyrinth to chase tone in!
I have to have as simple as possible or I keep pondering which thing to adjust, no, that other one, both, no the other direction on the first one..... Like a dumb bass player dog chasing it's tone tail. Maybe that's one reason I gravitated to Ampeg. Not a lot of EQ options. But I did love my old Peavey head.
Ampeg B-15, old Sunns...Volume, Bass, Treble. C(n,r) = n!/(r!(n-r)! Old school = 2, @JJR58 with that Empress will be approaching the asymptote of infinity.


factorials to represent how many more tone options Jeff will have over owners of amps with just volume, bass and treble controls....
My point is that others have gotten standard (normal TB headstock) birds into such bags.It’s less about the headstock, and more about the extended shape of the body.
I was able to get 2 35” FSO in the Gator with room to spare.