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Thunderbird Club

I decided to buy myself something completely different for a change. Its not a Thunderbird, but maybe you can appreciate it. Zemaitis CM22B MF, built by Greco. So far I am thrilled with my purchase :cool:

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That’s pretty cool! Congrats!
 
I decided to buy myself something completely different for a change. Its not a Thunderbird, but maybe you can appreciate it. Zemaitis CM22B MF, built by Greco. So far I am thrilled with my purchase :cool:

9i3mDFf.jpg

PkciWku.jpg

YQaASe7.jpg
Congrats Dude! Always wanted one of those, prefer that LP shape to Gibson's!..were those domestic made?
 
Yes they are. The more I use mine the more I like it. And you know how goofy picky I can be. I'm still getting acquainted with mine and it's EQ, and I have two less sliders than you.
These amps are inherently big and thick sounding.
But using the eq properly gets you a great clear clean tone with lots of punch.
Be interesting to hear the differences between it and the Quilter.
And I just received the Empress para eq for bass.
All set for tone chasing. :smug:
 
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These amps are inherently big and thick sounding.
But using the eq properly gets you a great clear clean tone with lots of punch.
Be interesting to hear the differences between it and the Quilter.
And I just received the Empress para eq for bass.
All set for tone chasing. :smug:
You have effectively created a tone labyrinth to chase tone in!
I have to have as simple as possible or I keep pondering which thing to adjust, no, that other one, both, no the other direction on the first one..... Like a dumb bass player dog chasing it's tone tail. Maybe that's one reason I gravitated to Ampeg. Not a lot of EQ options. But I did love my old Peavey head.
 
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You have effectively created an tone labyrinth to chase tone in!
I have to have as simple as possible or I keep pondering which thing to adjust, no, that other one, both, no the other direction on the first one..... Like a dumb bass player dog chasing it's tone tail. Maybe that's one reason I gravitated to Ampeg. Not a lot of EQ options. But I did love my old Peavey head.
I recorded a bit with my Peavey Centurian a few months ago, and it still does the job.
There’s a little more hum than I remember, but if the Peavey was all I had, I’d be fine.
 
You have effectively created an tone labyrinth to chase tone in!
I have to have as simple as possible or I keep pondering which thing to adjust, no, that other one, both, no the other direction on the first one..... Like a dumb bass player dog chasing it's tone tail. Maybe that's one reason I gravitated to Ampeg. Not a lot of EQ options. But I did love my old Peavey head.
I know exactly how to get what I want.
So for me, it’s easy and I’m very familiar with Ashdown amps.
I don’t mind turning a few extra dials or sliding the sliders.
I’m also pretty much set and forget once I’ve found my lane.
But I hear ya Donnie.
 
You have effectively created a tone labyrinth to chase tone in!
I have to have as simple as possible or I keep pondering which thing to adjust, no, that other one, both, no the other direction on the first one..... Like a dumb bass player dog chasing it's tone tail. Maybe that's one reason I gravitated to Ampeg. Not a lot of EQ options. But I did love my old Peavey head.
My favored tone is a Thunderbird into an ACC 360 with the bright switch engaged. Just enough clank and scoop to put an electric blue pinstripe around the almost black, dark teal sound.
 
I know exactly how to get what I want.
So for me, it’s easy and I’m very familiar with Ashdown amps.
I don’t mind turning a few extra dials or sliding the sliders.
I’m also pretty much set and forget once I’ve found my lane.
But I hear ya Donnie.
I like to set and forget as well and very rarely ever EQ the Ampegs. With the ABM all those knobs and sliders are temptations or like doors on a game show. Wonder what's behind slider #3? Is is better than knob #2! When I bring it to the house to have more time, I get what I want, but at church with a diff cab in a big room it's all fairly different.
Wed I left it flat and would only adjust one thing in between songs. None of it sounded bad by any means, but I can shoot the good for the better, which can be a problem at times. With it having so much versatility, I know there are good things I haven't found yet.

I'm hoping to get the ABM set and not not want to adjust anything from bass to bass like the Ampegs. I'm getting closer...to my home.... but not exactly there yet.
 
I know exactly how to get what I want.
So for me, it’s easy and I’m very familiar with Ashdown amps.
I don’t mind turning a few extra dials or sliding the sliders.
I’m also pretty much set and forget once I’ve found my lane.
But I hear ya Donnie.
Yeah same here, I only putz with the settings when something drastically changed (usually in transport)....
 
You have effectively created a tone labyrinth to chase tone in!
I have to have as simple as possible or I keep pondering which thing to adjust, no, that other one, both, no the other direction on the first one..... Like a dumb bass player dog chasing it's tone tail. Maybe that's one reason I gravitated to Ampeg. Not a lot of EQ options. But I did love my old Peavey head.
Ampeg B-15, old Sunns...Volume, Bass, Treble. C(n,r) = n!/(r!(n-r)! Old school = 2, @JJR58 with that Empress will be approaching the asymptote of infinity.