• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Thunderbird Club

Yah, me neither Miles - I never refer to them like that. B-pu / N-pu is simple, concise and clear. Then there's a 3-pu bass; N-pu, M(iddle)-pu, and B-pu.
Ditto for me as well, at least on basses. Guitars on the other hand are Lead and rhythm, unless you’re playing a three pickup guitar, then it’s this, that and the other. ;)
 
Myself have said it before and will say it again, that another denizen of Australia, Iva Davies and Flowers/Icehouse who inspired me to take up the bass guitar with such haunting songs such as "The Kingdom", "Paradise", and "No Promises". Thought they were better known for upbeat songs like "Street Cafe, "Hey Little Girl" and "Electric Blue", it was the former atmospheric soundscapes that really grabbed me, both lyrically and sonically.

A shout out to Guy Pratt for his fine fretless work on two of the three-
he was my neighbor in London in the early 90's.....always surrounded by spectacular looking women....
 
Yes. As you are aware we had small quantities of AMC’s assembled here in RHD (as Ramblers) up until circa 78.

We have a racing series Touring Car Masters that allows racing of these old cars. So you may get a Mustang, a Camaro, a Monaro, a Torana, a Falcon sprint, a Falcon GTHO or even a Javelin racing around in Thunderous fun.

Champion racing driver “Gentleman” Jim Richards (a Kiwi that has been racing here since about 1974 or so) decided he’d try something different (he has raced all sorts) and chose a Javelin. But a LHD one, I think there are another couple now inspired by Richard’s.

The one in your pic is driven by Peter Schulte.





that thing sounds SICK!.....
 
Billy went through phases of different styles. He grew up a contemporary of the Bee Gees up in Brisbane - like them a £10 Pom born in England, migrated to Australia as a kid - then moved down to Sydney as it was a bigger city.

Did the pop / beat music thing in the early and mid 60s. Had the distinction of holding no. 1 on the singles chart while The Beatles toured (conquered) Australia with a cover of Poison Ivy.
1964 clean handsome Billy.


He Also had a hit with Somewhere Over the Rainbow, of all things. Actually he has a great voice.

He then went into heavy Billy. RSO management and a new version of The Aztecs, the “Sunbury” Aztecs because they ripped at the music festival.

Mama - live in a TV studio


Then into a solo artist Billy



Then out of that into an adult rock Billy, back with The Aztecs with a bit of funk on this one - Mr Bassballs.

Is @Chucky Stiletti our TB Mr Bassballs ?



All that BEFORE the US and Children of the Sun.

And I didn’t even post the song he is most remembered by…

Great tune..
 
Just think -- if the rumor of Fender buying them is true, we'll see online bickering about whether the pre-Fender or post-Fender (meaning pre-post-CBS-Fender or post-post-CBS-Fender) G&Ls are better.
For the record, I know for a fact that the pre-Fender G&Ls were much better. More valuable too.



;)
 
Man of Colours was an enormous success for Iva. I got the CD and played the snot out of it.

Trivia: Iva studied at the Sydney Conservatorium of Music as an Oboe-ist.

View attachment 7334659
I remember seeing this album in the late-80'sat a friend's place, but it wasn't until I heard "The Kingdom" on late night public radio back in November of 1990 that I ran out to the local record store and searched through all Icehouse albums until I found it and purchased a cassette tape copy. I've had the CD for quiet a while now-
 
As usual a lot of people seem to have nothing better to do. Leo Fender was quoted saying G&L's were his best offering. I have no reason to disagree with him.
yep...
IMG_6112.jpeg
 
Last edited:
You do, a bit. It’s not as big a change as most tone controls, and is much more noticeable on a treble guitar than a bass guitar.
I had a Czech bass (that I restored and sold) from '85 that had two V pots - one for each of the two pu's. (no tone pot) By favoring one or the other, it essentially was like having two tone pots - one bassy-er and the other more treble...er. ;) It's a pretty efficient wiring for a two pu bass although it lacked nuanced on-board dial-able adjustability.

1759377814416.jpeg
 
Last edited: