I’ve been eyeing a few.Yep. He did. The pride of SLO. I pray they will remain with us for a long time to come too.
But it’ll be cheaper for me to put back together my black body Geddy Lee J.
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I’ve been eyeing a few.Yep. He did. The pride of SLO. I pray they will remain with us for a long time to come too.
They look like they'll be nice when they finish them.Greeks...
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Arabs...
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Germans...
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('cept the German one)Hey!Definitely not Mike’s flip phone.
Thanks Jeff! I always enjoy playing some heavy tunes - having fun rediscovering this stuff:That music in your clip is probably my favorite genre.
Especially how you guys played it.
My hats off to you Irv and the rest of the musicians.
For all your death metal needs!EMG's (their low impedance active pu's) were/are especially favored by metal guitarists because they deliver a clean, neutral sound, so when adding all their effects they remain clear and articulate. I have (9v active) EMGX J pu's in my Supersonic bass and they are exactly that - clean, clear and neutral. (...it's strung w/flats) My Russian (Moscow) guitarist/musician friend who worked for Avid (formerly Digi Design - he's a sonic scientist) played all my basses at one point and picked that bass as his favorite. I don't think I ever made it growl, but otherwise it sounds/records damn good.
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Totally digging this, Chuck!thanks!.....dicking around in the studio decades ago....this one has an amusing story our guitarist/singer wrote about the owner of a club (called "La Comedia" where we used to play) who canned us after his wife came on to him....can't write this stuff.....
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Killer!I found a recording of the Tbird I built - when it had the EMG active P pickup in it:
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The fried-chicken-sniffing dogs outted him!Did it involve a strip search?
I don't measure. I check the relief by holding down the E string at each end and tapping it in the middle.Someone earlier said that Fender bass specs are relatively high action and although they were an improvement what my Jazz came with I decided on lowering the action so-
Instead of .012 at the 6th or 7th fret for trussrod setting I went with .008 and for the string height settings from the bridge (measurements taken at the 17 th fret I went as follows-
Instead of Fender's suggested 2.4 mm height for the E string, I went with 2.0 mm, and instead of 2.0 mm for the G string I went with a little less than 1.75.
Mind you this is what they recommend for a radius of 9.5.
No buzz thus far!
Any measurements you can share?
They did not.The fried-chicken-sniffing dogs outted him!
Same here.I don't measure. I check the relief by holding down the E string at each end and tapping it in the middle.
And I usually set the action where it feels good.
Thx Miles!! from well into last century....crazy..Totally digging this, Chuck!
I meant yours V, the '39 Victor's ready.....talk about contrast....There's a pesky Englisher on the right![]()
I've measured before a few times and set things to what was considered optimal but went back to adjusting till it feels right. Those were not the same for whatever reason.I don't measure. I check the relief by holding down the E string at each end and tapping it in the middle.
And I usually set the action where it feels good.
Basic translation: "To the fallen, on the 40th Anniversary of the Battle of Gela". 1983.On my own I wouldn't have known that about Palermo, however, George C. Scott mentions it in "Patton" which happens to be one of my all-time favorite movies. I firmly believe the man was put on this earth to play that role, he was brilliant.