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Thunderbird Club

Well said. And your #1 would be mine as well. I would much rather play with people with less talent, but are more mature and easy to get along with than people who are great, but you would never choose to be around them otherwise.

All of my favorite band settings were people I knew, knew of (or were initially friend of a friend). In those situations we were also friends outside the band setting. The situations I could have lived without were where I didn't know the guys and we were filling slots basically. No gelling. No lasting ether. I found when members are friends it's worked better even in the difficult times because the friendship was as important as the band aspect.
So true. My friend Chris Kuffner who is a 'hired-gun' pro touring bass-player echoes the same thing on that level. If you are chosen to tour with a band, you obviously need to be competent but more importantly you need to be a good hang.

I've been blessed(?) to share compatible friendship with members of both bands I'm in. For me Bond Girl is going on 10yrs and TSC 7yrs. We've gone through a few drummers (think Spinal Tap :laugh:) and one guitarist but otherwise our core is the same.
 
:roflmao:

We had not considered that, but maybe I will suggest it. I am sure the guys will love the idea.

Obviously, a set of band promo shots are in order - the whole brick wall thing comes to mind 😺
 
I cracked up when I saw this from the water Co about keeping pipes from freezing. It's the image that's the problem. Maybe someone with more insight than I have can explain this. Otherwise it looks ai to me.
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I should probably post one zoomed in on the "repair." For Dave's entertainment purposes.

It looks like this (stock photo):
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The stock location for the upper strap button makes for disastrous neck dive. Once the strap button has moved to the heel of the neck where it belongs, it balances very well. It is bolt on, meaning I drilled a hole in the neck plate for the strap button attachment.

There's a lot that's pretty low-budget about it, but the frets have polished, eased ends that are really comfortable. I sure didn't expect that at all.

I'll get a picture of the real one this weekend if you pester me enough about it.
Pester
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Pester
 
Can I return to the receiver, cd player, amp talk for a moment?

I was wondering if you guys take a cd or album with you when shopping for new equipment?

In my case I was shopping for my first CD player (I had about 25 cds though!). My mate and I went out equipped with Dark Side of the Moon and tested the CD players with “Money” and “Time”. We both bought the same Denon player, to which I added a Denon amp and Mordaunt Short MS5 speakers.

What song/s do you guys play when road testing new cd/record players?
Yes, but it’s been a while.
 
WBW it is!
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I need to update my white bass photo, I’ve added a Lull TB5 and a Burny since the last shoot, and wrapped up a CSLE hot rod for my Nephew (shipped out last week, he loves it)…
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Wow nice collection! Those birds look great in white. Up on a dark stage the body shape really stands out. Please educate me on that Burny… are they MIJ? And are they made by Fernandes? Someone advertising one on the local CL is claiming it is made by Greco. Are they “Greco level” quality?
 
How were they? Supposedly their ‘73 gig in Atlanta was banger.
They weren't that well known at that time. Many of the kids that were there were just happy to be out doing something at night. Band sounded good(open air situation); sound system was "OK" for the time.
 
I remember doing that in the mid 1980’s when I was buying my fist CD player.

DSOTM was an obvious demo disc but so was PF Wish You Were Here. At the time, to my ears, the Denon and Marantz players sounded warmer and less sterile than the Sony players of the same era. Pretty much the same experience with the integrated amps.

For turn tables the soundtrack to Star Wars was my vinyl of choice and I found Pioneer players to be a really good bang for the buck. Then again it was PF “Wish You Were Here” in four channel stereo, kind of a precursor to surround sound.

At that time (early 1990’s) most of my cars had cassette tape players so I copied my CDs onto Cassette for car use and found the Nakamachi decks to be better than most at recording on metal cassettes. I mostly tested with Bach or other classical CDs because of the dynamic range of the recordings.

Headphones are where it all became really important to test with the hifi music you played frequently, my choice was Queen “Play The Game” and “A Crazy Little Thing Called Love”.

Then when DVDs came out I used The Fifth Element and Mulon Rouge to audition players, projection TVs, projectors and video sound systems.

From about 1980 to 2000 I spent a small fortune in audio and video equipment, always chasing the latest technology or the highest quality components. I threw in the towel when my stereo system had morphed into a 7.2 audio video nightmare. I don’t have any of that equipment anymore, gave it all away or sold it piece by piece. Last I looked Marantz was touting an 11.2 system. Glad I gave it up when I did.

Coincidentally, that’s about the time that I started playing bass - guess where all the money is going these days - LOL.
I have upgraded our receiver several times in the last 25 years — always for free. People buying new gear keep giving me yheir old ones. I currently run a 7.2 A/V monster with at least 7.2 capability — in stereo through a pair of big speakers that have served us well for yesrs. I only upgraded to the A/V receiver when we got the BlueRay player because I needed the HDMI capability.

Bass rigs are much simpler!