Things you do on a real race track.What's this turning and stopping you speak of?!
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Things you do on a real race track.What's this turning and stopping you speak of?!
Black with a cream or parchment pick guard vs white with a black pickguard - decisions decisions.Black is beautiful, but you Mott want the white.
.
So, maybe black would be best, yeah, that's what I'll do, black, I always come back to black.That's how I feel about the EB-2. It's the two pickup version, but the mudbucker was replaced by a DiMarzio One before I got it. The wiring is all fouled up, but I don't care. It's got a wonderful warm, dry, woody sound that nothing else can approach. I have some parts to take it more or less back to stock, but why bother? It's better now than it was straight from the factory. I don't play it that much any more because I have become a little paranoid about anything happening to it, but it was my only bass for more than 20 years. It's in far better shape than it has any right to be.Thanks!It exactly is a hotrod - my hotrod! It was a "closet classic" when I bought it in '78 - barely played, everything original in it's HSC. I played it for years "as-is" but added a Seymour Duncan Hawkbucker bridge pu in '86. It's hard to image a day when 'modding' ones own bass was just, normal. (er.., wait a minute... everyone mods their basses today!) Someone looking at my bass today could say "how dare you violate this classic valuable vintage instrument!!!" and the pile-on ensues with torches flaring. (luckily not here in the Thunderbird Club - everyone's way too classy to level the heavy hand of "how-dare-you" - so "vintage Fender"...) No regrets, no apologies - it's going the distance w/me so no concern of "vintage resale value" etc. I've owned and played it for so many years I only think of it as the bass I'd never sell. (and I have quite a few now) ... but when I first owned it - it was my only bass. We "bonded" then, and that's all she wrote. But once I'm gone someone most definitely will continue to rock this bass, and it will continue to knock their socks-off.
We are all just guardians of our instruments. They will live on to inspire many players after we're gone! Rock yours mightily while you own it!![]()
Yep, great. Thanks
It's funny (peculiar) what you read tho.
Me too.Black with a cream or parchment pick guard vs white with a black pickguard - decisions decisions.
IMHO with all the chrome on that thing, I think the black will look sharpest,but I hate fingerprints and smudge marks all over everything and that's what you end up with if you get black
.
So I don't know, maybe white would be better,besides I usually wear dark shirts while playing so white will pop out a lot more.
But white just looks so formal,maybe burst would be best, then it won't show fingerprints as much and will look a bit more retro
, but I'm not in a retro type band and am focusing more on alternative, grunge and hard rock these days.
So, maybe black would be best, yeah, that's what I'll do, black, I always come back to black.
(I'm getting dizzy
)
Well that's interesting. Black Hipshot with chrome saddles. I guess it was intentional.
Yeah, very interesting.It was. Those Hipshot saddles are the same on many of their bridges so I swapped with a chrome one I have. Did the silver bolts too (via hardware store) - I like the mix.
Last seen on page 1865 (16 to go) 12:21 ESTMichael is making his way through the next 22 pages. It's 11:03 EST.
Get both, 1 black 1 white. That's the only correct answer, or all 3Black with a cream or parchment pick guard vs white with a black pickguard - decisions decisions.
IMHO with all the chrome on that thing, I think the black will look sharpest,but I hate fingerprints and smudge marks all over everything and that's what you end up with if you get black
.
So I don't know, maybe white would be better,besides I usually wear dark shirts while playing so white will pop out a lot more.
But white just looks so formal,maybe burst would be best, then it won't show fingerprints as much and will look a bit more retro
, but I'm not in a retro type band and am focusing more on alternative, grunge and hard rock these days.
So, maybe black would be best, yeah, that's what I'll do, black, I always come back to black.
(I'm getting dizzy
)
Gibson Rare Prototype Explorer Bass Early 1980's Red
This is really unique - a piezo only (prototype) Gibson Explorer bass from the early 80's. Never been that drawn to Explorers but the cleanness of the look of this thing is pretty cool. Had no idea that Gibson considered such a radical move for a bass. (no affiliation)
Gibson Thunderbird Bass 1991 Cardinal Red
This is pretty cool too - and also red. Would look awesome chromed-out.
That's a magical year AND in a custom color!
Please post some up when you can. As you can imagine, we love Vintage 'Birds!Sorry......no pics handy.
Caveat Emptor.
Broken headstock repair and no proof it's a factory Finish (shot of what's under the pick guard and control cavity would help to verify).
Refin would also account for the 'rock solid headstock repair' with no paint transition to the supposed original fin. Caveat Emptor.
What's this turning and stoppingyou speak ofof which you speak?!
Gibson Rare Prototype Explorer Bass Early 1980's Red
This is really unique - a piezo only (prototype) Gibson Explorer bass from the early 80's. Never been that drawn to Explorers but the cleanness of the look of this thing is pretty cool. Had no idea that Gibson considered such a radical move for a bass. (no affiliation)
Gibson Thunderbird Bass 1991 Cardinal Red
This is pretty cool too - and also red. Would look awesome chromed-out.