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Thunderbird Club

Been busy (playing golf today, hey I'm retired, gotta do somethin) and trying to catch up on this dang fast moving thread.

Anyway, my preference in basses is typically in fancy woods and finishes. I have dozens of top end fancy schmancy basses in my collection. But oddly enough, for some reason I can't explain, the TBird design just doesn't appeal to me in quilted or spalted or Burl or 5A Curley maple or a lot of other fancy options that look great on virtually every other bass design. YMMV, and that's cool, but for me a cool paint job maybe with some pinstriping or a subtle flamed maple visible thru a tinted gloss body stain would be perfect. So yes, I can imagine that bass in a nitro color and I'm sure it would rock.

Would it crush anything Gibson makes, quality/tone/or otherwise? Last I checked there wasn't any general consensus on which bass is the best bass in the world (well, maybe the mothman bass is near the top). So I kinda gotta disagree with you on the "crush any Gibson" comment.

Look at my tagline, it's there for a reason, it's a fundamental truth. A bass is a tool. Like any tool, some can be cheaper than others or built stronger than others or be more popular than others but at the end of the day it's still a tool. And all that really matters is having the right tool for the job. If that right tool for you is a Japanese bass, that's cool but don't assume that's the right tool for everybody. I can easily envision settings where a $300 Eppi Goth would be a better selection for me than a fancy top TUNE bass, or situations where a TUNE might be a better option than a much fancier and much better built and much more expensive Alembic TBird. Just sayin.

I don't own ANY coffee-table basses. Closest is a Singlecut, with a very subdued, but beautiful Redwood Burl top. Builder told me its a million years old or something:

ELLA 12-8.jpg


See? Not too schmancy. Now I posted a billion times that the finish on that Psychedelic was not my taste. But it was from their custom-build gallery, and whoever ordered it obviously liked that topwood!
Its probably the only T-Bird they've built, they are not a production, but rather a small-build company, a "subdivision" of Tune I believe and they are not Fender or Gibson either.

I NEVER- repeat-NEVER say that one bass is "better"- I tossed my Sadowsky, My Lulls, and a FCS because they weren't for ME- There's legions of fans of all those that would disagree, and that's fine.

Japanese builds intrigue me, as does the culture as a whole. I've spent time there, will go back this October, and am working on performing there and in Singapore- They love the FUNK! and we've got it.
I'm a high-end bass snob, because I've earned it financially and otherwise. I cut my teeth and earned my bones on a $200 Ibby which I could still jam today. My most precious bass is a '69 P-Bass which is a player I restored. Nothing like it.
Cost me $400, plus about another grand getting it to speed.
 
Interesting basses. What on earth is the control layout on the blue tele?

Glad you asked;
Truth TO4-004 - Truth Electric Guitar

Norifumi Fukuhara is one of the most respected Japanese Luthiers today. He works from the Aichi perfecture, building guitars, basses and Ukes! (Big deal in Japan) to the highest standards.

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The Tele-Style bass, if one chills, is nothing rad- It has the standard V-V-T switching which can be played either passive/active, then a 3-band EQ, the 4th knob is a master volume switch- and then his pups- Hand-wound, a MM-style and a single coil both have toggles for each coil on each pup.

I have (2) basses with Delano pups, an Xtender and a MM- style, and the pups on the TRUTH are by far, the hottest pups ever played! They make MFD's look tame by comparison, but at the same time, are toneful, resonant, and sweet sounding.
This is the only bass I ever need to pad!
This bass is amazing, an example of the Japanese dedication to craft and form.
Its finish is half-nitro, half urethane, and the hardware is proprietary as well. This is build 4 of 4, he's also made about 2 or 3, same switching , different pup configs, in a J-Style body as well.
Amazing instrument, one of my faves.

truth 1.jpg
 
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Well, they didn't last too long now did they?
The cars are still around. I occasionally see the Back to the Future De Lorean on the QEW (yes the guy drives it around!).

The company didn't fair as well, however that may be at least partly due to the FBI's sting operation against John De Lorean and the subsequent hit to his reputation despite his acquittal.
 
The cars are still around. I occasionally see the Back to the Future De Lorean on the QEW (yes the guy drives it around!).

The company didn't fair as well, however that may be at least partly due to the FBI's sting operation against John De Lorean and the subsequent hit to his reputation despite his acquittal.

They weren't very popular though. I'm not ragging on them cause I like oddities like that.

I seen that guy once maybe twice on the QEW. I don't think he takes it to many shows though, at least not this end of the QEW.
 
...I NEVER- repeat-NEVER say that one bass is "better"....

I'm sorry, I must have misunderstood this comment...
From my experience with TUNE and many other Japanese builds, that Psychedelic Version of a T-Bird would, well, it would crush just about anything Gibson makes, quality-wise tone-wise otherwise.
OK, proceed to bash....

I get the whole Asia thing. I spent the better part of my career as a global business manager working in Japan, China and Singapore and there's definitely a vibrant music and instrument culture there. Very cool.
 
I'm sorry, I must have misunderstood this comment...



I get the whole Asia thing. I spent the better part of my career as a global business manager working in Japan, China and Singapore and there's definitely a vibrant music and instrument culture there. Very cool.

Build quality is not subjective. Tell me that the Gibson or wait, Epiphone T-Birds are on the level of a one-off small batch build like the Japanese builders I mentioned I will tell you-
"Fine, you go with those, and I'll go with these"

See. Clear now, or do we want to bat it around semantically some more?:roflmao:

The"no bass is better" comment was a response to the poster who stated that. It would appear we are talking that no preference in bass is better, you like a Squire, you like a Squire. A Sadoswsky, e.g is measurably better.

The vibrancy of the Japanese MI scene is like nothing here. Obviously, a small homogeneous Country with an ancient culture has a reverence for things that can be tough for an American after time- EG- in every store, before you try a bass, the clerk takes, it, wipes it down, tunes it w/ a headstock tuner, only THEN hands it to you. Little different than GC, huh?
After many shops, I finally blurted out; "Gimme the *&&^% Bass, I know what to do!":roflmao:
 
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Au contraire, my southern hemispherical thunder goddess! Alcohol! Enough alcohol can make anything cool! If alcohol alone doesn't do it, the addition of a motorcycle will! It's a li'l game I like to call booze polo!;)
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I see a new sport a coming, involves motorcycles and golf clubs.