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Well I remember the walnut option for sure, perhaps the other option was Cherry, or sunburst. It was a couple years ago and I didn't have the money. But I do remember thinking I preferred the walnut. Which maybe suggests the other was cherry, which i generally would not prefer (but was fine on an SG). Crap I don't remember. Was it possible that GC had a limited run of ebony?
Basically you don't need the option of having individual saddle height adjustment with a 3-point bridge, since the entire bridge assembly is already adjusted to the same radius as the fretboard...
Correct me if I'm wrong, but I think the birds are usually 500k for volume and tone as well. The switch I was referring to wasn't a pickup selector, but a series/parallel so you get 2 different types of sounds when both pickups are on.
But if you go VVT classic configuration, confirm here what tone pot to use. 500k audio is right for volumes, and im pretty sure 500k for tone as well. I will open mine up and check.
Also, consider a no load tone pot, effectively takes the pot and cap out of the circuit when the tone is all the way up.
The resonance, the transfer from strings to body. It sounds so wide open, not hollow like it was with the 3 point. I did the a/b pluged in. Really incredible I must say. Super impressed with it.
+1 on this vs. the 3 point on my 2014 T-Bird. I went with a Babicz replacement and I noticed the same types of improvements.
It also allowed me the get the action low and follow the radius of the neck with no problems. I got the E string height where I wanted it, used a radius gauge and the other strings were set in about 10 minutes. Easy, peasy.
FWIW, I did some recording recently and the engineer told me a couple of time he was suprised/really happy with how much low end there was on the direct recorded tone. Said it was the first time he could remember NOT having to eq or shape the bottom end.
The seat in my Toyota moves forward, backward, higher, and lower. The back tilts, and has adjustable lumbar support. The headrest moves up & down, and even tilts. Why do you suppose they make it so adjustable, when they could just bolt a wooden stool to the floor?
OK, I understand this explanation better, thanks. Sorry, it's been a long week, I'm not usually this dense.
That would be a big help. I've found different Thunderbird wiring schemes component values on this and other forums.
That's a good idea, I'm sure at some point I'll miss the sound I've been getting.
Too tired to do it now. Bear in mind mine are epiphones, and there are a plethora of real Gibsons on this thread, many have a plethora eachOK, I understand this explanation better, thanks. Sorry, it's been a long week, I'm not usually this dense.
That would be a big help. I've found different Thunderbird wiring schemes component values on this and other forums.
That's a good idea, I'm sure at some point I'll miss the sound I've been getting.
All my birds (Gibson and Epiphone) have 500K tone pots... I believe the 60's and 70's had other value tone pots, but then again also had quite different pickups than newer models which are rather dark sounding.
So... do you let everybody decide what you do & don't need, man? Do you like butter on your mashed potatoes, man? I sure do! Don't let the Gibson fascists take away your butter, man! FIGHT THE POWER!!!I didn't think of it, but it's never occurred to me. I only thought of side-to-side because the nut on my B-Bird is a tad narrow for my liking.
Hillerup covered that note though, in that the bridge radius is a right match to the fretboard radius. You just adjust the post heights.
So, there.![]()

@Cardinal Fang you might want to consider the VV ser/par option and no tone. Or even just a VV option like @kat888 likes. I think shavos silver custom tbirds (the signature model that wasn't) are VV because they have 2 knobs (though it could be VT with both pickups on full)And with that said, i want to take my tone control out of the circuit, or go the no tone load pot route.
NEED!!!Ooooh, look at that: Thunderbird strap locks.
Thunderbird Strap Lock | Allparts.com
View attachment 2761216
CREEPY!!!Sigh. Lusting after cheap, shiny, little blingy things like this always makes me feel like a drunken man whore with thirteen dollars in his pocket stalking Zippo lighter vendors at the county fair. Which I know nothing about, of course.
[/QUOTE]@Cardinal Fang you might want to consider the VV ser/par option and no tone.
CREEPY!!!![]()
@Cardinal Fang you might want to consider the VV ser/par option and no tone. Or even just a VV option like @kat888 likes. I think shavos silver custom tbirds (the signature model that wasn't) are VV because they have 2 knobs (though it could be VT with both pickups on full)
I just cannot get into Bonamassa. He's technically a very good player... but everything about him just seems to contrived and disingenuous. The exact opposite of what the blues is. Kinda like Bill Gates putting on some temporary tattoos and a bandana & trying to pass himself off as a hardcore biker gang typeBut someone like Joe Bonamassa can have signature everything including a Les Paul with a Firebird headstock
Henry J needs to get his $#!+ together

My suggestions from the get go were all based on 3 controls in a row like a classic bird, but the series parallel switch in place of the tone control, to keep the "switch" motif of the blackbird as well as adding a super punchy powerful P bass on steroids and blow sound as wellThat would still leave me with only three holes in my bird...
So may options. I could ask him to sell me the hardware for multiple set ups and try them all out. Make recordings and post them here, of course.
Yup. My wife is a lucky lady.
I just cannot get into Bonamassa. He's technically a very good player... but everything about him just seems to contrived and disingenuous. The exact opposite of what the blues is. Kinda like Bill Gates putting on some temporary tattoos and a bandana & trying to pass himself off as a hardcore biker gang type![]()