So, if anyone is interested, I gave the Traynor a good workout with Prayer Flags today.
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Man, I missed having an all tube rig. Goes a long way toward explaining why I never hang on to OD pedals. They just can’t emulate this, for my tastes. Not that I think the Traynor is faultless, but it is cool for what it does. Harlowe (guitar player) loved it, but Paul (steel player) said, though he liked it, he was still getting used to how different it sounds from any of my other rigs. I couldn’t get anything resembling ‘clean,’ but in this band, that’s not a terrible thing. It was a big, messy rock bass sound. Distorted (very), but sounded cool and aggressive.
Pros- super aggressive sounding and gets really loud. I never took the master above noon.
Cons- at least with just the single, 8 ohm 1822, I found it a bit shy in the lows. Certainly useable, but I’d say this amp is a bit light in the lows. I had an idea, so when I got home, I tried this...
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Empress ParaEQ. First I tried putting it in the fx loop, but that was really distorted, so I ran it inline. Better. Boosted a little at around 110hz and maybe 300ish. Warmed up quite a bit, but I won’t know for sure what I think until I try it with a band.
Then I tried this...
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From my Reiner 6SL7 tube pre, into the amp in on the Traynor (which bypasses the Traynors gain and eq). Sounded MASSIVE. The low end got considerably bigger and cushier and I have a whole lot more clean headroom. I kinda missed the edgy, grindy thing the 12ax7’s do a little, but really it’s a huge improvement overall. The Reiner has a super nice Jenson DI, which is very FOH friendly (we’ll do a mic and DI at the gig). To be fair, it’s a pretty darn expensive, boutique pre, but mated with a tube power section, it’s very impressive