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Thunderbird Club

Hmmm, 4 drum mic + mid/side = 6 tracks ... what are you doing with the other 18?
Sorry but I have to go with the obvious:

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Hmmm, 4 drum mic + mid/side = 6 tracks ... what are you doing with the other 18?

12 channels of guitar? Some anvils and farm machinery?

This engineer went nutty on the drum mic’ing. 3 mics on the snare, one on the hats, rack tom, floor tom, 2 overheads, THREE mics on the kick drum, stereo drum room mics. One track for bass. Anywhere from 2-6 guitar tracks, lead vocal, couple tracks of bgv’s and that’s it
 
This engineer went nutty on the drum mic’ing. 3 mics on the snare, one on the hats, rack tom, floor tom, 2 overheads, THREE mics on the kick drum, stereo drum room mics. One track for bass. Anywhere from 2-6 guitar tracks, lead vocal, couple tracks of bgv’s and that’s it
12 mics on one drum kit - can't say I've ever seen that many used for one kit before. I'm sure it'll sound great. Although I do think you and the drummer should have some fun with the engineer and hang a cowbell when he isn't looking, then ask him why it doesn't have a mic. :smug:
 
12 mics on one drum kit - can't say I've ever seen that many used for one kit before. I'm sure it'll sound great. Although I do think you and the drummer should have some fun with the engineer and hang a cowbell when he isn't looking, then ask him why it doesn't have a mic. :smug:

I’m sure this dude would throw a half dozen mics on that too! I’ve seen more drum mics, but wouldn’t use that many myself. It was a fun night, despite a very slow engineer
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Poor Gretsch never came off the stand. We went for something fairly raw. Somewhere between 70’s country and The Rolling Stones. ‘Bird worked perfectly for all three tunes
 
Nice and old school with an SSL and Auratone speakers - Haven't seen a pair of those for decades... :)

That SSL was a sweet sounding board. Seems like when I was coming up, you were either a Neve person or an SSL person (I may be a Helios person) when it came to consoles. SSL was considered the pristine console for big pop records and Neve (or Trident for that matter) was for rock and roll. I’ve done a lot more rock and roll than pop and I kinda lean SSL, personally.

Oh, and the little speakers in front are Avantones, not Auratones...but it’s pretty much the same thing. We never listened to those during tracking though. The big monitors were a very large Adams, with a pair of Genelecs in the mid field
 
That SSL was a sweet sounding board. Seems like when I was coming up, you were either a Neve person or an SSL person (I may be a Helios person) when it came to consoles. SSL was considered the pristine console for big pop records and Neve (or Trident for that matter) was for rock and roll. I’ve done a lot more rock and roll than pop and I kinda lean SSL, personally.

Oh, and the little speakers in front are Avantones, not Auratones...but it’s pretty much the same thing. We never listened to those during tracking though. The big monitors were a very large Adams, with a pair of Genelecs in the mid field

Nice stuff all around! :)
 
This engineer went nutty on the drum mic’ing. 3 mics on the snare, one on the hats, rack tom, floor tom, 2 overheads, THREE mics on the kick drum, stereo drum room mics. One track for bass. Anywhere from 2-6 guitar tracks, lead vocal, couple tracks of bgv’s and that’s it
How does a kick drum need three mics? Three on the snare doesn't make much sense to me. Two does. What do I know? Not much.
 
Kick, snare, 2 x OH and a mid/side pair would keep me happy.
For the time being, I'm doing kick, 2 x OH, and bleed into everything else. Isolating the drums is proving to be much more difficult in the basement of blasphemy and bad ideas than I had expected. It's one of the reasons I haven't put up any recordings.
 
How does a kick drum need three mics? Three on the snare doesn't make much sense to me. Two does. What do I know? Not much.

I wouldn’t have mic’d It the way he did either, but I find it best to let each engineer do their thing. Never know what’ll come of it.

Kick, snare, 2 x OH and a mid/side pair would keep me happy.

That’s more than I’d use if I were engineering! As long as it sounds good, I’m not fussed with how they got there. I do know, whenever I decide there’s a ‘right’ way to do anything in recording, some engineer comes along with something very different and it works great. The drums sounded massive last night, so I’m happy. The engineer is going to mix the songs, but he’s also giving me a drive with all the isolated tracks. If we don’t love the mixes, I’ll redo it myself. It’ll be fun to sift through em all and see what works best. It was such a good sounding room, I solo’d just the room mics and one of the kick mics and nothing else was ‘needed,’ in my opinion, but we’ll see :)