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Thunderbird Club

I came across what is supposed to be a Gibson Thunderbird in a pawn shop yesterday. It is missing the truss rod cover/Gibson nameplate and the control panel cover on the back. Weird. It has the serial number on the back of the headstock and a made in date of 2011. The serial number checks out to 2011. It appears to have a multilaminate neck that goes all the way thru the body. Black hardware and what i would call a tobacco burst finish.

Is that neck a normal thing? I thought these were set neck?
 
I came across what is supposed to be a Gibson Thunderbird in a pawn shop yesterday. It is missing the truss rod cover/Gibson nameplate and the control panel cover on the back. Weird. It has the serial number on the back of the headstock and a made in date of 2011. The serial number checks out to 2011. It appears to have a multilaminate neck that goes all the way thru the body. Black hardware and what i would call a tobacco burst finish.

Is that neck a normal thing? I thought these were set neck?
Gibson and Epiphone Reverse TBirds are always neckthrough.
 
View attachment 3114113 Saw this at a local car show. Thought of you. Disappointed that the ‘69 Charger pic for the Doc and the Porsche pic for Gbass didn’t pan out. The headliner was an Elvis impersonator who, while kinda cheesy, draws a crowd and makes good bank.
Different strokes and all that.
Big turn out at the show?
 
I came across what is supposed to be a Gibson Thunderbird in a pawn shop yesterday. It is missing the truss rod cover/Gibson nameplate and the control panel cover on the back. Weird. It has the serial number on the back of the headstock and a made in date of 2011. The serial number checks out to 2011. It appears to have a multilaminate neck that goes all the way thru the body. Black hardware and what i would call a tobacco burst finish.

Is that neck a normal thing? I thought these were set neck?

Gibson Thunderbirds are neck thru except for the Studio which has a set neck and a much thinner headstock or the Non-Reverse which is set neck. I don't know when Gibson started stamping the year in the headstock but that has been going on for a little while. Until somewhat recently Epi Birds were bolt on or set neck (the Elitist was set neck). There has been a shift to neck thru on newer Epi Birds lately with the Pro 4, Classic Pro, and Vintage Pro, but they still make the bolt neck variety.
 
Big turn out at the show?
Yes. Tons of people. Lots of cool vintage cars. It’s also a “Taste Of” event so it attracts folks from all walks of life. The response for Elvis is not to be underestimated. We always talk about getting the opening slot. Maybe next year. Are you familiar with Terry Buckwald? Dude does well with his schtict. Second home in Vegas and big RV. One guy I talked to didn’t believe me when I told him the Mercedes 300 had explosive bolts in the doors in case it flipped. I enjoy dispensing fun facts. Speaking of, how many years did the Charger have hideaway headlights? The one I saw was really nice. Sorry to be Talkcarsandfood.
 
Yes. Tons of people. Lots of cool vintage cars. It’s also a “Taste Of” event so it attracts folks from all walks of life. The response for Elvis is not to be underestimated. We always talk about getting the opening slot. Maybe next year. Are you familiar with Terry Buckwald? Dude does well with his schtict. Second home in Vegas and big RV. One guy I talked to didn’t believe me when I told him the Mercedes 300 had explosive bolts in the doors in case it flipped. I enjoy dispensing fun facts. Speaking of, how many years did the Charger have hideaway headlights? The one I saw was really nice. Sorry to be Talkcarsandfood.
Never heard of him... but explosive bolts?! o_O

The Charger had hideaway headlights up to and including 1972.
 
I dig the pedal & would like to check one out... but I had to chuckle when he added a "touch" of gain. It changed it from a clean clear jangly almost telecaster-esque tone, to giant 20 pound electric razor tone... all with just a "touch" of gain.:rolleyes:

OOOOOOOOHHHHH... guitar players and their grainy thin excuses for tone :rollno:

It is my opinion that all budding young guitar players, should be forced to start with like, a silver face Bassman or other such minimalist amps with controls like this on it:

View attachment 3113601

If you can get where you can sound good with nothing to hide behind... you can apply to purchase a more feature laden amp:roflmao::roflmao::roflmao:
I never even thought of playing guitar through the octave pedal!

It’s pretty cool for bass. I had to put a piece of hockey tape over the main dial though. It sucks when you hit it and get mostly octave up:banghead:
 
I never even thought of playing guitar through the octave pedal!

It’s pretty cool for bass. I had to put a piece of hockey tape over the main dial though. It sucks when you hit it and get mostly octave up:banghead:
1 of our guitar players uses my old octaver(Boss OC-2)which only does octave down-Wes Montgomery effect.
 
Though I personally am not much of an effects guy... I have no issue with those who are. My commentary was directed squarely at those who squeeze all the organic nature and actual TONE out of their sound, and feed us an earful of what they've turned into little more than an electronic buzz. I just gotta shake my head & laugh when I see somebody with a $3500 PRS, sittin' in front of a big pedalboard (which typically has at least 2 different distortion/overdrive pedals), running through an effects loop on a modern $3500 amp head (commonly with 2 - 4 different gain stages of its own), and pumping it through a boooooteek speaker cab with "specially selected" speakers in it. Invariably... the speed noodling begins, and guess what... they sound just like the kid you saw at GC last time you were there, who was playin' a used 200 dollar sweat-shop produced import guitar through a used 20 watt bargain basement 1x10 combo... except louder:meh:.

I'm not gonna tell anyone how to spend their money... but I don't care how much it cost, what brand name is on it, or how many hours you wasted spent "dialing in your sound"... I'm callin' bullsh!t to yer face if you try to convince me that the giant mosquito that you're trying to shove in my ear holes, is "tone".
Auditioning guitar players years ago, we found the more gear the guy showed up with, the crappier his playing ability was.

I really like bass->cord->amp. I don’t think bass needs effects very often, but there are places where it makes sense. I was auditioning for an R&B / World band a few weeks ago and they have “Let’s Dance” on their list. It was nice to be able to get a fat synth-like tone on that. And it looks like I got the gig.
 

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