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Thunderbird Club

So here's a little something coming up for myself and the band:

We're traveling to Pt. Townsend, WA to play a smallish bar that has been rented out for the evening to celebrate someone's 50th B day. The PA will just handle the vocals and maybe the keys, the place isn't big so volume out of my amp isn't a problem, actually it's the reverse,, we'll probably need to be a bit quieter than what we're used to. So the question is, should I EQ differently for this? If so, give me some thoughts. I'm planning on taking my GK700RBII and a 4x10 and using the Greco Thunderbird II as the main bass wit the Epi VP along as the backup/detuned bass.

I'd rather hear from you guys than the Gen Pop so.................
I don't have any history with your amp/cab combo or that particular venue, but if I needed a good starting point I'd reach out to Talkbass Member @tombowlus
He has about the broadest amplification equipment experience that I've run across and may have some good insight for you. Looks like a very challenging venue to say the least.
 
I don't have any history with your amp/cab combo or that particular venue, but if I needed a good starting point I'd reach out to Talkbass Member @tombowlus
He has about the broadest amplification equipment experience that I've run across and may have some good insight for you. Looks like a very challenging venue to say the least.
dunno, I think it looks like a great venue, low ceiling, wooden floor and not much glass (windows etc.)..
I would rest the cab on the floor, run the bass at 9 1/2, low mids at 2, hi mids at 12 and treble at 10. I would go with your 76 Bird with the not so "in your face pups" so the center point of your dynamic range is lowered and more tame...then just adjust to the room by way of the volume and or the bass knob..
 
No T'bird content here, but...
 

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Been working on my solo bass stuff. Got a new sampler called the Elektron Octatrack MK2, which allows for live looping, among many other things. Horrific learning curve! Seriously difficult machine to master. I’m about 10 days in with mine and did this live looping jam. Every sound is me playing either my Gibson T Bird or my Gretsch SpectraSonic bass. Maybe David Lynch is looking for new, off the wall music?
 
So here's a little something coming up for myself and the band:

We're traveling to Pt. Townsend, WA I9 U to play a smallish bar that has been rented out for the evening to celebrate someone's 50th B day. The PA will just handle the vocals and maybe the keys, the place isn't big so volume out of my amp isn't a problem, actually it's the reverse,, we'll probably need to be a bit quieter than what we're used to. So the question is, should I EQ differently for this? If so, give me some thoughts. I'm planning on taking my GK700RBII and a 4x10 and using the Greco Thunderbird II as the main bass wit the Epi VP along as the backup/detuned bass.

I'd rather hear from you guys than the Gen Pop so.................
Seems to me that the lows you often cut in your amp's eq, because you're going to foh and want to avoid stage-borne mud in the mix, are less of an issue now. You might want to take a little more liberty with your amp sound, just because now it's all you!
Now it's like those house parties you might have started out with... roots!
 
Been working on my solo bass stuff. Got a new sampler called the Elektron Octatrack MK2, which allows for live looping, among many other things. Horrific learning curve! Seriously difficult machine to master. I’m about 10 days in with mine and did this live looping jam. Every sound is me playing either my Gibson T Bird or my Gretsch SpectraSonic bass. Maybe David Lynch is looking for new, off the wall music?

I need to stop ‘liking’ ever other post, this way it’s more meaningful when I ‘like’ a post like that!

That’s some really cool ****!
It sounds like something out of a 90’s/2000’s video game... maybe a James Bond game. But awesome either way!