yeah, all good....back to it's old self now...Too late now, but that cap was old and needed a Depends.
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yeah, all good....back to it's old self now...Too late now, but that cap was old and needed a Depends.
That's great. I just find that demos tend to have stuff cranked up way too high for my tastes. And then they'll finally tone that gain down and then turn the tone down at the same time, which I'd never do. Can't win. Fortunately here, at least, there are ways to try this stuff out risk-free.Been quite lucky in that respect. It may have taken three goes to get a preamp I didn't hate, but the RAT clone is just fantastic in a stupid grin sort of way.
That's great. I just find that demos tend to have stuff cranked up way too high for my tastes. And then they'll finally tone that gain down and then turn the tone down at the same time, which I'd never do. Can't win. Fortunately here, at least, there are ways to try this stuff out risk-free.
Been quite lucky in that respect. It may have taken three goes to get a preamp I didn't hate, but the RAT clone is just fantastic in a stupid grin sort of way.
What did you think of it?
They are traditionally underrated, but typically make solid, roadworthy, good sounding gear.
I've played through that for years. It's the "house" bass rig at the practice space. I like it. The overall sound is pretty raw, which suits me just fine.What did you think of it?
The on sale set I ordered from Jason’s new shop should be here today. I understand Gbass is no longer infatuated with them on his ‘15, but I’m going to try them on mine to hear for myself.I haven't, but I am loving the EB Cobalt flats. I guessed at the set and they're a little low tension; the V needs more front bow. Unfortunately my metric hex keys have disappeared.
Old Peavey is about equivalent to ACC in a lot of ways. Loud, heavy, big, indestructible. A little cruder than ACC but still great in a 1970s solid state way. I think of Carvin in the same way, up to whatever it was that happened a year or two ago. Cheap and way better than it has a right to be. And a great value as used gear.They are traditionally underrated, but typically make solid, roadworthy, good sounding gear.
I plan to put them back on the '15 soon.The on sale set I ordered from Jason’s new shop should be here today. I understand Gbass is no longer infatuated with them on his ‘15, but I’m going to try them on mine to hear for myself.
The on sale set I ordered from Jason’s new shop should be here today. I understand Gbass is no longer infatuated with them on his ‘15, but I’m going to try them on mine to hear for myself.
Wal-Mart sells a combination SAE/metric set cheap.I haven't, but I am loving the EB Cobalt flats. I guessed at the set and they're a little low tension; the V needs more front bow. Unfortunately my metric hex keys have disappeared.
FretNation.comWhat is Jasons company named again? I keep forgetting to write it down...
Glad you are getting help with the work-maintenance portion of the band.I'll bear that in mind, although atm, our singer is fully into the drum programming.
And just like Peavey, John Taylor (who plays them) is traditionally underrated, but typically solid, roadworthy, and good sounding.They are traditionally underrated, but typically make solid, roadworthy, good sounding gear.
Glad you are getting help with the work-maintenance portion of the band.

A classic. Clint’s debut as a director. A stunning Jessica Walter. Saw it in the theater when it came out; I was thirteen. Like to revisit it every few years. A must watch for any Eastwood fan.One of the few Eastwoods I haven't seen. I need to.