• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Thunderbird Club

I guess I'm in? That's my Goth T-bird on the far right, top row -
Bedroom Final.jpg



I'll be honest, not a fan of the 3-point bridge on this thing. I can NOT get the action down low enough to make it work well for me. In fact, of all my personal basses, this one probably has the highest action of them all.
 
I guess I'm in? That's my Goth T-bird on the far right, top row -
View attachment 3515538


I'll be honest, not a fan of the 3-point bridge on this thing. I can NOT get the action down low enough to make it work well for me. In fact, of all my personal basses, this one probably has the highest action of them all.
nice collection! lots of the folks here go to Babicz or Hipshot bridges to move away from three point types..
 
I guess I'm in? That's my Goth T-bird on the far right, top row -
View attachment 3515538


I'll be honest, not a fan of the 3-point bridge on this thing. I can NOT get the action down low enough to make it work well for me. In fact, of all my personal basses, this one probably has the highest action of them all.
I like those! All of 'em! Do you switch back and forth from left handed to right handed, or are the lefties strung righty or are the righties strung lefty?
 
... lots of the folks here go to Babicz or Hipshot bridges to move away from three point types..
Yeah, I've been looking at the Hipshot replacement. I don't know if I'm just not doing something right, or maybe I am and that's just a product of these basses, but I have the thing down about as low as it'll go and it's still crazy high to me. Granted, I could screw the front point down a bit more and maybe gain a little more, but I've read a lot of posts that say to leave the front point up slightly or you risk pulling the studs out of the body. I got it because I've always loved the shape and these things have such a thunderous rumble, but that high action kills my enjoyment of it, and it does weigh a bit too.
 
...Do you switch back and forth from left handed to right handed, or are the lefties strung righty or are the righties strung lefty?
Haha, no the lefties are actually my little brother's. He passed away a few years back and I display them as his legacy and a reminder to me. He played bass for VIII Days Clean, you can look them up on iTunes. He was a far better bassist than me, and I miss him, so I leave them there for the world to remember him. ;):cool:
 
I guess I'm in? That's my Goth T-bird on the far right, top row -
View attachment 3515538


I'll be honest, not a fan of the 3-point bridge on this thing. I can NOT get the action down low enough to make it work well for me. In fact, of all my personal basses, this one probably has the highest action of them all.
Wow! That is some pointy metal goodness and some cool psychedelia!
 
I guess I'm in? That's my Goth T-bird on the far right, top row -
View attachment 3515538


I'll be honest, not a fan of the 3-point bridge on this thing. I can NOT get the action down low enough to make it work well for me. In fact, of all my personal basses, this one probably has the highest action of them all.
nice collection! lots of the folks here go to Babicz or Hipshot bridges to move away from three point types..
Yeah, I've been looking at the Hipshot replacement. I don't know if I'm just not doing something right, or maybe I am and that's just a product of these basses, but I have the thing down about as low as it'll go and it's still crazy high to me. Granted, I could screw the front point down a bit more and maybe gain a little more, but I've read a lot of posts that say to leave the front point up slightly or you risk pulling the studs out of the body. I got it because I've always loved the shape and these things have such a thunderous rumble, but that high action kills my enjoyment of it, and it does weigh a bit too.

Go with the Hipshot. It will do what you need.
 
I'm currently trying DR Lo-Riders 45-100 on the 'Bird...what kind of (and gauge) strings do you mount on yours?
I found that these DRs have lowered a bit the "WOOOOOM" bottom end, enhancing the mid frequencies and letting the growl/woodiness more clea/audible...for now, they work for me :thumbsup: but they're new.

I also achieved a good setup with the 3 point bridge, low enough action without buzzing at all. I have it slightly tilted to the back (opposite to the neck, let's say 1-2 mm)
 
Haha, no the lefties are actually my little brother's. He passed away a few years back and I display them as his legacy and a reminder to me. He played bass for VIII Days Clean, you can look them up on iTunes. He was a far better bassist than me, and I miss him, so I leave them there for the world to remember him. ;):cool:
Really sorry to hear that. I do love that you keep those out as a reminder. I also play lefty.

To parrot what others have said, I'd recommend trying the Hipshot bridge. I love it on mine.
 
I guess I'm in? That's my Goth T-bird on the far right, top row -
View attachment 3515538

I'll be honest, not a fan of the 3-point bridge on this thing. I can NOT get the action down low enough to make it work well for me. In fact, of all my personal basses, this one probably has the highest action of them all.
Also, cool BC Riches. I just got a '76 Eagle bass (lefty).
 
My knees hurt. Not bass playing related. Sorry. Or maybe it is. I cannot stand still. I am convinced that 'Bird ergos are why I do not have wrist or shoulder problems.

One of my knees hurt from the same bike wreck that broke my collarbone. The docs never even looked at the knee. (I hate that particular hospital, as does my wife, a former medical professional). Cutting out wheat (gluten? Roundup? Whatever.) here in the US took care of the pain. The wheat in Europe bothers me not at all in that regard. This is good, because when I play bass, I tend to move around. A lot.
A truly miraculous healing means my collarbone doesn't impede my playing bass (or anything else) any more.
 
I guess I'm in? That's my Goth T-bird on the far right, top row -
View attachment 3515538


I'll be honest, not a fan of the 3-point bridge on this thing. I can NOT get the action down low enough to make it work well for me. In fact, of all my personal basses, this one probably has the highest action of them all.

I couldn't, either. I swapped it for a Hipshot Supertone bridge to get the Cobalt flats silks off the saddles, and it solved this problem, too!

(I have a Hipshot A style on my Pro V Tbird; I love that, too.)

Gorgeous collection.
 
I guess I'm in? That's my Goth T-bird on the far right, top row -
View attachment 3515538


I'll be honest, not a fan of the 3-point bridge on this thing. I can NOT get the action down low enough to make it work well for me. In fact, of all my personal basses, this one probably has the highest action of them all.

Welcome to tb - and the swingin'est club thread on it! :bassist:
 
Yeah, I've been looking at the Hipshot replacement. I don't know if I'm just not doing something right, or maybe I am and that's just a product of these basses, but I have the thing down about as low as it'll go and it's still crazy high to me. Granted, I could screw the front point down a bit more and maybe gain a little more, but I've read a lot of posts that say to leave the front point up slightly or you risk pulling the studs out of the body. I got it because I've always loved the shape and these things have such a thunderous rumble, but that high action kills my enjoyment of it, and it does weigh a bit too.

Here is something I have saved that I like to share now and then. Might help you get the bridge dialed in better.

THREE POINT BRIDGE SETUP

1. Screw down the bridge evenly over all three screws till you have an action around the 15th and higher frets that is comfortable for you without any or too much buzz (some players don't mind a little buzz or even like it, that is a matter of taste). Keep the front stud a little higher for best string to saddle pressure. Retune the bass, don't worry about buzzing in the lower registers at this point.

2. Now you've got your bass retuned with a lower action at the high frets. Your lower frets will now either buzz (see 2a for the subsequent steps) or the action will still be too high even in the low registers (see 2b for the subsequent steps).

2a: Low Register buzzes: You need to loosen the truss rod. Take off the truss rod cover and insert an allen wrench in the allen nut (the cheaper Epis generally have allen nuts). Don't detune the bass for that, rather lift the A and the D string to the side to the slots of the G and E string to have room for turning the allen wrench. With the bass' butt resting on your toes (clean those sneakers!) and the strings/fretboard facing away from you, you - while standing up and looking down - will now turn the allen wrench <--- counterclockwise <---. Epi truss rods move easily (if noisily), turn it and immediately look to find out how the action of the bass has altered and buzzing has become less or disappeared. Don't be scared of overdoing it - it is impossible to break a truss rod by loosening it as you are releasing tension. That said, one or two "one third turns" counterclockwise should do it. sometimes you will need a few more of those to actually adjust the bass if the neck is too straight or even curved away from the fretboard.

2 b: Low Register has too much action: Same as 2a, except that you have too tighten the truss rod now which is done by turning the allen wrench ---> clockwise --->. You will also have to be more careful as you can break a trussrod by overtightening it. But Epi truss rods are hardy and can certainly survive one full turn or even more as your bass is probably a virgin as regards truss rod adjustment.

3. After a combination of either steps 1 and 2a or steps 1 and 2 b you should have a relatively or even totally buzz free bass with good to reasonable action. If there is still some persistent buzzing at some places then raise the bridge a little. Raising the front stud will raise all strings, raising the lower hind stud more the D and G string, raising the upper hind stud more E and A. No radical set ups please! (Like one stud real low and the other two very high.)

4. (optional) Is all buzzing just on one string (while the other strings are buzz-free) and you have to raise the bridge considerably to make it go away even though you could stay much lower if it were just for the other strings? Try this then: I assume that on your Epi too the saddles for the four individual strings do not all have the same height, but that there are two higher and two lower ones. If the persistently buzzing string is on a lower saddle, then exchange that saddle against a higher saddle.
 
I guess I'm in? That's my Goth T-bird on the far right, top row -
View attachment 3515538
I'll be honest, not a fan of the 3-point bridge on this thing. I can NOT get the action down low enough to make it work well for me. In fact, of all my personal basses, this one probably has the highest action of them all.

Now you've gone and done it. You'll be hooked on Thunderbirds. One won't be enough.