What are these "unwanted lows" of which you speak? Are you a uke player in disguise?
It really helps fine tune in on a low frequency. Rumble, boom. That sorta stuff.
Great for poor room acoustics. Of course it doesn't improve my playing at all
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
What are these "unwanted lows" of which you speak? Are you a uke player in disguise?
Thunderbirds can cut through with the right eq. I have found that a Broughton Hi/Low pass filter makes a huge difference. I'm not sure what magic is stuffed into the little box, but somehow the bass sounds the same, but has far more presence without turning up. I think what it does is cut the lower frequencies that a Thunderbird can make, but that suck the life out of amps. It leaves the thunder and meat, but takes away any unnecessary rumble. Once that went into the signal chain, problems with cutting through or disappearing in the mix at certain points went away.
Agree with most you've said. Obviously YMMV applies here but...A few observations after playing bass and keys for decades in several bands at festivals and bar gigs.
-My perception of each gig is not always the same as my band mates, LOL
-The success of a gig is mostly about the vocals, sound quality and ability to read and work the crowd. Some of the best musical performances fell flat while some fairly ragged shows really hooked the house. It helps to keep the setlist flexible.
-If the monitors suck, the band suffers no matter how good the FOH
-You can practice till the cows come home in the jam room....the fastest way to ratchet up the quality is to get out and play a lot of gigs.
-Lead singers always have some sort of cold or throat affliction.
-Thunderbirds do add some thunder, even if they don't cut through as much.
Please, I would like to hear what other bass players think !
, guitarists get sore eardrums
, keyboard players get sore knees
, upright players get sore fingers
, and drummers get drugs
. Thank goodness we have drummers.
What bird are you playing and what's your go to string and rig selection?Have a good trip! Someday I’ll make it the 6000 miles to see NZ and OZ.Off to Queenstown NZ in the morning. Just checked the weather app...
Oh dear![]()
Bought a new fleecey jacket, and got a beanie and gloves packed in the carryon bag.
Thunderbirds.
Speaking of gizmo's, I just got this inexpensive wireless transponder and so far so good using it here at home. Will bring it to rehearsal this weekend, put it through band volume paces and will report on it after. I thoroughly dislike standing on guitar cords which inevitably happens so if this pans out I'll be a happy camper.
I taped AMP on the receiver to help keeping them plugged into the correct jack.
View attachment 3537588
My favorite was a Golden Book, The Pokey Little Puppy which Mom saved and my kids also loved. Still have it and dozens of others.I can't bring myself to get rid of my daughter's Elephant and Piggie books.
https://www.amazon.ca/We-Are-Book-E...e+are+in+a+book&qid=1568374207&s=books&sr=1-1
The books are really well done (I particularly like the one in which they discover that they are in the book). We would read them together - I did the Gerald's parts (in a silly elephant voice) and she did Piggie's parts. It is one of the things that helped her learn to read ahead of her peers.
Well that's cool. Be very interested to hear as to how it may or may not affect your tone vs. using a cable.
I learned mostly by just getting out and thumping along with a guitarist/singer. It sucks not being in a band.A few observations after playing bass and keys for decades in several bands at festivals and bar gigs.
-My perception of each gig is not always the same as my band mates, LOL
-The success of a gig is mostly about the vocals, sound quality and ability to read and work the crowd. Some of the best musical performances fell flat while some fairly ragged shows really hooked the house. It helps to keep the setlist flexible.
-If the monitors suck, the band suffers no matter how good the FOH
-You can practice till the cows come home in the jam room....the fastest way to ratchet up the quality is to get out and play a lot of gigs.
-Lead singers always have some sort of cold or throat affliction.
-Thunderbirds do add some thunder, even if they don't cut through as much.
Please, I would like to hear what other bass players think !
Most of our gigs are 6:30-9:30, sooo, both.Are you able to take advantage of the early bird specials or do you usually have to play through that?![]()
We couldn’t be without or Cavaliers. They do shed a ton though.We're on our third dachshund. Two females and a male and I would highly recommend a docile female in the smaller sized ones. Our Molly is so mild mannered and sweet and she was very easy to train. Housebroken easily and trained not to go upstairs or downstairs and she has shown very little interest in my Thunderbirds.![]()
Sometimes our drummer isn't loud enuff(don't tell him I said that). All 4 of us sing to varying degrees. Management(s) at our places like us partly because people don't bit.., er, complain that we're too loud.The venue of course affects ones sound delivery - we play in varying situations from great FOH to marginal DIY. The drums are always going to be an issue, especially if your drummer believes hitting hard is where his tone comes frombut our rule of thumb is vocals loudest so you can hear and understand all the lyrics, and everything else sits below that volume-wise. When doing a 3 band night - we are always the band that plays with less volume, and no less dynamics. A recent comment was that an audience member took her ear-plugs out during our set. That made me happy.
A little fun with "Be my Girl" by Jett. Still Thursday here!
Please report back on how it is. I've seen that same thing under lots of names and thought the same thing, that it could be really nice for home convenience. I saw nightmare reviews and raving reviews.Speaking of gizmo's, I just got this inexpensive wireless transponder and so far so good using it here at home. Will bring it to rehearsal this weekend, put it through band volume paces and will report on it after. I thoroughly dislike standing on guitar cords which inevitably happens so if this pans out I'll be a happy camper.
I taped AMP on the receiver to help keeping them plugged into the correct jack.
View attachment 3537588
As I'm sure you know, some ppl wouldn't be happy if you hung them with a new rope. The ones I've considered are $135-$154. I don't expect them to be perfect.Please report back on how it is. I've seen that same thing under lots of names and thought the same thing, that it could be really nice for home convenience. I saw nightmare reviews and raving reviews.
For live use? I'm only really thought about inexpensive ones like JIO's for home use. Live, I like to keep it really simple, plus I never play on a big enough stage to move around much anyway.As I'm sure you know, some ppl wouldn't be happy if you hung them with a new rope. The ones I've considered are $135-$154. I don't expect them to be perfect.
I agree with most of the above. It elevates the band if you have a good singer AND the audience can hear the nuances in the singing.A few observations after playing bass and keys for decades in several bands at festivals and bar gigs.
-My perception of each gig is not always the same as my band mates, LOL
-The success of a gig is mostly about the vocals, sound quality and ability to read and work the crowd. Some of the best musical performances fell flat while some fairly ragged shows really hooked the house. It helps to keep the setlist flexible.
-If the monitors suck, the band suffers no matter how good the FOH
-You can practice till the cows come home in the jam room....the fastest way to ratchet up the quality is to get out and play a lot of gigs.
-Lead singers always have some sort of cold or throat affliction.
-Thunderbirds do add some thunder, even if they don't cut through as much.
Please, I would like to hear what other bass players think !
I use 210AV cabs to accomplish the same thing.The perception is a funny thing. There was one show where the entire band was depressed and felt like we really blew it afterwards. The audience was more or less into it, but it was hard to tell in the venue anyway. We thought we sounded lifeless and flat. Then we got some recordings back and we killed it. Go figure.
We had a lead singer who took afflictions to a new level. I love her, and stay in touch with her, and wish nothing but the best for her... But... She was endless drama. Then she stopped drinking. I may end up in another band with her eventually.
Thunderbirds can cut through with the right eq. I have found that a Broughton Hi/Low pass filter makes a huge difference. I'm not sure what magic is stuffed into the little box, but somehow the bass sounds the same, but has far more presence without turning up. I think what it does is cut the lower frequencies that a Thunderbird can make, but that suck the life out of amps. It leaves the thunder and meat, but takes away any unnecessary rumble. Once that went into the signal chain, problems with cutting through or disappearing in the mix at certain points went away.
Please report back on how it is. I've seen that same thing under lots of names and thought the same thing, that it could be really nice for home convenience. I saw nightmare reviews and raving reviews.