Sure. I just notice things. Do stupid stuff. See dead people. You know, writer/bassist/half-Martian stuff.
We'd get along good.
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Sure. I just notice things. Do stupid stuff. See dead people. You know, writer/bassist/half-Martian stuff.
Why can’t you edit it?
What's the one with a reverse headstock? Is that a Thunderbird Studio?You can't see them very good but this is my Tbirds and a RD Artist.
3 Greco's and the rest Gibson
That half reverse shape makes my eyes itch. Look at that red star- clearly a Russian attempt to destroy the rock and roll world.
I thought Peavey was out of the instrument and amp business. Good to find out I was wrong.
Sounds like a good plan to me. Most of us are pretty good at stupid. A herd of stupid is always more fun than a single shot of stupid.
I noticed that Epiphone updated the Vintage Pro specs on their website. They now list the fretboard as Indian Laurel. I think this is the third fretboard material for this bass. If I recall correctly they started out as Blackwood Tec then went to Pau Ferro and now Laurel.
..Well, THAT escalated quickly......and just like that, the first sparks flew and off they went to start a beautiful friendship that grew into much more...
Not that there's anything wrong with that.![]()
I think mine is synthetic, bought it in the USI'm pretty sure I have a rosewood board on mine. Was expecting the synthetic blackwood tec, but ISTR the first batch of VP's to get shipped to Europe got rosewood boards, which at the time (after CITES required documentation for any type of rosewood) didn't make much sense.
I’m sure no more than any of the rest of us.You have no idea how many stupid things I have done in my life...
Apparently not in the forseeable future!
That is interesting. I had no idea he did that. I loved that show.Or worse yet, real-estate. The reason they split-up is because JM was a bit of a control freak and stifled the others input. A CD came out many years later called the Lost Tridant Sessions. It was compiled of the studio version of their last released life recording "Between Nothingness and Eternity" (both killer performances) and 3 studio songs by Hammer, Laird and JM. Frankly JM's piece was the best, and RL's was pretty proletarian by comparison. Jan Hammer's was very JH - he went on to do the Miami Vice intro. Closest time TV ever got to prog-rock.
