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Thunderbird Club

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I noticed that Epiphone updated the Vintage Pro specs on their website. They now list the fretboard as Indian Laurel. I think this is the third fretboard material for this bass. If I recall correctly they started out as Blackwood Tec then went to Pau Ferro and now Laurel. I'm typically not a wood snob but I just think this bass looks better with a nice dark board. Isn't the whole draw to this bass is the vintage look.

On another note the Embassy Pro is absent from the Epi site.
 
I noticed that Epiphone updated the Vintage Pro specs on their website. They now list the fretboard as Indian Laurel. I think this is the third fretboard material for this bass. If I recall correctly they started out as Blackwood Tec then went to Pau Ferro and now Laurel.

I'm pretty sure I have a rosewood board on mine. Was expecting the synthetic blackwood tec, but ISTR the first batch of VP's to get shipped to Europe got rosewood boards, which at the time (after CITES required documentation for any type of rosewood) didn't make much sense.
 
I'm pretty sure I have a rosewood board on mine. Was expecting the synthetic blackwood tec, but ISTR the first batch of VP's to get shipped to Europe got rosewood boards, which at the time (after CITES required documentation for any type of rosewood) didn't make much sense.
I think mine is synthetic, bought it in the US
 
Or worse yet, real-estate. The reason they split-up is because JM was a bit of a control freak and stifled the others input. A CD came out many years later called the Lost Tridant Sessions. It was compiled of the studio version of their last released life recording "Between Nothingness and Eternity" (both killer performances) and 3 studio songs by Hammer, Laird and JM. Frankly JM's piece was the best, and RL's was pretty proletarian by comparison. Jan Hammer's was very JH - he went on to do the Miami Vice intro. Closest time TV ever got to prog-rock.
That is interesting. I had no idea he did that. I loved that show.