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Thunderbird Club

That's a cool bass, nice elongated sweep thing going on. Love the single dot at the 12th fret. Has just a trace of "Awkward" going on, and toy-like funkiness with that big dot. Really cool, gotta love a visually surprising one-off.
Fwiw, the "Awkward" remark is not intended as a slight. It's to imply there are interesting influences. When electric instruments were becoming a pop commodity there were elements of industrial America in the presentation. Machine-looking, tech-vibe aspects mixed with sleek new curves. It was an interesting era, and that bass carries some if it. Perhaps my descriptive word didn't bring it.
Anyway it's a cool design. That is all.
 
That's a cool bass, nice elongated sweep thing going on. Love the single dot at the 12th fret. Has just a trace of "Awkward" going on, and toy-like funkiness with that big dot. Really cool, gotta love a visually surprising one-off.

:) Thanks for that! It's designed to be very ergonomic and to balance well. The upper horn goes to the 12th fret, the lower horn is shaped like that so playing seated is optimally comfortable, and the bass is designed to stand stably upright against an amp with a Dunlop Strap-Lok system strap attached.
 
Fwiw, the "Awkward" remark is not intended as a slight. It's to imply there are interesting influences. When electric instruments were becoming a pop commodity there were elements of industrial America in the presentation. Machine-looking, tech-vibe aspects mixed with sleek new curves. It was an interesting era, and that bass carries some if it. Perhaps my descriptive word didn't bring it.
Anyway it's a cool design. That is all.

Thanks for your concern to clarify! I took no offense - for me, when someone is engaged enough to express themselves frankly - I listen and do my best to understand exactly where that comment is coming from. It used to happen all the time when I was in graduate art college at SAIC in Chicago. I had my own "stall" in a big room filled with other 'stalls' where I worked on large oil canvases. Someone would walk by and say something in response to seeing my 'in progress' work. Sometimes it was completely obtuse to me, but then I'd try to see what they saw to provoke such a response. In the end it stretches ones parameters which is always a good thing. My influences are many and diverse - and why I do things sometimes is the result of just doing what feels aesthetically correct for me at that moment.
 
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Thanks for your concern to clarify! I took no offense - for me, when someone is engaged enough to express themselves frankly - I listen and do my best to understand exactly where that comment is coming from. It used to happen all the time when I was in graduate art college at SAIC in Chicago. I had my own "stall" in a big room filled with other 'stalls' where I worked on large oil canvases. Someone would walk by and say something in response to seeing my 'in progress' work. Sometimes it was completely obtuse to me, but then I'd try to see what they saw to provoke such a response. In the end it stretches ones parameters which is always a good thing. My influences are many and diverse - and why I do things sometimes is the result of just doing what feels aesthetically correct for me at that moment.
I tend to have my own particular "vision" about projects, though I don't find the time to execute very often. But allowing influence to find its way into the result can be a small revelation. A combination of intention and letting go ends up expressing personality... not letting your guts help drive makes a thing sterile, no matter how elegant the math might be.
 
Thanks for your concern to clarify! I took no offense - for me, when someone is engaged enough to express themselves frankly - I listen and do my best to understand exactly where that comment is coming from. It used to happen all the time when I was in graduate art college at SAIC in Chicago. I had my own "stall" in a big room filled with other 'stalls' where I worked on large oil canvases. Someone would walk by and say something in response to seeing my 'in progress' work. Sometimes it was completely obtuse to me, but then I'd try to see what they saw to provoke such a response. In the end it stretches ones parameters which is always a good thing. My influences are many and diverse - and why I do things sometimes is the result of just doing what feels aesthetically correct for me at that moment.

Many years ago, I read 7 Habits of Highly Effective People.* We can debate whether I learned anything from it; I'll lead the "not a damn thing" side. ;)

#5 is the one that really sticks with me and I think that far too many people need to learn. Seek first to understand then to be understood.

Everywhere it seems, people are far to busy shouting the importance of their opinion and vilifying those that disagree. But, it is the habit that has served me best through the years across many things personal and professional. Understanding someone's motivations can inform so much from trying to make a relationship work (or indicating it should be abandoned) to negotiating contracts. It is the whole walk a mile in a man's shoes thing.

It appears that you have been practicing #5 for some time.


* As a review, I would suggest reading the chapter titles and the first page of each chapter. The rest of each chapter is filler to make it a book rather than a pamphlet.
 
Many years ago, I read 7 Habits of Highly Effective People.* We can debate whether I learned anything from it; I'll lead the "not a damn thing" side. ;)

#5 is the one that really sticks with me and I think that far too many people need to learn. Seek first to understand then to be understood.

Everywhere it seems, people are far to busy shouting the importance of their opinion and vilifying those that disagree. But, it is the habit that has served me best through the years across many things personal and professional. Understanding someone's motivations can inform so much from trying to make a relationship work (or indicating it should be abandoned) to negotiating contracts. It is the whole walk a mile in a man's shoes thing.

It appears that you have been practicing #5 for some time.


* As a review, I would suggest reading the chapter titles and the first page of each chapter. The rest of each chapter is filler to make it a book rather than a pamphlet.
That’s Truth. It’s so easy to get caught up in my own drama and forget that the other person has their own unique situation.
But we digress:
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Many years ago, I read 7 Habits of Highly Effective People.* We can debate whether I learned anything from it; I'll lead the "not a damn thing" side. ;)

#5 is the one that really sticks with me and I think that far too many people need to learn. Seek first to understand then to be understood.

Everywhere it seems, people are far to busy shouting the importance of their opinion and vilifying those that disagree. But, it is the habit that has served me best through the years across many things personal and professional. Understanding someone's motivations can inform so much from trying to make a relationship work (or indicating it should be abandoned) to negotiating contracts. It is the whole walk a mile in a man's shoes thing.

It appears that you have been practicing #5 for some time.


* As a review, I would suggest reading the chapter titles and the first page of each chapter. The rest of each chapter is filler to make it a book rather than a pamphlet.
I agree. But think it could be condensed even further to, "treat other people how you would want to be treated," since that thought underlies all the good points he made in the book. The rest, as you say is filler.

In our case, treat others as if they are cool enough and wise enough to play Thunderbirds! Speaking of which, I got the '64 out last night and sure enjoyed that old piece of history. What a bass!
 
I agree. But think it could be condensed even further to, "treat other people how you would want to be treated," since that thought underlies all the good points he made in the book. The rest, as you say is filler.

In our case, treat others as if they are cool enough and wise enough to play Thunderbirds! Speaking of which, I got the '64 out last night and sure enjoyed that old piece of history. What a bass!
did you change your avatar cause the white 76 is on it’s way to CA?