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Thunderbird Club

After the drummer and I complained about the “pop” production our keyboard player was applying to the tracks, we decided he should keep going in that direction and I’ll produce the same songs my way, with real instruments.
Harrumph! Luddite.
(Exactly how it should be).
 
That is a great 80s colour and a great 80s style.

If those were made today (and had a humbucker) I would totally rock one! But I am an outlier and should never be used as a proxy for the wider market.

From a functionality standpoint, it most likely balances well (strap-peg at the12th fret) but the lower horn wouldn't be 'user-friendly' played in a seated position. (short downward 'hook' right into leg :blackeye:) I also appreciate that it stands vertical on its own. I love my Saunders neck and its quirky hs and 'Tron' graphics.

...and the grain on mine is crazy
upload_2021-4-2_13-48-11.jpeg
 
This is something I’ve been thinking about. I’m attempting to “produce” some of my reggae band’s music. On one of the tracks I found some cool Clav bits in a keyboard part and I looped them for a few bars as a pre-intro. Then there’s an intro. Arranging it like that means the chorus doesn’t happen until quite a bit further into the song than it should by modern production “rules”.

I’ve decided to just arrange it as a piece of music, rather than worrying about listeners with short attention spans needing to be hooked in the first 10 seconds.
TL;DR

;)
 
Just an update on the moving of the strap button on my Sixx bass. It makes all the difference! A couple measurements and a tiny drill bit and voila, a bass with zero neck dive and feels much more comfortable. I filled the hole with a black screw and rubber washer. I don’t think it looks too bad. View attachment 4225987

My plan is to leave the original strap button in place and add the new one at the heel. That way it gives me options if I ever need to use a different strap. That situation will likely never happen in a million years but if I remove that original button, then that situation will absolutely happen somehow. That is just how my brain works.
 
Man, my Rep just told me it’s still April. :roflmao:
I wonder which rep is right? I’m betting on yours. :thumbsup:
Mine is Jonathan Appleton who has been there a long time. And I’ve spent some major coin with his help. I’ve no reason to doubt him. And with the solid info only now being given to dealers, I think this month may be a bit optimistic. Anyway, June gives me more time to prepare the wife....
 
This is something I’ve been thinking about. I’m attempting to “produce” some of my reggae band’s music. On one of the tracks I found some cool Clav bits in a keyboard part and I looped them for a few bars as a pre-intro. Then there’s an intro. Arranging it like that means the chorus doesn’t happen until quite a bit further into the song than it should by modern production “rules”.

I’ve decided to just arrange it as a piece of music, rather than worrying about listeners with short attention spans needing to be hooked in the first 10 seconds.

It's how real music is made (as in, not by an algorithm) I was going to write 'formula', but in its broadest interpretation formula describes a systematic arrangement which isn't necessarily a bad thing. When I'm creating a bass-line for an original song, I follow a formula (not a hard-line formula, but a formula none the less) based on how I have learned a successful/classic song is constructed, mostly by ear. Luckily there are many (countless?) song-structures that each have their own collection of formula's so it isn't like everyone is following one path. (to success;))
 
Mine is Jonathan Appleton who has been there a long time. And I’ve spent some major coin with his help. I’ve no reason to doubt him. And with the solid info only now being given to dealers, I think this month may be a bit optimistic. Anyway, June gives me more time to prepare the wife....

Gotcha. My guy is Jason Koons. We chat every month since 2013, I think. My problem is, I get the cash from gigs, and if I don’t spend it, my wife does, on regular monthly bills, so I need to get it spent before it goes away again. ;) Then it takes a few months to get it replenished.
 
It's how real music is made (as in, not by an algorithm) I was going to write 'formula', but in its broadest interpretation formula describes a systematic arrangement which isn't necessarily a bad thing. When I'm creating a bass-line for an original song, I follow a formula (not a hard-line formula, but a formula none the less) based on how I have learned a successful/classic song is constructed, mostly by ear. Luckily there are many (countless?) song-structures that each have their own collection of formula's so it isn't like everyone is following one path. (to success;))
It’s actually a lot of fun arranging the other instruments. Most of parts are recorded and on the one tune I’m working on, there are a lot of tracks to work with.
A lot of the editing so far involves removing things rather than modifying them.
 
Mine is Jonathan Appleton who has been there a long time. And I’ve spent some major coin with his help. I’ve no reason to doubt him. And with the solid info only now being given to dealers, I think this month may be a bit optimistic. Anyway, June gives me more time to prepare the wife....
Appleton’s my guy too!
 
Gotcha. My guy is Jason Koons. We chat every month since 2013, I think. My problem is, I get the cash from gigs, and if I don’t spend it, my wife does, on regular monthly bills, so I need to get it spent before it goes away again. ;) Then it takes a few months to get it replenished.
my gig and amp repair money goes strictly back into music....can’t complain there, the wife is reasonable that way..
 
It’s actually a lot of fun arranging the other instruments. Most of parts are recorded and on the one tune I’m working on, there are a lot of tracks to work with.
A lot of the editing so far involves removing things rather than modifying them.

As it usually comes down to - (less is always more). I've yet to be in the arranging seat. As our recordings tracked in a pro studio (not our own in-house recordings) are on my dime, I do have the final say on the way it is produced/sounds but only as a collaborative overview/guide. I'm lucky to play with talented musicians with seasoned ears and I've never had to request different playing. More about production once tracks are established. I share that responsibility with Paul (our guitarist/singer/songwriter) as he is more versed in the technical side and has great taste. Steve plays drums - and is as solid as they come but stays clear after it’s recorded. Kirstin is the ‘talent’ in our band, and we do our best to support her - which makes us sound good as a band. No complaints. If all goes well in the ensuing months - we will record 4 new songs by years end. (my 2021 goal)

Have posted prior - I listen to it regularly to keep the flame alive - I 'arranged' to have Paul double me on the iconic solo in the studio (overdub) - he nailed it after I showed him the pattern once and rocked the outro like nobodies business.