Thunderbird Club

[Miles_ONeal]

I have to be in Portland in a few weeks. Hmmm... What would I do with a Kasino? Probably leave it in Oregon would be the best option.

Bring it to me!

 

[JIO]

I grew up with them, but also listening to Motown and southern rock, which included lots of bassy bass that was still articulate.

Totally agree - bass-players like Monk Montgomery, Bill Black and James Jamerson embraced the 'Fender bass' as ex-upright/doghouse players. Legend has it that JJ's 'action' was high, like on a double bass. But James Jamerson more than his '50s predecessors was the transition between old and new as far as electric bass. Carol Kaye (primarily a guitarist) wedged into that critical time-period to contribute to what has become "the golden years" of music, and in many ways - bass.

 

[JIO]

That looks pretty neat - who makes them?

me (only)

 

[MCF]

If ever there was a guy that could play a Strat - Robin Trower, with the late James Dewar on the Gibson EB and Reg Isidore on the drums.

Brings back memories. We were listening to him, Rory Gallagher and Alvin Lee a lot around that time.

 

[MCF]

Wow, they do! I hadn't noticed 'til you mentioned it - I wonder if it's the lighting I have.
It seems more pronounced in pics than irl...

View attachment 4225105

I like the red.

 

[Feral Feline]

Thunderbird Club Brothers & Sisters Are You Ready?

Ready for some Garry-noice reggae Lowe end?

His playing is like a Revolution Per Minute — you Better Get Used To It!...

...or You'll be Diggin' A Hole and havin' to Ride Like Hell to make The Scene. I'm A Ram and If I Had My Way, I'd make that Wild Ox Moan, cause that's A Little Bit A Alright. So go ahead, baby, Turn The Lights On, but please Let Me Sleep In Late. If not, you better make sure there's some Sugar In My Coffee or you'll have All Hell For A Basement.



Whelp, it's All Over Now, soon I'll be Gone For Good. Gonna have to Let It Ride on the Goodbye Train.




~~~~~~~~~~~~~~~~~~~~~~~

... Correct bass design is not that complicated ; 1) basses have longer necks, 2) basses need to have an upper 'horn' somewhere close to the 12th fret, 3) the bass body strap-peg location should ideally be positioning "off" center toward the E-string. 4) why do makers assume bass-players are going to put-up with BAD design?

Aaaah-GRETSCH-eww.​

Exsqueeze me, bacon-powder, goes-in-tight, bass me — I'm allergic to neck dive.
My nose runs a bit when playing my Jags.

Why do makers (particularly brands I happen to like) have to rest on their laurels? I get the nostalgia trip, I really do, but can't we have something NEW with nostalgia-styling cues that WORKS instead of solely regurgitated design flaws. I may be nostalgic, but not entirely stupid. Is there some reason a manufacturer can't/won't have both the defective descendents of a dead design and the modern functional retro-styled workable instruments sold alongside?

 

[PillO]

now, this is what I call a whisky/ey selection!!...
View attachment 4226231 View attachment 4226231

There are several favourites there...

But why is there Johnny Walker on that list? Is it to identify those that aren't taking a flight of scotch seriously?

Macallen and Talisker always capture my interest.

 

[PillO]

Money well spent.

A fool and his money are soon partying...

 

[PillO]

I'm a D'Addario supporter.

D'addario strings are everywhere so it is probably useful to have at least one of their line with which one is familiar and comfortable. I tried their NYXLs and really liked them. But then I discovered DR strings (which aren't everywhere) and have gotten to really enjoy several of those. So many strings, so little time... A bit like pokemon - is it worth trying them all?

I also support Dunlop and use their Strap-Lok system exclusively.

I am modestly amused at the heated strap lock discussions that go on. To my mind, choose a system, get familiar with it, and use it on everything. I too use dunlop but have no religious affiliation to that system. I see it as cheap insurance against a dropped bass.

 

[Border]

I've sold a few things through them-basses and amps/speakers. They've recently raised the % of their 'take'. Not a lot, but it means ya gotta ask more. If you do sell something through Reverb, I suggest you use their shipping. They get a discount from whoever it is that they use. Better than you can do on your own. Just my $.02.

Thanks Goneplaid, I appreciate the response and advice about the shipping service. Have a great weekend.

 

[MCF]

Money well spent.

Come on over to the Kool Kids table. I think there are at least six here committed to getting one at release. Likely more who haven’t said anything.

Thunderbird Club Brothers & Sisters Are You Ready?

Ready for some Garry-noice reggae Lowe end?

His playing is like a Revolution Per Minute — you Better Get Used To It!...

...or You'll be Diggin' A Hole and havin' to Ride Like Hell to make The Scene. I'm A Ram and If I Had My Way, I'd make that Wild Ox Moan, cause that's A Little Bit A Alright. So go ahead, baby, Turn The Lights On, but please Let Me Sleep In Late. If not, you better make sure there's some Sugar In My Coffee or you'll have All Hell For A Basement.



Whelp, it's All Over Now, soon I'll be Gone For Good. Gonna have to Let It Ride on the Goodbye Train.




~~~~~~~~~~~~~~~~~~~~~~~







View attachment 4226483

Aaaah-GRETSCH-eww.​

Exsqueeze me, bacon-powder, goes-in-tight, bass me — I'm allergic to neck dive.
My nose runs a bit when playing my Jags.

Why do makers (particularly brands I happen to like) have to rest on their laurels? I get the nostalgia trip, I really do, but can't we have something NEW with nostalgia-styling cues that WORKS instead of solely regurgitated design flaws. I may be nostalgic, but not entirely stupid. Is there some reason a manufacturer can't/won't have both the defective descendents of a dead design and the modern functional retro-styled workable instruments sold alongside?

check out Reverend for one.

 

[PillO]

Come on over to the Kool Kids table. I think there are at least six here committed to getting one at release. Likely more who haven’t said anything.

Yeah. Come to the Kool Kids table! We have cake! And Thunderbirds!

 

[Eddie LeBlanc]

D'addario strings are everywhere so it is probably useful to have at least one of their line with which one is familiar and comfortable. I tried their NYXLs and really liked them. But then I discovered DR strings (which aren't everywhere) and have gotten to really enjoy several of those. So many strings, so little time... A bit like pokemon - is it worth trying them all?



I am modestly amused at the heated strap lock discussions that go on. To my mind, choose a system, get familiar with it, and use it on everything. I too use dunlop but have no religious affiliation to that system. I see it as cheap insurance against a dropped bass.

Yep anything is better than this. I use Schallers on everything.

 

[dagrev]

It's how real music is made (as in, not by an algorithm) I was going to write 'formula', but in its broadest interpretation formula describes a systematic arrangement which isn't necessarily a bad thing. When I'm creating a bass-line for an original song, I follow a formula (not a hard-line formula, but a formula none the less) based on how I have learned a successful/classic song is constructed, mostly by ear. Luckily there are many (countless?) song-structures that each have their own collection of formula's so it isn't like everyone is following one path. (to success)

I've always wanted to give an original song, or one they've never heard to several bass players to see what they come up with and ask them how and why they did what they did. Much of the time I play what is in my head on some some songs (assuming it works and sounds good). It's interesting to notice a new dynamic in a song just by what the bass plays. (True of most instruments as well). Other times, you just can't improve on the original.

 

[dagrev]

now, this is what I call a whisky/ey selection!!...
View attachment 4226231 View attachment 4226231

I think I got tipsy just reading through the list.

 

[dagrev]

Definitely won't regret it. It just keeps getting rarer with every passing year. (no affiliation... )

Indeed. It would be fascinating to know just how many still survive, and how many disappear each year from the scene.

 

[GonePlaid]

I wanted the 34" scale EB-3 (L) but ended up with the ss EB-3. In retrospect I'm sure the "L" was even worse neck-dive wise. Correct bass design is not that complicated ; 1) basses have longer necks, 2) basses need to have an upper 'horn' somewhere close to the 12th fret, 3) the bass body strap-peg location should ideally be positioning "off" center toward the E-string. 4) why do makers assume bass-players are going to put-up with BAD design?

That's easy. Except for a few of us, the makers know we aren't gonna build our own so we're gonna buy what's available-good, bad, or ?. Then the aftermarket folks make things that 'cure' what ails us...Maybe.

 

[Border]

I buy and sell on Reverb (and eBay) - both take some focus/attention to make them work for you, but they both offer way more exposer than you could ever hope from any other way. With laws changing, both have selling fees and follow state tax laws - so it's a bit less "easy" (profitable) to sell on both platforms these days. Shipping is also way up so you need to take that into account. Reverb is only/specifically instruments, where as eBay is broader - both are international but be careful there. That's about it - there are more "flakes" on eBay (both sellers and potential buyers) but I've used both platforms successfully for years with minimal issues. As long as you have clear/in-focus (and many) pics (of what you are selling) and you disclose all pertinent details, and are good at communications (consider these people as potential "return customers") - you can attract buyers.

T

I buy and sell on Reverb (and eBay) - both take some focus/attention to make them work for you, but they both offer way more exposer than you could ever hope from any other way. With laws changing, both have selling fees and follow state tax laws - so it's a bit less "easy" (profitable) to sell on both platforms these days. Shipping is also way up so you need to take that into account. Reverb is only/specifically instruments, where as eBay is broader - both are international but be careful there. That's about it - there are more "flakes" on eBay (both sellers and potential buyers) but I've used both platforms successfully for years with minimal issues. As long as you have clear/in-focus (and many) pics (of what you are selling) and you disclose all pertinent details, and are good at communications (consider these people as potential "return customers") - you can attract buyers.

T

I buy and sell on Reverb (and eBay) - both take some focus/attention to make them work for you, but they both offer way more exposer than you could ever hope from any other way. With laws changing, both have selling fees and follow state tax laws - so it's a bit less "easy" (profitable) to sell on both platforms these days. Shipping is also way up so you need to take that into account. Reverb is only/specifically instruments, where as eBay is broader - both are international but be careful there. That's about it - there are more "flakes" on eBay (both sellers and potential buyers) but I've used both platforms successfully for years with minimal issues. As long as you have clear/in-focus (and many) pics (of what you are selling) and you disclose all pertinent details, and are good at communications (consider these people as potential "return customers") - you can attract buyers.

Thank you JIO, I greatly appreciate your response. It sounds like you have had plenty of experience with both platforms. I appreciate the advice as I have never used either of them. Take care.

 

[MCF]

Good evening Thunderbird loving sisters and brothers and a late happy Fender Friday. I have not been around much, as the wife has been spending time in Portland taking care of her mother. I have been there a couple of times in the last few weeks and it seems to be about six hours driving, with minimal stops. Grateful to see the weekend arrive. Still working on Limelight as part of my lesson. The solo, chorus and outro are challenging to say the least. Wondering if anyone here has sold anything on Reverb? Surprised by the prices I see for small combo amps. I picked up this Vibro Champ maybe 35 years ago in a South Seattle pawn shop. It was old then. A tech here took an interest in it and gave it a going over a few years ago. It works well, I just have never really had a use for it. The tag inside has #7 stamped on the line reading "Production number".
The Reverb web site makes it sound easy to sell things there, but wondering how it actually works. I hope everyone has a great weekend and a happy Easter. Stay well.

Garage band heaven. That is an awesome amp. Sure you want to sell it? There is a ‘66 on Music Zoo Listed at $1499.00.

 

[MCF]

Thunderbird Club Brothers & Sisters Are You Ready?

Ready for some Garry-noice reggae Lowe end?

His playing is like a Revolution Per Minute — you Better Get Used To It!...

...or You'll be Diggin' A Hole and havin' to Ride Like Hell to make The Scene. I'm A Ram and If I Had My Way, I'd make that Wild Ox Moan, cause that's A Little Bit A Alright. So go ahead, baby, Turn The Lights On, but please Let Me Sleep In Late. If not, you better make sure there's some Sugar In My Coffee or you'll have All Hell For A Basement.



Whelp, it's All Over Now, soon I'll be Gone For Good. Gonna have to Let It Ride on the Goodbye Train.




~~~~~~~~~~~~~~~~~~~~~~~







View attachment 4226483

Aaaah-GRETSCH-eww.​

Exsqueeze me, bacon-powder, goes-in-tight, bass me — I'm allergic to neck dive.
My nose runs a bit when playing my Jags.

Why do makers (particularly brands I happen to like) have to rest on their laurels? I get the nostalgia trip, I really do, but can't we have something NEW with nostalgia-styling cues that WORKS instead of solely regurgitated design flaws. I may be nostalgic, but not entirely stupid. Is there some reason a manufacturer can't/won't have both the defective descendents of a dead design and the modern functional retro-styled workable instruments sold alongside?

Ok. Listened to the entire vid. You’re right. He sounds great with his Tbird. Need to look into them some more. Certainly can’t pigeonhole them into one genre. Thanks for posting it!