What do you use a HPF for?A good HPF is on my list, my fDeck is nearing the end. Why did you get that model ? I'm also looking at the simpler ones that could go below deck.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
What do you use a HPF for?A good HPF is on my list, my fDeck is nearing the end. Why did you get that model ? I'm also looking at the simpler ones that could go below deck.
What do you use a HPF for?
What do you use a HPF for?
Cool, thanks. I find my sound is tight enough as it is, especially with the MBD.Cleans up the low end, eliminating transcients (or artefacts) and getting a tighter sound. Mine is a simple unit and it makes a difference, but it's a bit imprecise, I go by ear and set it around 35kz so it applies its magic there and up. @Thumper 's model is one of the best, if not the best. There's also a gadget called a Thumpinator (which I'm assuming he's aware of, given his name), but that's an always-on-no-knobs thing and harder to find. Those Thumpinators were the reference for a long time in the Effects forum.
Very nice. I had one of those Sonic Stomp once and honestly didn't think much of it at the time, but after talking to a bassist friend about a year agon, I started using the Exciter effect on my B3N and finally got that adding a little went a long way, especially since I don't use preamps anymore. Might even get a SS back if I sees one on the locals. That Boss Tremolo always makes me think of my guitar-player brother. I won't have a pedalboard without it and his unit is close to 30 yo. I was at his place yesterday, doing a pedalboard makeover and he kept checking if I was putting it back in.
A guitarist friend recommended it to me a few years ago so I found a used one on eBay for a good price and thought, worth a try. It's hard to describe exactly what it does, but I instantly liked how my basses sounded using it and have used it ever since - even if it's my only pedal. I'll be using it like that today at our singer/keyboardist's baby shower where a few musicians will be there to play at the small outdoor gathering. I think of the pedal as a tone-comb - just evens out/clearifies the output in a nice way.
. But I'll horse around with Zoom's version in my little B1on unit I use for home practice.
..Thunderbird (pickups at least) bassday.
Sorry for the shtty looks but that's how being sick looks like.
I really like the simplicity of the overdriven kind of sound that comes out of my bass thanks to one of the nicest overdrives that I've played so far, the Shiftline BUZZ V1.
Guys, sorry, just a moment.
Do you consider that I'm out of tune on this one? I'm wondering if my ears could be deceiving me...
Here's the original track if you have a minute
Wow! Those are awesome!been trying to get a decent shot of a California Condor forever very elusive .....built the Revell kit in the 70’s when they were endangered.....
View attachment 4271266
Sorry for the delay. Finally had time to try to catch up. I've not noticed any difference in tone from different gauge strings. I don't care for anything over 105s and generally go so 100s, generally. Those are still a tad stiff because regular Boomers use hex cores. I know tension and gauge are different while there is some interplay going on. I know a guy here on TB that I think has the tension numbers. I'll get back to you if he can give me the info. Also, GHS has staff member who is very active in the string threads, which is very cool and helpful. Jon Moody.Getting ready to buy a set of Boomers for my BaCH or Greco but have a question that needs answering first.
Boomers come in Heavy, Medium, medium light, and light.
Don't know if there's tension differences between them or if there's any difference in sound. I do suspect the light strings would be easier on the fretting hand than the heavy strings, but that's not typically a problem for me. I am looking for a strong punch and deep tone and am trying to avoid a thin sounding G string, would like the G to be well balanced with the other strings and bold sounding.
So, what difference will the gauge make on a TBird? (Besides snapping the headstock off and putting an eye out).
OK, this is just over the time gratuitous bragging!there’s a tan GSX S1 in Aptos that’s just so scrumptious......
yeah, the Birds in cases fit ok, the BaCH in the gig bag fits better but since these are both 68’s....
View attachment 4270232
View attachment 4270233

My old Phase 90 is the only pedal I wouldn't live without. Everything else I've tried was largely useless live beyond 6 ft.just got recruited for a NoCal Winery tour with a Robert Cray tribute act....
this is the rig for now...hopefully I can get some Bird action going at some point....
resisted a pedal board for years but kinda got no choice now.......any input would be GREATLY appreciated..
View attachment 4270248
Guys, sorry, just a moment.
Do you consider that I'm out of tune on this one? I'm wondering if my ears could be deceiving me...
Here's the original track if you have a minute
Thunderbird (pickups at least) bassday.
Sorry for the shtty looks but that's how being sick looks like.
I really like the simplicity of the overdriven kind of sound that comes out of my bass thanks to one of the nicest overdrives that I've played so far, the Shiftline BUZZ V1.
I have flats on at least one Thunderbird (and many other basses), likely going to two soon. It's kind of a counter intuitive line of thinking for a Thunderbird, but the secret is...it they sound fantastic with (some) flats.Since it's Thunderbird Club, I've got a recent success story to tell.
The one on the left is my T-Bird Pro in Natural Oil, and when I got it some time back, the strings sounded too metallic with what I thought was horrible fret buzz. Two local guitar techs looked at her - the first said the neck was slightly twisted and couldn't be undone, even with turning the truss rod; the other said it was fine, changed the strings and replaced the plastic nut with bone. It sounded good for a while, but the ringing came back. It might have a weather-temperament, contracting just a bit more with colder weather (I guess it's a Georgia Peach).
Two things happened: while poking around TB, I read a comment that T-Birds were designed when flatwound strings were the only option; the other was a conversation at band rehearsal, and someone said that one cure for fret buzz is flatwound strings. I thought, "why not?" and replaced the roundwounds (D'Addario EXL165s) with Dunlop 45-105 stainless steel flats. Holy Priceless Collection of Etruscan Snoods, Batman - night and day! It's punchy and smooth, and hits the bottom end solid. It sounds so good that I'll be using it in an upcoming show.
The one on the right is a standard made in China version that I'll be converting to heavy metal use, by putting on BEAD strings and working on different tunings.
View attachment 4270430
JIO's post reminded me of the BBE Sonic Stomp I will always use. Sets on my amp head and is always on. It's not an effect, but does a subtle little magic thing to the tone.My old Phase 90 is the only pedal I wouldn't live without. Everything else I've tried was largely useless live beyond 6 ft.