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Thunderbird Club

Yah it was funny the rest of the world using American names for their guitars but hey, we created R&R and were the ones buying them by the boat-load! Others (from Japan) include; Memphis, Toledo, Orlando, Miami, Ventura, Rodeo, Telstar, even National! There was even a T**** and a Lindell (aka Mike Pillow) - only relevant in contemporary context. 'Name' name brands, more generically American were Norma, Thomas, Marlin, Honey, Camaro and all the "---tone" names (Silvertone, Truetone, Maxitone etc) Producing thousands upon thousands of guitars then - coming up with a myriad of brand names was the shot-gun approach they used to marketing them in the US and the rest of the world. The same guitar could have a few different names on the hs depending on the distributer/US store buyer. (like 'St George' which were sold through Anthony George who had music stores in NY & CA)

I'm always on the lookout for one of the four pickup models I used to see in the Lafayette catalog - especially the sparkle green. Cannot recall the brand, though, which makes it more difficult.
 
I'm always on the lookout for one of the four pickup models I used to see in the Lafayette catalog - especially the sparkle green. Cannot recall the brand, though, which makes it more difficult.

like this one?

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From the Mod Shop. Could be yours for $2099.
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Last I knew Gibson had a Custom Shop, so now a Mod Shop? Somewhere between stock and custom? Sounds like a marketing move to fill that gap. FCS models are usually more $.
 
Yah it was funny the rest of the world using American names for their guitars but hey, we created R&R and were the ones buying them by the boat-load! Others (from Japan) include; Memphis, Toledo, Orlando, Miami, Ventura, Rodeo, Telstar, even National! There was even a T**** and a Lindell (aka Mike Pillow) - only relevant in contemporary context. 'Name' name brands, more generically American were Norma, Thomas, Marlin, Honey, Camaro and all the "---tone" names (Silvertone, Truetone, Maxitone etc) Producing thousands upon thousands of guitars then - coming up with a myriad of brand names was the shot-gun approach they used to marketing them in the US and the rest of the world. The same guitar could have a few different names on the hs depending on the distributer/US store buyer. (like 'St George' which were sold through Anthony George who had music stores in NY & CA)
There sure were a lot of oddball names slapped on musical instruments from Japan and Taiwan back then. I have two drum kits that were sold as "Ruether" and made in Taiwan. The shells are thin luan mahogany, and were probably made in Japan. They are the same or very similar to unreinforced Pearl kits of the same vintage, and mostly use the same hardware. I think they sound fantastic, and they are cheap, even now. Provided you can find a kit that isn't trashed.
 
There sure were a lot of oddball names slapped on musical instruments from Japan and Taiwan back then. I have two drum kits that were sold as "Ruether" and made in Taiwan. The shells are thin luan mahogany, and were probably made in Japan. They are the same or very similar to unreinforced Pearl kits of the same vintage, and mostly use the same hardware. I think they sound fantastic, and they are cheap, even now. Provided you can find a kit that isn't trashed.

Luan mahogany was the wood used on most of all guitars from Japan in the '60s, both laminated and solid. It's the mahogany that has bold stripes in it - still commonly used today on Epi's.

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Last I knew Gibson had a Custom Shop, so now a Mod Shop? Somewhere between stock and custom? Sounds like a marketing move to fill that gap. FCS models are usually more $.

I think it's a lot of one-off kind of stuff - The white Non Rev is a BOMB!