pubs should be open to all including black and white…White pubbing I don't think would be an issue as it is liver. Black pudding I thought was illegal in the US because it is made with blood.
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pubs should be open to all including black and white…White pubbing I don't think would be an issue as it is liver. Black pudding I thought was illegal in the US because it is made with blood.
I got some picks from Gary Rossington, Barry Lee Harwood and/or/maybe Leon from the Rossington Collins Band days. Found several on the floor after it was over and picked them up. Must have been too stupid or slow to catch them with my hand after banking them off my head!I saw Entwistle in a 100 seat club in 1999 in Worcester, Mass with the John Entwistle Band, we got there early and stood about ten feet in front of him along with every other bass player from central Mass. The stage was only about 2 feet high, I had played there myself many times. He would alternate between his fingers and a pick and flick the pick out into the audience when he was done with it. My brother was standing right next to me with his hand folded with his palms up. One of the picks hit him in the forehead and fell into his open palms during the song. He said "look!" and was quite pleased.His sound was amazing and he played VERY lightly, when he did his triplets it was almost like a butterfly touching the strings with its wings.
Yeah, it's always more exciting when a bass is attached. But we take what we can get.Ohh I got something out for delivery…. Not as exciting as the last delivery… but still..
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I got one from Roger Glover at the long gone Hollywood Sportatorium (FL not CA) during the “Perfect Strangers” tour…I got some pick from Gary Rossington, Barry Lee Harwood and/or/maybe Leon from the Rossington Collins Band days. Found several on the floor after it was over and picked them up. Must have been to stupid or slow to catch them with my hand after banking them off my head!
If a headstock snapped and the repair is undetectable, did it really happen?thx JIO, you are my source of luthier guruness….please bear with me on this one…trying to understand this; are you saying that Gibson used both dark tobacco and black on the back of the headstocks on burst models? does it have to do with specific years? was it just done randomly? does this imply that there are sunburst birds with headstock repairs hidden under black paint cause some were painted black at the factory? how can one tell if this the case?
I’d love to find another MIJ 4001/3 copy to string with flats. (I have RS66s on mine) Every time I try a real one in a store, the neck is way too chunky for me.They sound good on Rics too. I've never tried them on a T-Bird. I think I had Chromes on one once but wasn't crazy about them.
I can imagine that tour would have had 80-90% bass players in the audienceI saw Entwistle in a 100 seat club in 1999 in Worcester, Mass with the John Entwistle Band, we got there early and stood about ten feet in front of him along with every other bass player from central Mass. The stage was only about 2 feet high, I had played there myself many times. He would alternate between his fingers and a pick and flick the pick out into the audience when he was done with it. My brother was standing right next to me with his hand folded with his palms up. One of the picks hit him in the forehead and fell into his open palms during the song. He said "look!" and was quite pleased.His sound was amazing and he played VERY lightly, when he did his triplets it was almost like a butterfly touching the strings with its wings.
pubs should be open to all including black and white…![]()
I can adjust to about anything, but when I had a Ric it just felt less odd the longer I had it never normal. Traded it for my Regenerate '55 Pbass Heritage Plus and got some cash as well. One of the best trades I ever made.I’d love to find another MIJ 4001/3 copy to string with flats. (I have RS66s on mine) Every time I try a real one in a store, the neck is way too chunky for me.
I use Fat Beams on my Midtown. I like them on that bass. They don't last as long as other strings. They are very flexible and smoother than other rounds. I don't know that I would choose them for another bass.Anyone tried DR Fat Beams?
thx JIO, you are my source of luthier guruness….please bear with me on this one…trying to understand this; are you saying that Gibson used both dark tobacco and black on the back of the headstocks on burst models? does it have to do with specific years? was it just done randomly? does this imply that there are sunburst birds with headstock repairs hidden under black paint cause some were painted black at the factory? how can one tell if this the case?
We are avoiding potential snow thus far. It was a possibility, but hopefully will stay away. You will notice the Thunderbird storage unit to the right. If they break into the house they won't think to look there and likely won't have a ladder. It is tricky getting more than two in there. Detachable headstocks greatly ease the process.
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... They...We are avoiding potential snow thus far. It was a possibility, but hopefully will stay away. You will notice the Thunderbird storage unit to the right. If they break into the house they won't think to look there and likely won't have a ladder. It is tricky getting more than two in there. Detachable headstocks greatly ease the process.
View attachment 4544171

I always wonder about the row of picks you see taped on mic stands. How many picks do some guys drop?
If a headstock snapped and the repair is undetectable, did it really happen?
Seriously I wonder if you could see it with an X-ray?