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Thunderbird Club

Love the back stories. Always had a soft spot for trains, had a few Lionel (both two and three rail) trains in my day along with various and sundry HO and the little tiny N (?) gauge trains. I was also interested in slot car and HO cars. Somehow the cars won out and I followed that path the rest of my life. But still very fond of trains just not well versed in them. The Deco era is my favorite.

which gets me thinking, I’d bet @JIO could come up with some smashing Deco inspired Tbird or bass builds!

Have always loved Art Deco and its predecessor Art Nuevo. (and CA had its own beautiful version)... that is a challenging concept. A bass designed in a time that favored organic/natural "flow" of design perimeters... It wouldn't be "steam-punk", but it would be excessively aesthetic related.
 
My brother and I got an AFX HO slot car set about the time the movie "Le Mans" with Steve McQueen came out, those Gulf 917s and Ferrari 512s were so bad @%#, it was really fun to have the same thing on our set. We bought a lot of track and took over the garage floor in the summer time, still have that stuff too.


SM rules -

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Fretted 12-string mod Friday...bad pun. But T-Bird pickup is featured so it fits the theme here.
Ditched the idea of a large pickguard and decided to have a small plate (plastic or wood) to cover up the hole. The cardboard dummy was colored with my kids' crayons so the colours don't really match (an understatement of the year...) but the idea should be clear.
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I suppose I'm near the end ThunderbirdThursday, at this point -- nothing new to see here, move along......:whistle:

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:)

My god i wouldn't know which one to play first between the White Babicz bridge equipped, the Vintage Pro, the Pro V active. As for gigging, forget about that choice :D i'd probably bring the best one of those 3 above, & the red one is mandatory in the rotation :)

Awesome flock of birds Kara!
 
Glad you're covered! Something we don't have to be concerned with here in the Bay Area! But then, there are fires and earthquakes... :bag:
Thanks. We (city/state) have power issues with storms (up to tornadoes) in the warmer seasons, ice on trees in the winter. Generally it's trees that are most often the problem regardless of weather. But I don't think ours last night was tree related as they worked down the street and got things going after a couple hours and our lines are underground. We get an earthquake about every 10 yrs or so with a few minor rumbles every couple yrs--but nothing like you get. We are not entirely immune from quakes due to the New Madrid Fault. It doesn't move often, but when it does it really does. I'm not sure why nothing more recent is on this map, but has a good representation of effects. Like many places, "they" say we are going to get a big one at some point. Some believe it's long overdue.
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I was 13 when mom gave me her old acoustic guitar and I hand wound a pickup(it sucked) for it. No turning back indeed, even if it took a while to get to bass.
I started playing the radio pretty young--that led to interest in playing. Tried piano and horns a bit in Jr High, tiny bit of guitar (learned two chords), but picked up a bass about 15ish and knew that was it. Only got to play off an on as I had no bass of my own till the late 70s/when I was around 16/17. Only had one lesson which consisted on the notes on a fretboard hand drawn on paper. But I enjoy it as if I were really good. It's a part of me, not just something I do.
 
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7 to ~16, piano; 11 on, clarinet and sax; went into Navy music program on sax(1964), started playing bass in 67. Kept up the multi instruments 'til ~10 years ago, I 'hung up' the horns and keys. Still f---* with them occasionally. As a matter of fact, just got the tenor sax playable again; might go 'sit in' with our regular band Friday night(gig's being done as a trio-my turn to be off). See if I still remember how to play the effing thing. Back at same place Saturday night playing the 67 TBird.

*ool
Mom started me on piano at 5. I quit when I got my first bass.
 
Keeping it much longer? ;)

I'm glad you're able to experience and now own where the first real magic happened. As I've said before, they just have "it." Changed strings yet?
Fixed it for you. There’s plenty of magic in newer Thunderbirds as well! I doubt I’ll ever own a classic like the Queen’s, but I’m really happy just the same.
 
Mom started me on piano at 5. I quit when I got my first bass.

I wish I would have picked up piano as well. Such a good learning tool for chord structures, theory (which I almost got the hang of) and all kinds of other good stuff. Oh well. I can still hack my way through playing bass and not sound totally embarrassing. :roflmao::smug:
 
Fixed it for you. There’s plenty of magic in newer Thunderbirds as well! I doubt I’ll ever own a classic like the Queen’s, but I’m really happy just the same.
:laugh: Well, that's certainly true. But if you ever get a chance to play a 60s version like the one on the left, other than a few minutes in a music store, you'll understand all the clamor about how they sound a fair amount different than all later versions. The VPs are close, but still lack something and don't sound as big. The 70s are low output but sound good IMO (many don't like them), have less magic but does sound like a Thunderbird. The modern versions (black PUs), sound like it might be related. Impossible to describe but once you play a 60s version live or in a band the difference is unmistakable. Even at home my '64 doesn't sound very good, but in a decent sized room and with a band...Wow! You need one, even if finding one in PB is nearly impossible!

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