EBCFs really working….talk about old school..going into the non-pro SVT II and an Ashdown 4 x 8 cab…..somehow, the realization that the signal goes from the Cobalts to the 8” drivers without passing through a single semiconductor lattice is REALLY satisfying…..EQ set flat on the amp, tone control on bass set to 4…. pick is a Dunlop .73 nylon….I think if one said most they would have a 90% chance of being 100% correct.
Played the '55 today in my quest to get it sounding better. I must say that with some EQing and Fender Flats I was pleased. The change I seemed to like best was leaving the head alone and dialing back the what is called the "Low Contour" on the BBE Sonic Stomp and boost slightly what is called "Process" on it. On the bass the tone was about half open, maybe. I ended up achieving a big sound that wasn't mushy. Not punchy by any means, but a nice big low end for everything to sit in and on. A little more punch might be nice, but I was happy with the tone while playing and wasn't thinking about what I need to adjust between songs. For a little more punch I might try some TIs I have in the box. They tend to not be massive in lows and likely have more mids than any flat. But is it the right mid? We'll see. But I am happy enough with the Fenders if something doesn't come through doing something better.
I really like to not do much EQing and prefer to set my head mostly flat and slightly boost some lows and mids. I have been running most basses wide open on the treble the last 10 years, but I'm thinking that is not for me with this bass. Flats sound thicker (even across the spectrum) to me than rounds, so that may what I need to keep on this bass. Thanks to Bob and Chuck for the encouragement to keep at it and get this great bass sounding good. I think I'm on the right path. I sure love playing it.
I hate to say it but EBCFs might sound good if I were to cut even more of the highs. But I have this condition...
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