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U.S. Peavey Club

@bassmanrocke
A few factors have to be considered. Furys were affordable first basses for many and as a consequence lots of
them would get beat to heck so numbers will get fewer. At 23 year old $250 is not a bad price for a 40 year old
to pay,hoping to regain a part of their youth. 94 will be the birth year for lots of folks,many will be grandparents now :laugh:

Then there's the habit of Americans tending to buy old American made products. That habit alone will drive prices up.

I'd say it was certain prices won't fall.
 
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@bassmanrocke
A few factors have to be considered. Furys were affordable first basses for many and as a consequence lots of
them would get beat to heck so numbers will get fewer. At 23 year old $250 is not a bad price for a 40 year old
to pay,hoping to regain a part of their youth. 94 will be the birth year for lots of folks,many will be grandparents now :laugh:

Then there's the habit of Americans tending to buy old American made products. That habit alone will drive prices up.

I'd say it was certain prices won't fall.
There are still a LOT of young folks in my area, the USA Midwest, that associate Peavey with country or southern rock...Peavey stuff is everywhere and mostly overlooked.

The word is still not out on Peavey basses in general....most have no idea what an innovator Peavey was with basses and lets be real Eddie Van Halen kept the brand alive for years starting in the late very late 80's.

You can still outright steal some Peavey basses from pawns in my area, especially if it has stickers or a broken string or dings.....but its getting much harder to find dirt cheap USA Peavey basses here in "Peavey Country" with the internet, particularly the early stuff.
 
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I received this red beauty last night! The serial# dates it as an 87'. This is my first 5 stringer and I didn't want to spend a fortune on a new one. I bought it from Musicgoround for $219 + shipping. The condition is better than I expected (just a a small ding and a few scratches).

The electronics function fine. I gave the truss a tweak along with some new strings and a battery. It sounds great in passive mode, but I was blown away by the sound in active. I can see why people like the super ferrites. It has a very slim neck with tight string spacing, which I hear is not for everyone. My main bass is a Fender jazz and it feels fine to me. Overall, I'm stoked on this vintage USA Peavey. For what I paid, I could have got a cheap import Squier or Ibanez.

There is a hole in the back electronics plate with access to a flat plastic screw. It's cranked all the way clockwise. Does anyone know what this is for?
 

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I received this red beauty last night! The serial# dates it as an 87'. This is my first 5 stringer and I didn't want to spend a fortune on a new one. I bought it from Musicgoround for $219 + shipping. The condition is better than I expected (just a a small ding and a few scratches).

The electronics function fine. I gave the truss a tweak along with some new strings and a battery. It sounds great in passive mode, but I was blown away by the sound in active. I can see why people like the super ferrites. It has a very slim neck with tight string spacing, which I hear is not for everyone. My main bass is a Fender jazz and it feels fine to me. Overall, I'm stoked on this vintage USA Peavey. For what I paid, I could have got a cheap import Squier or Ibanez.

There is a hole in the back electronics plate with access to a flat plastic screw. It's cranked all the way clockwise. Does anyone know what this is for?

Congrats! Dude you got an awesome deal on a great bass!
 
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There is a hole in the back electronics plate with access to a flat plastic screw. It's cranked all the way clockwise. Does anyone know what this is for?

Great score! I have a metallic gray first model and white second model with a slim first model neck. The hole in the control cover gives acess to a trim pot that sets the volume of the preamp. It does not affect passive. Use it to balance volume between active/passive volume to where you like.
 
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sweet! thanks.
Great score! I have a metallic gray first model and white second model with a slim first model neck. The hole in the control cover gives acess to a trim pot that sets the volume of the preamp. It does not affect passive. Use it to balance volume between active/passive volume to where you like.
thanks, I figured it had something to do with that.
 
I received this red beauty last night! The serial# dates it as an 87'. This is my first 5 stringer and I didn't want to spend a fortune on a new one. I bought it from Musicgoround for $219 + shipping. The condition is better than I expected (just a a small ding and a few scratches).

The electronics function fine. I gave the truss a tweak along with some new strings and a battery. It sounds great in passive mode, but I was blown away by the sound in active. I can see why people like the super ferrites. It has a very slim neck with tight string spacing, which I hear is not for everyone. My main bass is a Fender jazz and it feels fine to me. Overall, I'm stoked on this vintage USA Peavey. For what I paid, I could have got a cheap import Squier or Ibanez.

There is a hole in the back electronics plate with access to a flat plastic screw. It's cranked all the way clockwise. Does anyone know what this is for?
Congrats! I've wondered how the Super Ferrites sound with them adjusted further from the strings and using the preamp?

I only own passive Peavey basses with SF pickups fwiw.
 
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I received this red beauty last night! The serial# dates it as an 87'. This is my first 5 stringer and I didn't want to spend a fortune on a new one. I bought it from Musicgoround for $219 + shipping. The condition is better than I expected (just a a small ding and a few scratches).

The electronics function fine. I gave the truss a tweak along with some new strings and a battery. It sounds great in passive mode, but I was blown away by the sound in active. I can see why people like the super ferrites. It has a very slim neck with tight string spacing, which I hear is not for everyone. My main bass is a Fender jazz and it feels fine to me. Overall, I'm stoked on this vintage USA Peavey. For what I paid, I could have got a cheap import Squier or Ibanez.

There is a hole in the back electronics plate with access to a flat plastic screw. It's cranked all the way clockwise. Does anyone know what this is for?

Great score! I played on a metallic Grey 4 string tonight, that was at the same GC back in November when I went there to use it as a neutral spot for a bass trade, with amps. At $299 in rough shape, it isn't moving. Guitar center cerritos ca if anyone is interested.

The active was a big difference, even with the eq set flat, passive it was a little dull sounding, but that was mostly strings, and actives tend to compensate for dull strings. They say it is 1990s, but it is pinstripe and script and the serial started with 02 I think, I'm guessing mid-late 80s. But way overpriced for its condition. I am jonesing for a 5 string foundation with maple neck and VFLs to match my 4 (which is rosewood, but for what I paid I can't be choosy). I still want a fury, but with a p bass and a milestone II loaded with QP, makes it less of a priority unless the price is right. The need for a 5er is becoming apparent in the band I use the foundation as #1, and I don't want to take the Warwicks out of storage. You got a great price! I would consider a Dyna, and especially at the price you got yours for. I still owe karma for getting my foundation for so cheap, but I hope a foundation 5 pops up around here around $200. From my experience with the Dyna in passive mode, I think I prefer the VFLs to the SF, I like the brighter edge to them, but I can't be sure since the strings were a little dead. But I reallllly like the VFLs on my foundation, and I see 5s with them online often. I might have GC transfer one over if they will work on the price, and put my t bird and fury aspirations on the back burner.
 
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Great score! I played on a metallic Grey 4 string tonight, that was at the same GC back in November when I went there to use it as a neutral spot for a bass trade, with amps. At $299 in rough shape, it isn't moving. Guitar center cerritos ca if anyone is interested.

The active was a big difference, even with the eq set flat, passive it was a little dull sounding, but that was mostly strings, and actives tend to compensate for dull strings. They say it is 1990s, but it is pinstripe and script and the serial started with 02 I think, I'm guessing mid-late 80s. But way overpriced for its condition. I am jonesing for a 5 string foundation with maple neck and VFLs to match my 4 (which is rosewood, but for what I paid I can't be choosy). I still want a fury, but with a p bass and a milestone II loaded with QP, makes it less of a priority unless the price is right. The need for a 5er is becoming apparent in the band I use the foundation as #1, and I don't want to take the Warwicks out of storage. You got a great price! I would consider a Dyna, and especially at the price you got yours for. I still owe karma for getting my foundation for so cheap, but I hope a foundation 5 pops up around here around $200. From my experience with the Dyna in passive mode, I think I prefer the VFLs to the SF, I like the brighter edge to them, but I can't be sure since the strings were a little dead. But I reallllly like the VFLs on my foundation, and I see 5s with them online often. I might have GC transfer one over if they will work on the price, and put my t bird and fury aspirations on the back burner.
I own a black on maple Foundation 5 with VFL's.....pretty clean except for belt rash on the back....trying to figure out whether to go with half or flats... the rounds on it are a bit bright and I want less finger noise.

These are worth WAY more than $200 used imo...I don't know what else compares at $200 used?

Sooner or later I will have to part with a bunch of stuff....hoping the Foundation 5 isn't one of them (though I am struggling with 5ers).
 
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I brought my #1 jazz 98 american standard, black and maple to practice for the first time in a while, after finger dropping some 91% isopropyl into the pots (the type with the shaft coming out of the back), which made it usable again. I'm sure when I find my de-oxit they will be almost as new. This is the first I have cleaned the pots on it, so it was a good run almost 20 years. (my foundation needs some de-oxit too).

I had the old fender (Grey silk) nickel taper 110e set on the fender, which had just gotten out of the DNA bath, and on the foundation I still have the cleaned steel rounds which I am pretty sure are DM blue steels, so it was not a fair comparison since steel strings can be a bit louder and punchier. I had not played the jazz in a little while since the tone pot crapped out in an obnoxious wall of crackle a couple months ago, so I was dying to play it.

We started with low by cracker, and then went right into distant early warning. The chunkier neck and 110 e, and perhaps the string through added tension made it not as comfortable as I had been used to, so from now on that song will be after we have played a few more rockers to get loose and warm. After a few more songs I switch to the foundation. MUCH louder output than the jazz, i had to back off the gain and lows. But part of that could be the strings, but face it, perhaps jazz bass on steroids is referring to this, the VFLs are pretty hot.

The main thing I need to say is this. My foundation (post 94, undated late 90s I assume) neck feels soooo much better, it is like it was made for my hand. I really like playing this bass, and it is certainly #1 for this one particular band. The jazz is still awesome, great tone, perhaps I need to do a better setup and get an overdue fret job, and get the action lower and go back to roundcore strings like high beams, to make it more comfy. I am on the verge of putting it back in storage. That bass and I have been through a lot, the foundation was a fairly recent "rescue". The jazz is long overdue for some professional attention. I might let Kadaver work on it, we go way back.

I might be checking out that beat to hell 93 fury soon, if the neck wear does not bother me tactilely, and it fits like the later foundation does in my hand, it would become the #2 for that band until I can find a vfl foundation 5 to match my 4. I am probably getting a bird too, so another foundation has to become a future thing, unless one pops up beat up for super cheap. Ubernator is poor, cheap beat up USA peaveys appeal to me in this extended period of thin funds. The bird and my max amount I am willing to pay for that fury, basically wipes out my gear kitty.
 
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I brought my #1 jazz 98 american standard, black and maple to practice for the first time in a while, after finger dropping some 91% isopropyl into the pots (the type with the shaft coming out of the back), which made it usable again. I'm sure when I find my de-oxit they will be almost as new. This is the first I have cleaned the pots on it, so it was a good run almost 20 years. (my foundation needs some de-oxit too).

I had the old fender (Grey silk) nickel taper 110e set on the fender, which had just gotten out of the DNA bath, and on the foundation I still have the cleaned steel rounds which I am pretty sure are DM blue steels, so it was not a fair comparison since steel strings can be a bit louder and punchier. I had not played the jazz in a little while since the tone pot crapped out in an obnoxious wall of crackle a couple months ago, so I was dying to play it.

We started with low by cracker, and then went right into distant early warning. The chunkier neck and 110 e, and perhaps the string through added tension made it not as comfortable as I had been used to, so from now on that song will be after we have played a few more rockers to get loose and warm. After a few more songs I switch to the foundation. MUCH louder output than the jazz, i had to back off the gain and lows. But part of that could be the strings, but face it, perhaps jazz bass on steroids is referring to this, the VFLs are pretty hot.

The main thing I need to say is this. My foundation (post 94, undated late 90s I assume) neck feels soooo much better, it is like it was made for my hand. I really like playing this bass, and it is certainly #1 for this one particular band. The jazz is still awesome, great tone, perhaps I need to do a better setup and get an overdue fret job, and get the action lower and go back to roundcore strings like high beams, to make it more comfy. I am on the verge of putting it back in storage. That bass and I have been through a lot, the foundation was a fairly recent "rescue". The jazz is long overdue for some professional attention. I might let Kadaver work on it, we go way back.

I might be checking out that beat to hell 93 fury soon, if the neck wear does not bother me tactilely, and it fits like the later foundation does in my hand, it would become the #2 for that band until I can find a vfl foundation 5 to match my 4. I am probably getting a bird too, so another foundation has to become a future thing, unless one pops up beat up for super cheap. Ubernator is poor, cheap beat up USA peaveys appeal to me in this extended period of thin funds. The bird and my max amount I am willing to pay for that fury, basically wipes out my gear kitty.


Funny how that happens. Have both an 86 Foundation and Foundation S. Every time I play them it feels like they're custom fitted, perfect. Have noticed after a crappy day I always pick up the Foundation and just noodle around.
 
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Agreed. The US made Peavey stuff is much better than what their worth would suggest.
I TOTALLY agree,.......... I have a 92 Sarzo and a 91 TL-5, and I would put them up to almost any bass that's made today. I have been thinking about letting them both go but,...... Most people think Peavey they think the stuff that is made now and they don't wanna put any money into them.......
 
Had hoped for a post today regarding the Midibase,picked one up in Wales yesterday.
Spectrum module was included but I bought an old Roland Sound canvas for extra noises last week.
It's all in the preparation :thumbsup:
Midibase.JPG

Trouble is I was in a car smash on the way home so only managed this very poor photo before painkillers
were needed.Afraid that's all I'll be fit for until later in the week.

Please wear your seatbelts and look for a car with airbags,reckon they saved me on this occasion.
 
Had hoped for a post today regarding the Midibase,picked one up in Wales yesterday.
Spectrum module was included but I bought an old Roland Sound canvas for extra noises last week.
It's all in the preparation :thumbsup:
View attachment 1049789

Trouble is I was in a car smash on the way home so only managed this very poor photo before painkillers
were needed.Afraid that's all I'll be fit for until later in the week.

Please wear your seatbelts and look for a car with airbags,reckon they saved me on this occasion.
Get well and heal up. Photos can wait. Nice find.
 
Had hoped for a post today regarding the Midibase,picked one up in Wales yesterday.
Spectrum module was included but I bought an old Roland Sound canvas for extra noises last week.
It's all in the preparation :thumbsup:
View attachment 1049789

Trouble is I was in a car smash on the way home so only managed this very poor photo before painkillers
were needed.Afraid that's all I'll be fit for until later in the week.

Please wear your seatbelts and look for a car with airbags,reckon they saved me on this occasion.

Oh man, that's terrible. I hope you are ok. Heal up!
 
Had hoped for a post today regarding the Midibase,picked one up in Wales yesterday.
Spectrum module was included but I bought an old Roland Sound canvas for extra noises last week.
It's all in the preparation :thumbsup:
View attachment 1049789

Trouble is I was in a car smash on the way home so only managed this very poor photo before painkillers
were needed.Afraid that's all I'll be fit for until later in the week.

Please wear your seatbelts and look for a car with airbags,reckon they saved me on this occasion.
Good to hear you're OK! Take care,man.
 
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