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Ultra modern bass redux

May 29, 2017
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1,376
Oregon
How do you like the look of these ultra modern basses?

good value Ibanez, spendy Dingwall, or custom for not too much with Kiesel:

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But my real question is, what sort of music would one play on these?
 
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I’ve read that the Ibanez yields some pretty traditional tones and is super versatile. The Dingwalls I’ve heard (never even seen one in person) are lovely sounding and can cover a really wide range of tones as well. I prefer traditional looks but that Ibanez is smokin’ hot, and Dingwalls make me feel like when I used to climb the rope in gym class.

I would use them to play gregorian chant, or the theme song to “Renegade” starring Lorenzo Lamas.
 
in theory you can play any of those basses in whenever genre you want to play, it's just about the effects that you put on bass at the end.

look at this video of The U.S. Army Band, the bass player is using a dingwall

You can play any music on any bass. And the market has Fender (FSO) pretty well covered. I'd say if a bassist wants to stand apart a non FSO is a good place to start. Don't read too much into the body design of a guitar.

And reason I replied to this post is to say a mask with a mouth hole is the funniest thing I've seen this year.
 
I'm sure those are fine basses- but the looks are just too far off the rails for my tastes to ever consider one. I love modern basses and the innovations that come with them, but these just cross the line for me.
 
I'm sure those are fine basses- but the looks are just too far off the rails for my tastes to ever consider one. I love modern basses and the innovations that come with them, but these just cross the line for me.

I dunno, they’re not all edges and points. Sometimes evolution can be a bit more sly.

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How do you like the look of these ultra modern basses?
I love them. Nearly ordered a Keisel Vader 6 headless when I snaffled one of the 2 Ibanez BTB846vs in the country.

good value Ibanez, spendy Dingwall, or custom for not too much with Kiesel:

But my real question is, what sort of music would one play on these?
Whatever you want. Our cover/party/wedding band played a huge variety of music, often 3 nights a week for over a decade, and I had only one bass; a Steinberger XL2. Covered everything well.

That just leaves the point of 'do you (or others in the band) feel the need of a FSO filling the place of the bass guitar on stage'.
Not in any band I'll ever be a member of again. If they wanted something traditional looking, I'd use the T40, but that's it.
 
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My current main Axe crosses a few lines of traditional bass building as well.
It hugs to my belly and presents the neck in the most comfortable way imaginable, while pushing the scale no further down than 8,25lbs. In essence, it's very close to a six string Jazz, but so much more comfy to wear and play. The traditional FSO has had to fulfill several aspects when it was conceived - one of them being 'easy and cheap mass production'. The way the body on a Dingwall (or on my Le Fay) is shaped takes a lot more time and effort (which entails production cost) but these companies don't sacrifice ergonomics for price - or at least they put the bar a lot higher.
 
Played a Dingwall Afterburner at a guitar show in Montreal a few years back and was surprised how easy it was to play. The sound was fantastic, the low B phenomenal. Sheldon himself was in the booth and we had a very nice chat.

I almost got a passive AB used a few months later, but the seller changed his mind. Sadly the prices have gone up to make one unaffordable for me.
 
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