• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Unique Bass to stand out

these are sharp (see what i did there) if you can find one

BC Rich NJ Beast
upload_2018-7-9_8-57-9.png
 
As of late, I've been creeping on reverb and trying to find another four string that is unique and sticks out, while still doing the job (which is obviously the most important thing.) Since at times basses tend to be a very homogeneous with the same sort of designs (the P, the J, etc) I've found myself kind of looking at the vintage section, and am kind of debating taking a chance on an older instrument.

What have been your experiences with older basses like that and have they helped you stand out from the endless horde of P and J's out there and has there been any experiences where you've been told "hey, could you get a P Bass or a J?"

As always, pics are appreciated. Cause I love me some bass porn. lol
You’ve asked a couple of Q’s.

First, “older instruments.” Musical instruments tend to have the potential for longer lifetimes than people. So, “older” doesn’t really mean much. There are quite a few older instruments, which are still perfectly useful.

Second, you would be best to let your playing make you stand out from other players, and learn to use the instruments that help you do that. That journey will actually lead you to play instruments that you have refined in your unique ways, making those instruments unique.

In selecting any instrument, you need to be clear about what you want it to sound like. What are your gigs? Original? Cover? Country? R&B? Jazz? Metal?

One issue with older instruments is that the ones that still produce useful tones tend to be pricey. For example, the clear lucite bodied Dan Armstrong Ampeg bass produces outstanding old school tones that are still applicable today. But, they are also priced accordingly. Unfortunately, there aren’t a whole lot of low priced older instruments that will have really useful tones. They’ve been priced accordingly.

When I think of practical somewhat unknown non-boutique instruments, I guess I tend to think of Bossa, G&L, and some others. Bossa might have been boutique-ish; but, they are no longer made and available at nice price points. Those are a couple of lower mid price options. I’m sure there are others; and if you want to spend twice as much, then there are a lot of options. BTW, most musicians have no idea what a Sadowsky is. FWIW.
 
I dunno how it works where you are, but pretty sure nobody around here gets a gig because they look different. Guess it depends on location and genre? Bands here mostly look for someone that can play and fits with the group.

Note...I'm like 70 years old, live in Iowa, and play only acoustic...so I may very well be completely without clue.

Gotcha.
Yeah I was thinking mainly for just the sake of getting a band to play with in the first place. If I have to adjust accordingly, I can deal with that. It's mainly just for the sake of getting said gigs I suppose. I have no doubt in my skills as a musician, just a matter of I can use all the help I can get to get my big ol' feet in the door.
 
make it yourself, duh

FD68535C-075E-4666-8F45-8A5EF61D7A9A.jpeg


While I can’t claim that this will work for every gig, (I mean, obviously!), I’m finding that it has been working splendidly for three of my five projects. I built it specifically for an “old-time” group after the upright posed a few transport challenges, but now also use it with two more semi-acoustic groups.

I can almost guarantee you’ll stand out, and with the right folks, no one will complain about the tone!

BTW, there are some really wonderful basses and suggestions on this thread!

-robert