Kurt Vonnegut’s 1963 novel Cat’s Cradle includes lyrics to a fictional hymn called The Fifty-third Calypso, from a fictional religion called Bokononism:
Oh, a sleeping drunkard
Up in Central Park,
And a lion-hunter
In the jungle dark,
And a Chinese dentist,
And a British queen—
All fit together
In the same machine.
Nice, nice, very nice;
Nice, nice, very nice;
Nice, nice, very nice—
So many different people
In the same device.
Ten years after the publication of Cat’s Cradle, a California prog-pop-rock band named Ambrosia wrote a song incorporating and expanding on Vonnegut’s “Fifty-third Calypso”, called Nice, Nice, Very Nice (sung with a fake Jamaican accent). The song appeared on Ambrosia’s 1975 debut album (engineered by Alan Parsons) and songwriting credit for Nice, Nice, Very Nice is shared between Vonnegut and the band members (who were fans of his books).
In 1976 Vonnegut wrote a letter to the band: “I was at my daughter’s house last night, and the radio was on. By God if the DJ didn’t play our song, and say it was number ten in New York, and say how good you guys are in general. You can imagine the pleasure that gave me. Luck has played an enormous part in my life. Those who know pop music keep telling me how lucky I am to be tied in with you. And I myself am crazy about our song, of course, but what do I know and why wouldn’t I be? This much I have always known, anyway: Music is the only art that’s really worth a damn. I envy you guys.”