Does anyone have a Jazz or Dinky Jazz bodied Warmoth with a 2x2 tilt-back headstock? I'm trying to figure out if I want to go with that combo or a G4 body.
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I just don't see how it is physically possible. The holes are bigger than the tuner... How can this work???
Morten_B said:The body has arrived... This is the first bass body I buy from Warmoth, but surely not the last. The workmanship and finish is AMAZING..!
Here are a few pictures (lacewood on mahogany)...
I think that lacewood is something you either love of hate because of the ''flaky look'' of the grain. I love it..!!!! And as you can see from the picture the flakes has kind of a ''flip flop'' look. In one angle the flakes are darker than the background wood, but then seen from another angle and the flakes pops out in a bright color.
And regarding the topic on ''to pick guard'' or ''not to pick guard''..!? I love it with the white pearl pick guard and I don't think it takes anything away from the beautiful top, so I will use the pick guard and control plate. Will drill a lot of holes during the weekend.
Nice. I would have gone with a tort guard,
Morten_B said:Thanks..! My reasons for not doing that is... EVERYONE else got one... And I like the ''lighter and less dull'' look with the white pearl. But yeah, it's one beautiful bass body![]()
Good point, lol. Can't wait to see the finished product!

I have not really read through this thread or any other, but decided to pull the trigger on a Warmoth from the classifieds.
Very nice I must say... It is a better overall instrument than I expected!
Thanks..! My reasons for not doing that is... EVERYONE else got one... And I like the ''lighter and less dull'' look with the white pearl. But yeah, it's one beautiful bass body![]()

Pearl Blocks... dark wood fingerboard (Rosewood, Ebony etc.) graphite rods ... the vintage look![]()
Just pulled the trigger on this neck from the Warmoth store: Macassar ebony fretboard on a Pau Ferro neck with graphite rods.