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Warwick

@lousybassplayer

You mean Mudvayne? I would hardly compare them to Slipknot, save for the makeup, which they don't do anymore. Ryan Martinie has caused many people to pick up Warwicks and bass in general, then cry in frustration trying to emulate him. I know I did just that! *end fanboy rant* :p

I love my Thumb, though it weighs half a cow and has a sequoia for a neck (which I like, but I completely understand those who hate such a neck). Im a hobby player, so I'm sure if i had to wear it on stage for 40 minutes, i might trade it for something less weighty. Even with my 3.5" strap, it does make my shoulder hate me. The sound is truly unique, for better or for worse, and the craftsmanship is superb, for sure.
 
I am a hard core Stingray/Fender guy but just bought my first Warwick, a German Corvette $$ 5 string, and I am really impressed so far. The build quality is great, the feel, balance, weight and tone are all just fantastic.
 
I'm a pretty dyed in the wool fender guy, but warwicks have always interested me due to having been a big DMB fan in a past life. Whenever I see ads for warwicks it seems to always be metal guys. I'm looking to eventually get an alternative to my p and j basses and am particularly interested in warwicks, but I know nothing about them. Is there a flagship or classic Warwick model? What's up with the dolphin? How easy are they to buy/find? How is the qc?

Thanks for your question/comment! Many things have changed at Warwick in the last 4 years. Production has been reduced from around 9000 instruments per year, to about 2500 per year. The focus is on making instruments of the highest quality and consistency. We've always felt we make great instruments, but todays instruments are in a completely different category.

All of the wood we source is certified legal wood, and not coming from places that cannot be guaranteed. Additionally, Warwick is now a leader in using FSC-Certified Ebony and US Swamp Ash. The FSC Ebony (Forest Stewardship Council) is carries the strictest guidelines - not only does the wood need to be FSC-Certified, but the factory too. There are 3 manufacturers in the US (Martin, Gibson, and as of February PRS) that are FSC-Certified. In Europe it is Sonor and Warwick. This guarantees, every step of the way, that our wood comes from legal certified forests, no forests that are being cut for agriculture use, no wood from countries with civil or traditional rights violated, and no genetically altered woods.

All of the wood at Warwick & Framus is allowed to air-dry for a minimum of 3-5 years (usually much longer), then it is slowly brought to an exact moisture-content with a special humid-air kiln. We only build with wood that is at the optimum 8% moisture content. A special machine is used to check EACH piece of wood individually for moisture-content...at which time it is hand-sorted for defects, and also hand-matched for use in an instrument. Every instrument is sorted by hand with a template, to be sure only the finest matching is made. Even though Warwick & Framus have some of the most advanced machines in the world, we go through many steps of hand-crafting and hand-finishing. A lot of builders do things to simply save time and energy...we want to create the best instruments possible. Every neck is made in a laminate fashion for strength and stability, again - done by hand. The grains are sorted and put together like this: \\\||///. We have 5-axis routers instead of the industry standard 3-axis routers, which allow us to contour the instruments in a special fashion as well as little things, like drill our neck pocket bolts at the same angle as the body contours so that the ferrules are completely seated. Our Invisible Fret Technology machine is the only one in existence, and insures a perfect fret job within 1/100mm. It is capable of creating a fingerboard with any radius between 9.5" and 47", and it perfectly levels and crowns the frets. We offer 5 types of fret wire, depending on your preference. Once again, every neck is completed by hand - sanding and rounding the fingerboard edges, applying oil, and making sure each one if perfect. We use a type of lacquer finish that is also unique in the world of instrument building. Its a water based lacquer that is environmentally friendly, and ultra-thin. We do this in a UV curing machine, that is flushed with nitrogen - so there is no chemical reaction taking place. The finish is ultra-durable as well. Common poly finished can only attain a clarity of +/- 85%...whereas our UV lacquer is 93%-95% clear, similar to a diamond. Every instrument is wet-sanded by hand for the finest detail work, and hand-buffed...swirl marks are not acceptable to leave the German custom shop. Our neck pocket is also hand-fitted...a bolt-on neck instrument (with no bolts holding it together) can be swung around and shaken, and the neck will not slip out of the pocket. It is a precise fit, for perfect transmission of vibration. These are the main points, there are many others - and again, our goal is utmost quality and perfection.

As I stated, the last 4 years have seen serious improvements. We will continue to strive to make instruments of the highest quality and also consistency...as well as our dedication to the environment. Besides our FSC-certification, and we also have been awarded the EMAS-III designation for our strict commitment to a better future environment. We burn all of our wood waste for thermal energy which supplies our facility with heat, and we have the largest solar array in our part of Germany. I hope this lends some insights into what Warwick & Framus believes in.

Although there is some view that our endorsers are primarily metal guys, we have a wide array of musicians from different genre's on the roster. Bootsy Collins, Steve Bailey, Lee Sklar, Larry Graham, Guy Pratt, Ralphe Armstrong, Verdine White, Jack Bruce, Jason Scheff, Adam Clayton, John B Williams, Jimmy Earl, Brandino, Norwood Fisher, TM Stevens, Tony Garnier, and many more.

Please let me know if you've got any questions, or if there is any way I can be of assistance. Thanks!
 
@lousybassplayer

You mean Mudvayne? QUOTE]

Yeah, thats them. Not trying to be (too) offensive with the slipknot comment, I just tend to lump all of the (what I refer to as) diet metal bands into one pile. Martinie is better than people think, I myself have made comments to the effect of how he was nothing to special and had no chops, but have since found this to be untrue.

But my point was that 2 pretty big, lets say "harder rock" bands and two fairly funky/rock bands are pretty well known and feature bassists who play wicks (pretty well I might add) in wildly divergent types of music.
 
Friend of mine purchase a neck thru Bubinga Thumb to LEARN how to play bass! Learn!! And he didn't stick with it. Nor did he realize what he had. He never took care of it. When I borrowed it from him, you could feel the lamination seams on the back of the neck! Why he didn't buy a Squire "Jump Start" pack is beyond me. When you have that kind of cash to burn, we call that having "stupid money"
----Roscoe LG3005, Mesa M-Pulse 600, Eden 210XST
 
I've played punk, country, gospel & classic rock on my 98 Thumb BO-4; a little faux-funk during a *wannabe-the-RHCP's-or-maybe-Primus* phase. Worked well for all that.

No offense, but you broke the rules doing that. If TB has taught me anything its that Carrots are cool and Warwicks are only for metal or funk. Heck, look how many times we had to ask TB permission to play Jazz basses in other forms of music!
 
My opinion and my opinion only , God bless everyone elses . To me playability is no.1 , with sound a very close second ,aesthetics bringing up the rear , within reason . Warwick to me are the most drop dead ugly around , something tells me somebody somewhere at Warwick is laughing real hard that we are buying anything that loks so ridiculous . I've been real close to buying a nt thumb but just can't get by the looks . I'm an ex-pat who's been backing up different artists in Scandinavia , occasionally Germany and without a doubt find the people there the most difficult on earth to deal with which any American working overseas will tell you . That is the other reason I won't buy one , it's much better to be thinking about Americans at Gibson and Fender . Again , only my opinion .
 
Warwick's top two models are definately the Streamer and the Corvette. I've got a Corvette Rockbass, and it's all around awesome. A major plus about Warwick is their massive custom shop. After all, their motto is, "If you can dream it, we can build it."
 
You may get a little slap on your wrist over the *U* word.

Maybe, but he did state emphatically it was his opinion, so I hope no one gets upset. Another way of putting it would be I am displeased with the aesthetic qualities of the Warwick basses to which I have been exposed and thus would not care to own one based largely on that opinion.

But that just a longwinded more PC was of saying I thought it was ugly.