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I've loosely followed these guys for probably 15 years. Greg Yancey used to be here on TB, but I don't know if he's still around or not.
I am indeed still on TB! Thanks for listening to us.
No, it was recorded with my #10 semi-hollow bass I made in 2002, same one as the live video also linked in the original post. Two pickups, J-bass style (which I also made, but they aren't special in any sort of way). The one part of the song you're referring to does have an octave pedal. I found a picture of the recording setup, complete with my bread board amp driving the whole thing:Nice!
Was "Winds..." recorded with that LB-100?
It sounds great, but not at all what I would associate with that bass - it almost sounds like two pickups, and the higher up the neck you go, it sounds like a sub-octave pedal has been mixed in.
You are living my dream, Greg.No, it was recorded with my #10 semi-hollow bass I made in 2002, same one as the live video also linked in the original post. Two pickups, J-bass style (which I also made, but they aren't special in any sort of way). The one part of the song you're referring to does have an octave pedal. I found a picture of the recording setup, complete with my bread board amp driving the whole thing:
View attachment 7289214
No, it was recorded with my #10 semi-hollow bass I made in 2002, same one as the live video also linked in the original post. Two pickups, J-bass style (which I also made, but they aren't special in any sort of way). The one part of the song you're referring to does have an octave pedal. I found a picture of the recording setup, complete with my bread board amp driving the whole thing:
View attachment 7289214
Not weird obscure to me but to most who didn't live in Long Island/ NYC in 70' and 80's
Sold out MSG for 3 nights straight and voted by Rolling Stone Magazine "World's Greatest Unknown Band"
I am not familiar with most of their work, but back in the late 70s, I heard the title track from their RATCITY IN BLUE album (1976) and was knocked out by it. To my ears & taste, it's still one of the most impressive recordings I have heard by a band featuring two lead guitarists, with complex harmony lines in a song that shifts gears several times while remaining very much in the rock genre (though clearly drawing a bit on some jazz chops) rather than falling into "prog" clichés." Nice bass parts, too!