• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

What did Mel Schacher use?

This thread seems to have a way of coming back to life every few years.

Does anyone know how he got his recorded sound? I'm going to assume that it was a lower wattage amp cranked up. But does anyone have any more specifics?
I've tried to find specifics, but I haven't seen any. Would not surprise me if their early Terry Knight stuff was recorded with their stage amps cranked and mic'ed. Subsequent stuff sounds like combination of DI and mic'ed amp.
 
  • Like
Reactions: bobyoung53
No, definitely HiWatts. I was backstage that night.

OK, you win. However ... perhaps you were on a mind-bending substance that night? :) AFAIK, it was only the English bands that were touring with Hiwatts in 1969. Such as The Who; Stones; Tull; Moody Blues. Maybe GFR was using someone else's backline that night. I've sure never seen a photo of GFR using Hiwatts.

Cheers!--good for you to see GFR in 69... my first show was 72. "Are you ready?"
 
The story was the West amps were Heathkit, substantially downscale from Dynaco.
I saw them during the Red album tour and yes they were Wests. That was a lot of distortion.:)
Heathkit was also a Michigan company (based in St Joseph, MI) - like GFR was a Michigan band.
My family has a place south of there and I remember going up to St Joe to buy radio and stereo kits with my Dad.
I seem to recall that many of those DIY/hobbyist amps (Heathkit, Dynaco, Radio Shack, Kinghts etc) pretty much used reference designs.
 
  • Like
Reactions: chadds
I know ACDC used to record with their live amps. . ...perhaps only one cab in the studio tho.... and loud 'like at the gig' Angus said... Co-Producer and eldest Young brother George. ..liked to get em into the studio directly after the gig. ..to capture the energy.
As far as I'm concerned. ..it worked. ..their 1st few albums are full of power.
Maybe Mel n co in GFR were similar.
 
I know ACDC used to record with their live amps. . ...perhaps only one cab in the studio tho.... and loud 'like at the gig' Angus said... Co-Producer and eldest Young brother George. ..liked to get em into the studio directly after the gig. ..to capture the energy.
As far as I'm concerned. ..it worked. ..their 1st few albums are full of power.
Maybe Mel n co in GFR were similar.
I totally believe that to be the case. Reminds me of when I first recorded in a pro studio in 1979. We went in with giant amps just barely putting out sound, the engineer asks why our amps are so low, and I asked, parroting several articles I had read in Guitar Player, "You don't need to have your amps turned up loud in the studio, do you?"

He replied, "No, but maybe you should turn them up enough for me to know they're at least on."
 
:crying: :dead:

Looks like the bills were no longer being paid to the server-hosting company... I really wanted to look at that too.. Darn.
. .

There are snapshots of his site in the intenet archive. Yes, the internet is backed up.

Here is one instance of the web site. You have to look at other dates to find the best one.

West Laboratories Guitar Amplifiers

At web.archive.org, type in westlabs.com, then select an instance to view.
 
Last edited:
I think I posted this earlier in the thread but Mel and GFR are the reason I started playing bass! Saw them many times here in Philly at the old Spectrum. And they were LOUD!

There's a story about a GFR concert here in Philly. Billy Preston was opening for them - I was at that show. He ended his set with "Will it go 'round in Circles" but he kept repeating the ending. The band would end the song but Billy P. would say "we're going to do it one more time!", and do the chorus again. What had happened was that he was stalling for time. GFR was stuck in one of our famous traffic jams that happen down at the Philly stadium complex and could not get into the building.

Thanks for keeping this great thread alive!
 
Me too... but. .I gotta let the S.E. have some say in it. .. or he thinks I'm a complete know all.
The few times I've been in a studio with electric bass, we went with a mic'd bass rig because everyone but the engineer hated the way I sounded direct (especially me, but that's a given). I know there are applications for super-clean, sparkly hi-fi bass, but in my opinion rock and roll ain't one of them.