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What happened to Markbass popularity?

I own a LM3 and a Tonehammer 500.
Agree that the Tonehammer gets that vintage tone with complexity "to taste",
But my MarkBass isn't clinical. It's clean but a warm clean. I A/Bd it next to a GB shuttle 600 and the Markbass was much warmer. The Genz was more clinical. Just my personal experience..
 
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Saw/heard Danielle Nicole Band (three piece) a couple weeks ago in smallish club. She's playing PBass/Delaney basses through a new Little Mark III with a new Markbass 104HF and 102HF speaker rig. Smooth fingers only. Perhaps the best blues bass sound I've ever heard live. Crisp, punchy, warm, smooth all at once.
 
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Very smooth. IMG_1386.JPG
 
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I was using Markbass. But, I don't like that they went to Indonesia for manufacturing, are now made with Medium Density Fiberboard, in place of real wood, they no longer use B&C speakers, and charge the higher price as if they're the same amp they were before all of the changes to save money. I found my way back to a Fender Bassman setup.

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Me too - I even miss the pickup cover on my other basses; nice place to rest my hand on when picking.
I also enjoy seeing what great ideas other people have modding their basses. Maybe because I am not modding myself :D
What are you modding yourself into?

But (at least for the moderator) it's really just about her rig.
Uh huh!
 
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Old question, new way to put it... Okay, first off, I'm asking this question in this thread, because I'm assuming that many of the followers here have Markbass experience, however, it's really an Ampeg question... And it's also already been asked quite a bit, but unfortunately, too many users seem to answer questions, which they probably shouldn't be answering.

It's a commendable effort, but it really does confuse the subject. For example, John Doe asks; I'd like to by a Fender Jazz bass, so what do owners think of them? The inevitable first response always seems to be "Well I've never played one but I hear they're great". That's not helping.

So.... especially JimmyM, because I know that you're an SVT fan...

Ampeg is and has always been "the" bass amp. And throuought my 35 year stint as a bassist, although I've always chased their sound. But I've never bought one, because I never wanted to be a "me too" guy, so I tend to create 10 times as much work and come up with a poopier product, all just to say that I'm different!

Several years back, I almost bought one, but that was the moment in time when they just switched to overseas, and their customers were screaming about quality and service issues, so I once again steered clear, and that's when I went to Markbass.

Ok so now as a giging punk bassist, I have a Mark SD1200/ sealed B&C 8x10 and a Mark Little Tube 800/ sealed B&C 8x8. Both are the Italian made heads and use the Italian Poplar 15 ply cabinets. On top of that, all of the cabinets have long since been discontinued, and so has one of the heads... So, I have to keep it all because collectors are already scouring to find the few remaining.

I love the way that they all sound, but they're just not capable of Ampeg tones. I just built a recording studio, and I really think that it needs some fat tubey goodness. So... Ampeg and Mesa are in my sights.

I really thought that I was going to get the Mesa Prodigy, but the more that I look at it, the more I feel that it'll just be another short lived attempt at the market, chocked full of bells and whistles (and lights) to lure me in. So... that leads me back to Ampeg.

I LOVE the SVT VR, but I don't like grit much, I prefer a defined, round tone, so the idea of a pegged master worries me. The Classic solves the master issue, but I don't like it as much as the vintage heads, and honestly, I don't need the weight or the watts of the bigger heads.

So I've decided that the V4b is perfect for me... and everything that I read sounds like it'll give me the round, defined, fat, warm, tube tone that I'm seeking. My only worry is volume, but with a 12,000 watt PA and 2,000 watt bass rig already, would'nt I just line out or mic the Vb4 if it was an issue?

Many posters are worrying me about Vb4 volume, but I feel like 100 tube watts has got to be loud as hell in a studio, even with moron guitar players cranked at times. I mean, I've NEVER had to turn my SD1200 over 1 in order to dwarf marshall half stacks.

So, I'm really interested in hearing from those of you who understand that we don't have to only have "one" single sound, brand, or style and die by it.

I already own what I cconsider to be some of the worlds best articulate, defined, and clean sounding SS amps... So while I'm looking to add tubes, should I really be worried about watt wars, or am I just reading too far in to, too many others narrow opinions?
 
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I can't speak for the new Markbass gear but u did own a Markbass 210 combo for years and it gigged 3-4 times a week for years. It was and still is the best Combo amp I've ever played. Now I have had better gear since moving on from it but it is my Genzler gear. Still the Markbass was lightweight and performed at a high level at small to large gigs.
 
I can't speak for the new Markbass gear but u did own a Markbass 210 combo for years and it gigged 3-4 times a week for years. It was and still is the best Combo amp I've ever played. Now I have had better gear since moving on from it but it is my Genzler gear. Still the Markbass was lightweight and performed at a high level at small to large gigs.

Thanks for the response. I'm actually surprised that you found better gear and moved on... at least for a combo amp. To my knowledge, Markbass was one of the first and very few to offer pro combo's. Their 212 stuff with B&C speakers was hard core. I think SWR had a few too.

Anyway, as I said, I already have the best stuff that Mark ever made, now I'm looking to round out the stable with some tubes. The last all tube I had was a Peavey VB3 and it was an over-priced, lackluster attempt at something... Not sure what.
 
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Rat fur and black and yellow colors...I couldn't go that route. The prices are steep too!
Agreed 100%. I fought it for a bit because of the colors, and my 4x8 cabs were over $1k a piece!!!! Also the solid state head was well over $1K... but when you're getting consistent sound compliments from your fans, sound engineers, and producers... then black and yellow it is.
 
Agreed 100%. I fought it for a bit because of the colors, and my 4x8 cabs were over $1k a piece!!!! Also the solid state head was well over $1K... but when you're getting consistent sound compliments from your fans, sound engineers, and producers... then black and yellow it is.
I think that 2 of those little 4x8 cabs can do a lot. A very compact and powerful little stack.:thumbsup:
 
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I think that 2 of those little 4x8 cabs can do a lot. A very compact and powerful little stack.:thumbsup:
My full stack is 800 watts, 4 feet tall, weighs nothing, and I can carry the whole thing anywhere, by myself, in one trip. Yes those cabs were pricey back then, but those cabs where meticulously built with strength, weight, and tuning in mind, and then B&C specifically designed the 8" speakers for them, and when you hear them, you know what you paid for. Ahhhh... how cool was it when manufacturers actually put thought into what they designed? Now they just do whatever everyone else is doing.