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77 I'm not sure where the whole karma thing came from man?
If you weren't passing judgement that comment in itself was one funny way of NOT passing judgement.
Only to come back later and say you meant it towards everyone in the whole world and then not even own your words by saying it's how a large part of humanity feels, Last I checked it was you who said it.
What you fail to realize is that just like you I have gotten a kind of run around story and I myself have had to kinda pick through the details.
Anyway arguing is futile, Either you believe it or you don't
I'm not sure if Gruhn's appraisal will help you stop thinking I'm trolling you but if so feel free Monday to say something.
No hard feelings, I actually do understand where your coming from believe it or not.
I'd be reluctant to believe some of this, and I was and that is why I have now gotten three different stories.
I am confident that I have gotten to the bottom of it now, and that is why I decided to start talking again today.
Nothing more nothing less.
As I said no hard feelings on my part for anything, and honestly you are the one that seems to need convincing I don't mind trying to make you a believer. But if Gruhn's appraisal can't do it I think it's best we just agree to disagree and go separate ways here.
I'm trying to be straight forward with you man in every way possible.
I'm 99.9% certain this bass is a real 1962.
About the finish though - One MAJOR clue if the pink is the original finish could be this (while it's still fun to hypothesize before we get the appraisal):
I noticed a tortoise shell pickguard peeking out of the corner of one of the photos in the previous thread. That tort guard did indeed seem to be an original early 60's guard - it matches the one on my 1962 P bass exactly in terms of tone, color, and ply. The early 60's tort is really difficult to fake or recreate to come out looking like that.
My guess would be, if that tort guard is the original one to the bass, it was probably sunburst originally. I don't think the Shell Pink paintjob included a tort guard on the original order...I believe it was white or mint...then again, maybe the original owner bought two pickguards when the bass was purchased.
I'm 99.9% certain this bass is a real 1962.
About the finish though - One MAJOR clue if the pink is the original finish could be this (while it's still fun to hypothesize before we get the appraisal):
I noticed a tortoise shell pickguard peeking out of the corner of one of the photos in the previous thread. That tort guard did indeed seem to be an original early 60's guard - it matches the one on my 1962 P bass exactly in terms of tone, color, and ply. The early 60's tort is really difficult to fake or recreate to come out looking like that.
My guess would be, if that tort guard is the original one to the bass, it was probably sunburst originally. I don't think the Shell Pink paintjob included a tort guard on the original order...I believe it was white or mint...then again, maybe the original owner bought two pickguards when the bass was purchased.
Karma's a bitch.
This isn't meant as a personal attack on 1shot, but I kinda wish someone who was going to play and appreciate this bass stumbled across it.
You don't seem to understand the concept of Karma, no matter how much you throw it around. You are obviously using the term to insinuate that the finder of the bass has behaved dishonestly and is reaping the punishment due. A perversion of the concept, and a cowardly way to make a point you cannot prove nor defend without more information.
GreenWithEnvy said:I have been thinking about this a lot in the last day. If I stumbled on the bass, would I play it? I thought about it and thought about it and imagined what gigs I'd take it to and how safe it would be. And then I was thinking that even at the safest gig, the sound man could be routing around trying to fix something and knock the bass over and snap off the neck. OK, so you could keep it in the case in between sets. The lighting truss falls down and smashes your case. Stuff happens. I came to the conclusion that, even though I'd want to gig the bass, if I actually had it, I couldn't. I doubt that many would, even if they think they would. I don't think this is a gigging bass.
As much as I love basses, and playing them... I can tell you that if I found this one, I'd sell it off and the proceeds would be part of a down payment on a house. If it is real, then it needs to be in the hands of someone who can preserve and conserve it in the appropriate fashion. If you want a SP jazz to play, take a couple K and have the custom shop make a 62 jazz player for you.
1SHOT1HIT - I would quit this thread and start your own new thread on Monday and ask the trolls to stay away, I think the Mods will support you on this