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What should I do about this band / drummer?

Geez, for a moment I thought you were talking about my old drummer.

My situation was very much similar to yours. My honest opinion is to leave if his playing is going to bother you. My band imploded because of issues with the drummer. In my case he was a drummer who started playing again after a very long layoff and never got his chops back.

We all tried working with him. We got along great and had fun but we’d never tighten up as a band. He’d plY the same song differently every time. And not because he was trying something to see how it sounded. The singer would follow me and not the drummer. He actually said to me at rehearsal “dude, I don’t know how you play with this guy.”

His timing was terrible. We’d lock in at the beginning of the song and then off he’d go. I’d be keeping my own time and continue to play at the tempo of the song. It didn’t sound good.

After I left that band I auditioned for another. The drummer was late so I’m waiting in the studio with the singer and guitar player. Drummer runs in, adjusts the cymbals and we start. Holy s*<}! So this is what playing with a good drummer feels like! I’ve never met this guy in my life and we lock in almost immediately. It’s like using cruise control on your car.

So if I was in you situation (again), I’d cut my loses now and find another gig. I wasted a lot of time and it bothers me because I could have been out gigging.
 
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Drummers have to do two things above all else -- they have to be able to keep time, and they have to be able to count. I have done gigs with drummers who could do neither, and it's always a train wreck at some point.

Two things in this saga stood out to me:
Also the drummer has secured & is paying for the rehearsal space, which is great but also really kind of entrenches himself in the whole thing.
But after getting home I get added to the group chat & get a message like “we’re stoked that you are a part of the band” blah blah and I was just like hmmm ok well I guess I’ll run with it for now?
First, the drummer has essentially bought his spot in the band. He did what he could do to make himself indispensable, and effectively made himself fireproof. It's a legitimate thing for a musician to do who wants to give him/herself a competitive edge in a crowded market, but now you get to deal with the ramifications of that.
And second, making you a part of the band without your consent bespeaks a certain amount of dysfunction and desperation. That alone would make me cool my jets, and/or tell them to cool their jets. If I followed the story correctly, you still haven't even rehearsed/practiced/jammed with the whole group in one room at the same time yet! The cart is way ahead of the horse at this point.

One other thing. You said that people aren’t exactly clamoring for a almost-40 relatively green bass player with no gig experience. That may be true, but it doesn't necessarily have to mean anything. I have been playing bass since I was 17, but I never played in a paying gig until I was in my 50s. I played in church, and I jammed a lot, but any band I joined hoping to gig would fall apart before it ever got to gig. (And yes, that was very frustrating.) And there is a certain amount of development that comes from gigging that I didn't have. But I worked on my skills, and when the opportunity finally came for me to gig, I made the most of it.

But as I think about it, the first couple of years of my gigging happened in bands that were dysfunctional. So maybe that's a rite of passage for people who aren't prodigies? I don't know. But what I do know is that I stayed with one particular dysfunctional band far longer than I should have.

If I could give you one bit of unsolicited advice, it would be this: Work on your vocals. If you can sing and play, even just backup vocals, that makes you a whole lot more marketable. If people hear a decent bass player who can sing, they aren't going to care about your lack of gigging experience.
 
As I alluded to in my first post, people aren’t exactly clamoring for a almost-40 relatively green bass player with no gig experience.

Gonna take slight exception. Almost 40 just means you hopefully have your stuff together, have good equipment and are punctual. Are you hitting up all of the open mics/Jam nights in the area? Diversify if not! Sounds like we're at about the same point experience wise, I'm 42 so almost similar age too. With the exception of a year or so back in high school getting recruited into a buddies punk band, with me having zero experience and blasting away with a pick on "fret 5 top string, ok fret 7 second string etc" I'm just a little over two years in now after picking up a bass on a whim a few months before covid. I started going to jams almost immediately, I didn't give a damn how green I was. Immersion, I'm all about it. Only lasted a couple months unfortunately before covid. Been back at it for over a year. We have exceptionally good house bands at some of them around here. I'm waaaay out of my league, but I show up everytime and go to school. I answer ads and go jam/audition (disaster so far on that front but I keep at it) Anyway, in the last 3-4 months I've slowly been getting called up for paying gigs and have three really fun potentially great projects in the works. Every one of these came from jam night. None of these callups came because I'm some prodigy, I'm average at best and still very inexperienced, timing is ok but I have decent feel, listen to advice, show up early and keep it simple. Drive the song baby!

One other thing. You said that people aren’t exactly clamoring for a almost-40 relatively green bass player with no gig experience. That may be true, but it doesn't necessarily have to mean anything. I have been playing bass since I was 17, but I never played in a paying gig until I was in my 50s. I played in church, and I jammed a lot, but any band I joined hoping to gig would fall apart before it ever got to gig. (And yes, that was very frustrating.) And there is a certain amount of development that comes from gigging that I didn't have. But I worked on my skills, and when the opportunity finally came for me to gig, I made the most of it.

But as I think about it, the first couple of years of my gigging happened in bands that were dysfunctional. So maybe that's a rite of passage for people who aren't prodigies? I don't know. But what I do know is that I stayed with one particular dysfunctional band far longer than I should have.

If I could give you one bit of unsolicited advice, it would be this: Work on your vocals. If you can sing and play, even just backup vocals, that makes you a whole lot more marketable. If people hear a decent bass player who can sing, they aren't going to care about your lack of gigging experience.


Vocals, that's next for me on the list. So correct, huge bonus for people looking for a player. Great point.
 
I was wondering about this, if I would be getting too far out of my own lane by bringing some hot rods & tea towels to the next rehearsal lol. I guess it all depends on the situation and people. Maybe I can sort of “gift” them if we can do a 1-on-1. Also If/when we do a 1-on-1 I don’t want to just dump every flaw in him at once I don’t think anyone would like that I guess it’s a matter of what battles to pick first. like for me it would be not losing the 1
Yes - I've learned the hard way - be there on one...
 
Long rant I just need to brain-dump and get some feedback.

timeline: My audition + 2 rehearsals so far.

Man I really want to like this new band, great singer, great guitarist, I enjoy the music (late 70s early 80s rock & pop covers) and good attitudes. They want to bring in a keyboardist and backup singer and it sounds like it will be a good group to gig with.

The thing is, the drummer… Nice guy but he appears to be brand new on the drums and has absolutely no natural feel for groove or timing. Overplays, no dynamics all hits are *PLAM PLAM POP BANG*. The meter is in constant rush & drag I mean like within each measure. It’s so hard to concentrate and just get a groove going. Fills are rushed & misplaced, sometimes looses the 1 or flips the 3 and the 1 and doesn’t realize it sounds off. Sometimes I just pause and correct for it which throws everyone off & other times I try to motion or establish some gestures when this happens to little avail. Any rhythm with a shuffle is way out of grasp.

I am no drummer but I think that he’s trying to dance before he has learned to walk. He does take critique pretty well and I am really trying to not be an jerk or a bully about it. I will mention “hey on this next one is it cool if I throw on a click? I think it will help us all tighten up.” “Cool no problem!” so I put it on, LOUD, and we are playing and he’s still rushing the click, like, lapping it and just happily plowing through as if it’s spot on and it’s even more confusing so I drop that idea. Or I’ll mention “hey how about a very simple backbeat to keep this simple & clean, we don’t have to try to reproduce all of the complex things going on with the record we just need to lay down a good steady beat that’s the #1 job everything else is secondary.” I do this as subtly as I can, like lean over and discuss as a rhythm section; But his reply usually seems to go toward “yeah I think I’ve almost got it I just need to get this song down. It’s kind of like a boom ba cha tap tap thing” like no man develop a steady basic 4/4 or 2/4 for now, forget the song.

I am pretty sure that everyone in the band is aware that the drummer is not great, but the problem is it’s a new band that the singer and drummer founded. I’m not sure how far the two go back or how good of friends they are. I’m the newest member so I don’t really have much of a say at this point. The guitarist has been in a project or two with the singer before so I think he’s just riding with this to see where it goes. Also the drummer has secured & is paying for the rehearsal space, which is great but also really kind of entrenches himself in the whole thing.

Here’s the other thing: I’m no pro myself, I am pretty solid and I think that I am good with staying in the pocket and playing to the song but also I’m late 30s and have only been playing a few years. I have played with a few bands for a couple years up until this point and my personal goal is to work with a gigging band (when/if that is ever possible considering the pandemic) but none of these bands actually ended up gigging for one reason or another (pandemic, lack of clear goal to do-so, been-there-done-that, etc). For this reason I don’t have a ton of music connections or opportunities and a lot of working bands understandably see this as a red flag that I don’t have any gigging experience and there are not a lot of 30/40 year old groups that haven’t been playing/gigging for 20 years already. So my only source of connections is hitting up CL & FB musicians-wanted groups.

Is there hope with this project / drummer? Should I cut and run? Can a drummer that is new and has a good attitude but seemingly has no natural rhythm come around in a few months? What would you do in this situation?
Is he getting any better with time and practice?
 
. But after getting home I get added to the group chat & get a message like “we’re stoked that you are a part of the band” blah blah and I was just like hmmm ok well I guess I’ll run with it for now? Anyway that’s how it all went down and here we are. I figured TB would in unison tell me to quit immediately and that i’m an idiot but thought hey it’s content, why not throw it out there & see what feedback I get.


They know you're holding things together and they want you to stick around. Or are clueless and think it sounds awesomezzzzz!!!

Remember your level of experience and make sure it fits in with your expectations. I have played with a lot of folks over the past couple of years and some of it didn't work because *my* expectations were out of whack. *I* thought we should devote more time to it. The reality was with my career (not music) and family I don't have time for the kind of people who are more serious. I don't want to play with the terrible, but I have to keep a lot of things in balance. Once covid forced to me to re-evaluate, I realize I needed to step back a bit and focus on this a little more fervently in a few years.
 
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Long rant I just need to brain-dump and get some feedback.

timeline: My audition + 2 rehearsals so far.

Man I really want to like this new band, great singer, great guitarist, I enjoy the music (late 70s early 80s rock & pop covers) and good attitudes. They want to bring in a keyboardist and backup singer and it sounds like it will be a good group to gig with.

The thing is, the drummer… Nice guy but he appears to be brand new on the drums and has absolutely no natural feel for groove or timing. Overplays, no dynamics all hits are *PLAM PLAM POP BANG*. The meter is in constant rush & drag I mean like within each measure. It’s so hard to concentrate and just get a groove going. Fills are rushed & misplaced, sometimes looses the 1 or flips the 3 and the 1 and doesn’t realize it sounds off. Sometimes I just pause and correct for it which throws everyone off & other times I try to motion or establish some gestures when this happens to little avail. Any rhythm with a shuffle is way out of grasp.

I am no drummer but I think that he’s trying to dance before he has learned to walk. He does take critique pretty well and I am really trying to not be an jerk or a bully about it. I will mention “hey on this next one is it cool if I throw on a click? I think it will help us all tighten up.” “Cool no problem!” so I put it on, LOUD, and we are playing and he’s still rushing the click, like, lapping it and just happily plowing through as if it’s spot on and it’s even more confusing so I drop that idea. Or I’ll mention “hey how about a very simple backbeat to keep this simple & clean, we don’t have to try to reproduce all of the complex things going on with the record we just need to lay down a good steady beat that’s the #1 job everything else is secondary.” I do this as subtly as I can, like lean over and discuss as a rhythm section; But his reply usually seems to go toward “yeah I think I’ve almost got it I just need to get this song down. It’s kind of like a boom ba cha tap tap thing” like no man develop a steady basic 4/4 or 2/4 for now, forget the song.

I am pretty sure that everyone in the band is aware that the drummer is not great, but the problem is it’s a new band that the singer and drummer founded. I’m not sure how far the two go back or how good of friends they are. I’m the newest member so I don’t really have much of a say at this point. The guitarist has been in a project or two with the singer before so I think he’s just riding with this to see where it goes. Also the drummer has secured & is paying for the rehearsal space, which is great but also really kind of entrenches himself in the whole thing.

Here’s the other thing: I’m no pro myself, I am pretty solid and I think that I am good with staying in the pocket and playing to the song but also I’m late 30s and have only been playing a few years. I have played with a few bands for a couple years up until this point and my personal goal is to work with a gigging band (when/if that is ever possible considering the pandemic) but none of these bands actually ended up gigging for one reason or another (pandemic, lack of clear goal to do-so, been-there-done-that, etc). For this reason I don’t have a ton of music connections or opportunities and a lot of working bands understandably see this as a red flag that I don’t have any gigging experience and there are not a lot of 30/40 year old groups that haven’t been playing/gigging for 20 years already. So my only source of connections is hitting up CL & FB musicians-wanted groups.

Is there hope with this project / drummer? Should I cut and run? Can a drummer that is new and has a good attitude but seemingly has no natural rhythm come around in a few months? What would you do in this situation?


When i was young and starting in music(7th grade... 1970) I was a drummer who knew nothing about music theory and had a teacher hired by my parents who was a general music instructor, not a drummer. He played accordion with my drumming during lessons but because he knew so little, my progress was extremely slow. Results.... I did not master the rudiments early on and it limited my ability to play.
i got a break in HS and was invited to join a band with some good musicians. I was basically the drummer you are talking about, and I knew it.
I loved playing though so I worked really hard, playing 4 to 5 hours a day for a few years. That band never did gigs (unless you call 1 junior high school dance a gig). But the guys tolerated me and my work paid off.

After high school a guy I knew (who later became my brother in law. Damn his sister was hot) invited me to join his band which had been an established gigging band for about 4 years.
I found myself in that same situation, as even though i had improved, these guys were light years ahead of me. I decide to give up trying to play an exact cover of the songs, (we were mostly a "Chicago" cover band, complete with horns.) and let myself get moved by the music, playing what I did know well with a sharp focus on the rhythm. I actually played most of the time with my eyes closed, I was playing in my own little sharply focused world. within a year, I was not only still playing with the band, but i actually deserved to be there. A couple years later i was playing with a prog rock band. playing 9/8, 7/8, 7/4, times and extreme syncopation, with very sophisticated music. (elp, yes, asia, Pink floyd styles)

There is hope.
But it will take real dedication on the part of the drummer.
My advice..... Try to get him to stop worrying about playing exactly what the original played(or what he thinks he "should" play) but to focus on feeling the rhythm and playing to that, within the limits of what he is capable of. The rest will follow... before long the stuff he could not do while keeping the time accurately will become second nature. He has to learn to feel the rhythm, not just hear it. Even with no natural talent this can be done. But it takes serious work.

Ringo could not do anything well on drums except keep the rhythm. But he did that so well that he is a legend now.

Advice to you about you. You had not been in a gigging band before, yet you are critical. I understand that you are ready for it. But if that is more important to you than the music is, you don't deserve to make it. Allow yourself to enjoy the music for its own value. Maybe close your eyes sometimes yourself and get lost in the music. If you are talented, and skilled the gigs will come. And if you are instrumental in helping this drummer turn the corner in his playing, you might find a loyal friend for life who loves the music as much as you. After all if he doesn't love it he will never make it and you will eventually move on.
 
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One of, if not the most important job of any drummer in any genre of music is to keep time. I come from a generation where a drummer either had “good time”, or they didn’t…and that was evident in about thirty seconds. Nothing to me is more perplexing than being the bassist trying to keep time for the drummer. Luckily, we live in a day where there are click tracks. Sounds like he is a new drummer open to learning to play to a click. Whether you are in the band or not, the band would benefit from (a) the drummer learning to play to a click and keep time, and (b) the rest of the band following the time the drummer sets. Until the drummer can keep time the concept of drum fills is counter-productive. Working on the basic drum rudiments (to a metronome) would also help any drummer. It just depends whether or not they are open-minded to it. Sounds like this guy might be, but please do be super kind and chill and cautious to not come off line a “know-it-all”. I sure hope I have not done so in this comment, and if I have please a accept my apologies. Just trying to be helpful.
 
#2 would be for the drummer to improve drastically over the course of 6 or so months. Not sure how possible this is & I really don’t want to be the main driver of that, but I would if I saw consistent effort / improvement.

Unfortunately this is a long shot, at least in my experience. My take is that some drummers I’ve played with feel banging out the beat is all they need to do to show up as a band member. Rarely did I experience a drummer who took the patience and time to learn their part well, and because my job relied upon their job, I seldom had patience for drummers who wouldn’t or couldn’t learn their parts.
 
Give the drummer early Ringo and early Charlie Watts sound files. And make sure it's bread-and-butter drumming and not anything fancy.

If he can do the simple with proficient time that's all you need. If he's unwilling to boom-chic his way into a decent sounding contributor then have a meeting with recorded examples.

Playbacks are eye openers.
 
Make all critiques general to the group: "the dynamics of this are off, the feel is not there, this is too busy, this part is a train wreck, what is the focus at this point in the song." But if you come off as the MD at rehearsals, you may soon be the person being discussed in side group chats or on message boards.

Sometimes less talking and more playing through sets will actually get you a lot more improvement as compared to stopping and discussing moments in songs. Or if you do have to talk, try to find a way for the others to come to the conclusions that you want them to come to. This is a typical management trick: make people think your idea was their idea for more buy in.

Just make the best of it. You can always leave if you don't like it, but I really think that you can't make non-professionals make professional adjustments in a short amount of time. It may takes months and years.
 
If you're willing to tolerate his shortcomings and wait around until he progresses... fine.
I couldn't continue trying to play with a poorly skilled drummer. I'm not talking about "flash". A dynamic, simple, steady drummer is my preference.
Personaly, I'd step away until the drum situation in that band improves to my liking, and I'd tell the folks in the band that I do enjoy playing with to get in touch with me when it does.
 

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