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Sad to see Gibson where they are at the moment, but I'm sure they will pull through.
A novel idea, and it is novel because I have no business sense, would be to pull most models. Made a Studio and Standard Les Paul, ES-355, SG, Firebird (maybe), Thunderbird and EB/SG bass. Produce a few seasonal models, such as an LP Junior, but keep a close eye on how these sell. Pick up the phone to as many dealers and find out what is actually going out the door, versus what is sitting on a stand for 4-5 years.
For all that people complain about Gibson's pricing, their budget stuff is currently fairly nasty. The Firebird Zero looked like a badly assembled kit guitar, and I don't personally like the faded/satin stuff either. A finish that looks like it comes off on your jeans? Eh nah!
Push the outlandish stuff onto Epiphone, but again keep a closer eye on what is out there. Gibson have two destinct market areas for their guitars; orthodox blues/rock/jazz guys and metal guys. They've been letting the metal guys down, really. Modern metal guitarists are moving towards designs like Strandberg (headless, multi-scale fanned fret stuff) and 7 strings are fairly common as a whole. Gibson's stab at metal instruments seem to be either aimed at the long-dead Nu Metal genre or clumsy in general.
Finally, look at what Eastwood do! They will build a short run of extinct historic instrument designs if people back it first. Gibson could run Kickstarters for extinct designs. No point in reissuing a 1964 Thunderbird II bass in Pelham Blue perhaps, but there is a stronger argument for doing so if you have 200 backers with cash up front. Cut out the dealer and engage more directly with your customer this way. Relatively low-risk, as you get an idea of what will be popular and what wont. Dealers may never ask for an EB-2D reissue, but 250 guys off forums might want them. Maybe you only need thirty backers? Who knows!
That just might be enough sales to get them out of the hole they're in.That's like 1 trillion Gibsons for every person on earth.![]()
I remember when the wife and I visited Gibson, while in Nashville... lots of expensive guitars, hanging...
... that's all I got out of it.
I'd lower prices...
Some of those engineers who can't do free-body diagrams might have been students of mine who had a hard time understanding the concept.Take all the engineers sitting around designing robotuners and have them figure out why single cutaway guitars with haphazardly positioned afterthought strap buttons result in neck dive. Hint, free body diagram.
This is interesting... It's easy to picture Gibson getting bought out by some giant Asian conglomerate, and then building most of their stuff overseas, with only high end or custom shop models being made in the US. But that would really confuse things with Epiphone. I wonder how that could be handled to make it work.Cort making Gibson Tribute or something, with only a very few left in the USA making Gibson Heritage.
You do realize Gibson BOUGHT and acquired Guitar Center back in 2015 I believe, another thing they do poorly.
They are using the media to posture so the bankers are under more pressure to come up with favorable terms for debt restructure. The company is making money, the debt is the problem.
I don't disagree with you but, like it or not, nostalgia is a big part of the industry.With all due respect, it's only a crime if you allow the nostalgic aspect to infiltrate your mind that strongly.
Almost everything evolves animals, plants, your living environment and yes music with that fashion associated with it...It evolves.
IMHO both Fender and Gibson have become cartoons of themselves to some degree.
You can a higher quality USA made instrument for the same price of a Les Paul, that are in the same vien as a LS.
Go to NAMM and look at all the new builders coming.
I appreciate what these companies have done but...
It's time...