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What's On Your Workbench?

Hey guys, this hopefully is in the right place. Also, let’s be clear I am not a builder. (... snipped...) Also if I am shunned by this group because I’m not a true builder well, so be it! I’ll slink off and seek my affirmation elsewhere… carry-on.

There are only two types of people: Those who make and modify stuff and those who don't. You're clearly in the first camp already, so don't worry about it.

Oddly, the hardest part was starting.

Always. It gets harder with more complexity and gets easier with experience. Unfortunately, they tend to cancel-out.

The plastic finish on the body is horrendous, by the way.

This is probably to be expected on newer, higher-end instruments. Most manufacturers are using 2-component synthetic resins (polyester/polyurethane/acrylic etc.) these days, and even the 'undercoats' can be a bitch. The upside is that they are orders of magnitude more durable than the 1950s finishes; the downside is exactly the same thing; they're designed to resist wear and tear, which unfortunately includes stripping. It can be done; it's just more work. I'm never stripping a PRS again ...
 
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Hey guys, this hopefully is in the right place. Also, let’s be clear I am not a builder. I am a guy that likes to mod things to make them work better for me personally. I have put together a couple of parts bases. I’ve also have had a desire to actually build a bass from scratch for a long time, but never had the time or the tools together. That’s another project that I’m working on. My current project bass is one that was accidentally traded to me, through an odd set of (he lost my bass) circumstances. It’s a Ken Smith design, six string jazz bass. Turns out sounds pretty decent as is with Old strings on it. And I didn’t hate the Neck. It’s fairly thin and flat across the back. Not hard to reach around. I’ve never owned a six string bass, and this one seemed interesting, aside from one factor that is a dealbreaker for me. That is being a very heavy weight, which it was. (Old back injuries and head on collision two years ago) I had been admiring a couple of builders take on a modern, jazz, shape, body i.e. Small body better access with 24 frets, High end components. my first order of business was to see if I could remodel it and lose a significant amount of weight simply by putting it on a diet. I put some ridiculous lines on the body with a sharpie and then came to my senses, cut a few cardboard shapes out to fit what was there and remove some of what I did not want. Here’s a few shots. Very much roughed out. But I’m already digging the outcome quite a bit. Oddly, the hardest part was starting. I got-a guy. that I collaborate with, the two of us went at it with a few power tools. The plastic finish on the body is horrendous, by the way,. I think it’s gonna lose just a little bit more of the butt. From below the center of the bridge to around the control cut out. The body is going to be all rounded over. Still, not sure about beveling the lower cut out. And I’ve got a thick skin comments, ideas? I’ll probably just get the body to where it’s not rough wood anymore and semi ready to finish. And slap it back together to see how it feels. Again never quite done this before. I don’t plan on investing much of anything in it until I get an idea how it’s gonna work out.
Also if I am shunned by this group because I’m not a true builder well, so be it! I’ll slink off and seek my affirmation elsewhere… carry-on.
Captain Kirk


Who could ever shun Kirk except the new Paramount guys? :laugh:

The body looks good. I can see with some smoothing and sanding it could be quite nice especially if it balances in a way that works for you. As said above, lotsa neck and 6 tuners can be “challenging.”
 
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Blondie, my early 80’s Schecter/Fender fretless in on the bench. It needed new foam beneath the pu’s.
A general polishing is always is in order.
And I’m going to put some glow in the dark markers on the side of the neck.
The cat is of no help here…
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IMG_6219.jpeg
 
Blondie, my early 80’s Schecter/Fender fretless in on the bench. It needed new foam beneath the pu’s.
A general polishing is always is in order.
And I’m going to put some glow in the dark markers on the side of the neck.
The cat is of no help here…
View attachment 5331668 View attachment 5331669


Whadda ya mean no help?!? He’s (she’s) maintaining a high level of quality control. :D:thumbsup:
 
I got in a 3D printed stainless proto of my Dingwall-style bridge design. The bumpy surface finish is characteristic of 3D printed metal. Everything measures up nicely. Next step: get some CNC machined worth a nice surface finish and matte anodize.
View attachment 5332666


The bumpy finish isn’t the worst looking thing. I could see it working quite well on the right build.
 
Only tangentially related to guitar building, I made a couple batches of "tone mallets" over the holidays for gifts. These are the leftovers.

I used scraps from various builds; these are made from wenge, granadillo and sapele.
20240131_173055.jpg



This one I made for the missus; she uses it for flattening chicken cutlets, I'm told that's a thing.
20240131_173139.jpg

Made of wenge and granadillo and weighted with 1/4" BB, this guy is quite heavy! Still needs finish...
20240131_173112.jpg

Fun use for scrap wood!
 
Only tangentially related to guitar building, I made a couple batches of "tone mallets" over the holidays for gifts. These are the leftovers.

I used scraps from various builds; these are made from wenge, granadillo and sapele.
View attachment 5336461


This one I made for the missus; she uses it for flattening chicken cutlets, I'm told that's a thing.
View attachment 5336453

Made of wenge and granadillo and weighted with 1/4" BB, this guy is quite heavy! Still needs finish...
View attachment 5336452

Fun use for scrap wood!


Ok, see, I read “tone mallets” and expected to see a picture of you looking like Paul Reed Smith and smacking on an 8’ long 2”x12” and trying to convince us of the tap tone. :laugh::roflmao:
 
Ok, see, I read “tone mallets” and expected to see a picture of you looking like Paul Reed Smith and smacking on an 8’ long 2”x12” and trying to convince us of the tap tone. :laugh::roflmao:

:laugh: They are for coercing reluctant tone out of stubborn lumber...

Nah, considering what these are generally used for, I should have called them "meat hammers", but that just sounds wrong!