Are those cherry stringers in that neck?Carving a neck for a blue paisley 'Ray(ish) build.
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Are those cherry stringers in that neck?Carving a neck for a blue paisley 'Ray(ish) build.


You make it sound like an accident!And then the body got a roundover...
Patience and time can achieve miracles !Back to the neck rescue:
I cut a much better fitted cap for that truss rod anchor. A wee piece of maple and tiny chisel cuts to fit it snugly in the space.
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Once it’s cured I’ll carve the top to fit cleanly into the underside of the removed fingerboard piece so it sits flush but completely traps the truss rod anchor underneath.
I’m not sure if I’ll need to do the same to cover the walnut plug. It depends upon how the fingerboard piece sits. If I need to it won’t be any harder to make than this piece was. It took about 20 minutes to make this one.
Yeah, there's three #4s, a #5, a #6 and a #7. One of the #4s is a Stanley, one is a Stanley Handyman and the other is a Corsair that someone gave me. I also have one more #6 that isn't on the till, because it's a Stanley Handyman with the purple "japaning" and it doesn't match the rest of them. The #6 and #7 are original Baileys, not Stanley.Is that a No. 71 router plane hiding in your second picture, @TerribleTim68 ?
One of the more useful of Stanley's "specialty" planes (along with the No. 78 you've got sitting in the top of your till).
Best regards,
John
100% on the money.I need users, not show pieces, so some patina is fine, they don't need to be flawless. There's still some pits on the soles, but the majority of the soles are flat and smooth and the sides are square. That's good enough.
Hand planes are fun if you spend the time to get them working right.![]()
The #6 doesn’t get a lot of love from finish carpenters or cabinetmakers who find it too small for a jointer and too big for a smoother but I think it’s a great size for jointing the smaller pieces of lumber we luthier types use. A #8 might be great for somebody building door frames or dining room tables but we just don’t need that. The #6 is a lot more wieldy. @Bruce Johnson and I had this same discussion recently. He likes the #6 too, as I recall.
On the other side of the workbench, more progress on the neck. I chiseled out the maple filler to match the underside profile of the fingerboard piece:
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So that the piece sits flush:
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Then I rummaged around for a clamping caul I made out of epoxy putty around 17 years ago for exactly this purpose and found it in less than 5 minutes (!!!):
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And proceeded to dry-clamp the fingerboard piece and then glue it for real:
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I feel like this was a productive day.
It’s a ‘75. I don’t know what color it was originally but it was probably either sunburst or that ugly mocha brown. There were a lot of clear finish P-basses in ‘75 so I think this will fly but it doesn’t look like a factory finish. …much.Good work on the neck. The body looks good also. It’s a 70s bass? It definitely looks period for when people were stripping their instrument finishes and clearing them. I mean that as a compliment.
Can you please Pm me, I wantt o ask you a wiring question.I didn’t have the energy to keep working on my dust collection system and other things in the shop, so I just did a little project… I made this flame maple joiners mallet today…. kind of a test run, thinking about making one for my father as a Christmas present.
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I didn’t have the energy to keep working on my dust collection system and other things in the shop, so I just did a little project… I made this flame maple joiners mallet today…. kind of a test run, thinking about making one for my father as a Christmas present.
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