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What's your most versatile bass? (Include Pics!)

My Frankenfretless responds well to legato and staccato playing. I let the amp handle the rest.

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I play P-basses all the time, so instead of arguing about how they're versatile because I play a bunch of different types of music with them, I'll post a picture of my Cort GB4. This is a stock photo as my Cort is on semi-permanent loan to a friend of mine. It came standard with hipshot hardware, seymour duncan pickups, neutrik locking jack, and a terrible preamp. Swapped the preamp out for a Nordstrand.

The SD pickups kill, and the body and neck are super comfortable. These are not very common stateside but are worth every penny.

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Yancey #1030
Semi-hollow mahogany body, amboyna burl top
Walnut/wenge neck (& rosewood)
Yancey dual coils with single coil switch (equal output level when switched)

The pickups sound fantastic--so much that I run passive about 90% of the time, unless I'm running mostly bridge pickup (usually engage the preamp to slightly boost bass and midrange).

I think this pickup configuration and build would be fantastic for fretless (future build...maybe someday).
Right now I can get a surprisingly convincing upright tone (within normal limits for an electric) with DR flats. It does sound great with those flats, but it really sings with a set of Sunbeams.
I have never played anything quite like it. And it's the most comfortable body design I have encountered.

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Kubicki Ex-Factor. 18V pre. 2 active & 3 passive settings. Medium scale but with a extended 36 scale fourth string.
Once the clasp is opened your in D but with all your notes transposed two frets. Makes many tunes (but certainly not all) easier to play by condensing the notes on the board. Very balanced. Doesn't move. Great for slap and most everything else. Very versatile for me.

This cracks me up to see but I'm genuinely interested. I never thought I'd actually see an electric bass that borrowed from the idea of low extension that you'd find on a cello or double bass.
 
My Bossa OBJ-5 Has 4 distinct and useful tones.

I think of them like this
-Traditional P-Bass sound
-Jazz bass tone a la Marcus Miller
-Modern fusion warm bass tone a la Jimmy Haslip
-Modern fusion jazz tone a la Matt Garrison, Tony Grey etc

Not that I can play like any of those guys...But I do have fun messing around with the different sounds.
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Very nice Bossa! I love my Bossa Ob-5 as well- great tones & wonderful balance, feel & perfect neck profile.