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What's your one true "Forever Bass"?

For many years, my single "forever" bass would have been my 2003 Am. Series Jazz with Lindy Fralin Split-Jazz pickups. But I'm afraid that's changed.

If I could only have one, it would have to be a five, which means it would be my G&L USA M-2500. I might prefer a lightweight empress body, and perhaps an L-2500 instead of the M, but the M has been phenomenal and I love it.
 
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G&L JB. I actually play my Road Worn P in my band now but this is the one I'd never let go.
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My Steinberger XL2. Owned it since we bought it new in 86.
I'm partial to 5s and 6s, so a close second would be my Ibanez SR706 - this is played most, but the XL2 is special because my late wife and I bought it.
 
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Easily my first. It was the first instrument I ever bought. With it I learned how to play, set-up, and wire and solder pickups. I spent hours perfecting it, making it my own and wearing through the finish on 3 or 4 spots on the neck naturally. The last time I played it my mother said, "That thing seemed so cheap when you got it," my girlfriend replied with "It sounds really good though," and I added, "The neck just feels like home."

I have other basses that are more expensive or better suited to certain projects, but every time I've needed it's been there. I'll probably be buried with this bass.
 
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I've not found a "forever" bass yet. To be truthful I'm not looking.

I'd say that for the first half of my playing career a Precision was the bass I preferred. Now for the second half, I seem to have settled on a Jazz.

Different manufacturers and models though.
 
The right tool for the job means I can't get away with one bass, but for me there is one bass that I will always have on hand...an Alembic. They seem to have the widest range, and live or recorded, they are unmatched for tone. That said, I also keep a 1976 Fender P Bass (although I would prefer my brother's 1959), a Fodera Anthony Jackson, a John Carruthers, and a mid 70's Rickenbacker 4001.
 
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For me... Nothing beats my 48th Street guitars "ESP Custom P" The neck isn't chunky like the Vintage Four series either. Such a great tone for any style of music. Crank it up for Rock/Metal and it gets this slightly overdriven tone that's to die for. Pick playing really brings the pain!! :thumbsup: (I recently installed a flat black PG with no white line, looks fantastic!)

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Given some of the big$ boutique basses I've owned my lifetime choice may seem strange. It would be the Yamaha BBG5 I sold 20 years ago that I finally got back. Since I play fretless so often I snapped up an identical one that's going to get an ebony fretless board.
 
My old Abilene bass (Samick made but I guess lower rung). I never seen another, it plays just as well as the day i got it in March 2001. It has been on all of my recordings since and it sounds great in person and on CD.
 

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