So I'm starting out as a pro trombonist…1976, first steady gig is with a Salsa band…I hear what the bassist is doing, and have a few years of lame guitar (high school dance level) under my belt. One night in a church basement in Camden, NJ, I grab his bass during a break, start playing some of the patterns, and proclaim that I've got this covered.
His response: "Yeah, not bad, once you get some chops."
Me, to myself: "*** is that all about? I'm hitting the notes and catching the way the 1 chord hits on 4 or on the last eighth….I'm cool!"
I now realize what an entirely ignorant F*** I was.
Uniformity of attack? No. Plucking over the optimal location on a P-bass to get the right tone? No. Any attention to proper releases and note length, to build the groove? No. Could I have done what he was doing on the turnarounds or extended jams, in the way of fills? Heck, No! Did I REALLY have the time down as tight as I thought? Probably not.
He went on to gig with Horace Silver, Ray Charles, do national road tours with great theater gigs, first-call guy in Philly in many contexts….He has a killer pocket, a great sense of time, and is clean, Clean, CLEAN!
So now I've been playing bass, albeit as an ambitious hobbyist, for 7-8 years. And I often have a little voice inside my head saying "Yeah, not bad, once you get some chops."
The bass player drives the train. It's incredible how much control we have over the groove and intensity, particularly if we are in an improvised context as compared with playing parts on covers and rigidly structured tunes. We are the bridge between time and harmony, and if we choose to pedal through a set of changes, or to use unorthodox or unexpected note choices, we can entirely change the vibe…and we can choose how to play off of the drummer or other players to vary the texture, intensity, and even the direction of what's going on.
But so much of what we do is so, so subtle. It counts…it counts a lot for how things come off, but most folks don't know that.
Net net: civilians will rarely understand what the bass player does…some spectacular slapper/chopster might command attention the way a lead guitarist does…but that's an optional part of the job. The real deal…can you deliver the GROOVE?