Well I have my appointment with the occupational therapist tonight, so Ill post on that experience when I have time, but I went to Guitar Center the other day in search of short scale basses, and basses with a easy-playing action.
I first picked up an Ocean bass, which is GCs proprietary house brand like Carlo Rebelli is to Sam Ash. Interesting basses with active electronics, but nothing that wowed me, IMO.
I then fairly by accident picked up a Peavey Cirrus BXP (or a BPX I cant remember), anyway this instrument was super playable. It played practically with me just looking at it. Active electronics, neck-through construction, string-through-body; and the quilted top make this axe look great. The frets were very low, and very little pressure was needed to fret a note. Sound-wise (and I realize I might get flamed here), it just didnt have a fat full sound IMO that I prefer vs. a passive instrument. I was playing through an Ampeg 12 combo, with everything flat, which is how I like to A/B instruments. Now I certainly could get more bass by turning up the bass EQ on the instrument, or the amp, but with running everything flat it lacked a certain fullness and character of sound I prefer in a bass tone. But I liked it anyway, and almost bought it! $599.99 was the ticket price, but as you would expect, they only had the floor model in stock, and with the minor scratches and dings Im sure I could have negotiated the price down considerably.
Next I asked to play a Fender Mustang. The salesperson handed me the bass and I plugged it into the same amp as I used with the Peavey. Now Im thinking, theres no way this thing is going to have a good bottom end, boy was I wrong about that. The Mustang blew away the Peavey for a fat, full sound, and it was punchy too, probably because of the shorter strings. Wow, I couldnt believe it! So I learned right then that if I went with the Mustang I would be happy with the sound. Playability-wise, the action was high and would need work, but Im sure that shouldnt be a problem with a good set-up.
I then moved on to a Gibson short scale. I dont remember what it was actually, but it weighed a ton, wasnt set up well, and was over a grand! I put it back on the rack without playing a note.
So I learned a few things. Peavey makes some beautiful basses, although Im not sure the tone fits my taste (but maybe), and the Mustang could be a great instrument for me. As far as the Allen Woody goes, Ill need to go to the specialty bass shop if I want to play one (although I gotta travel a bit to get there, however).
Interestingly, my salesperson at GC said that he suffered from tendonitis in the past. So Im beginning to realize that more players probably have this issue at some point in their playing careers than we think.
Thanks to all for the continued support/ideas/suggestions on this thread. Its been a big help.
Peace
Salvatore ~
Hi Salvatore. Isn't checking out gear exciting and dangerous to one's wallet!
I own the American version of the Cirrus BXP. I agree with your assessment between the two sounds. The Fender Mustang has pronounced bass and fairly rolled off highs for a nice fat sound like a good P-Bass. The Cirrus has a more midrange rich (some say "modern") sound by comparison, though the EQ on the Cirrus can really shape the sound. Also the Cirrus has the "neck-through" tone quality that changes the harmonic overtones compared to bolt on necks IMO. I played a BXP Cirrus 4-string tonight at GC. This one had the Bubinga top and was beautiful to behold - a LOT of bass for the money. Remember the Cirrus line are 35-inch scale basses and may cause you more hand/wrist trouble due to slightly higher tension and reach required.
FWIW, I have been a multiple Peavey Bass owner for years. I started out with a foundation fretless, then got one of the Rudy Sarzo signature neck-throughs. I should NEVER have sold that bass. It was superb and a forerunner to the Cirrus line. All of my Peavey basses throughout the years have been great basses for their respective price points.
I went back to GC to try the Fender Mustang, Epiphone EB-0, and Gretsch Junior Jet Bass again. I must be loosing my mind because I love the feel and sound of the Gretsch the best. I know it is only a $250 bass but it has the hottest pickup of the group and really sounds sweet. More highs than the Mustang without giving up any of the bass response. But the overtones are different on it. The store clerk says it has hollow chambers under the solid top - so that might explain the unique sound it has. The Fender appears to have the best reconstruction quality to me, but at less than half the price, the little Gretsch is a contender IMO. The EB-0 "mudbucker" is just too muddy for my tastes, though it is a great looking bass to me.
I'm going to sleep on all this and still try to find an Allen Woody to try out before making a decision. I could really be very happy with either the Mustang or the Gretsch at this point.
