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Where are the Henman-Bevilacqua owners?

I suppose that came across mean, but Tom was really squirming.

Well, to be honest, I just kinda called it how I see it. If it came across that I had mixed feelings about it's strengths, weaknesses, and the (initial) price, then that's because I honestly did (do) have mixed feelings. The B4 has a lot of cool things going on, but the initial suggested retail did seem quite high, and the finish on the test bass did have some room for improvement (which they are addressing).

Tom.
 
If you want Art-Deco... check out a Duesenburg

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I first came across this brand while stopping in a store here in Chicago in the fall of 07 that had two in stock. I noticed them hanging very very high on the wall and I thought they looked very interesting. The owner took one down for me to check out. I went over it with a fine tooth comb and it was flawless but I didn't play it.

A few months later I'm at the winter 08 NAMM show and I see that the same company was there with a booth. I made a mental note to try and check out their basses again and this time play one. A little later that day a bass playing friend of mine was very enthused in her description of these very interesting looking basses so she dragged me over to the booth and I was greeted by luthier Scotty Bevilacqua who is beyond passion about his work. I expressed that I was interested in checking one out and from there it was on :)and just think I was not looking for a new bass or interested in acquiring one.

The bass that I own is the same one that was reviewed in the Sept 08 issue of Bass player magazine.

Upon looking at the bass it does look a little odd. The body is definitely J bass inspired but its a little smaller than a classic Jazz. The body is solid and playing the bass unplugged you can actually feel it resonate.

This bass has a very distinctive tone to it(at least in my hands). Very growly and clear with a mid range burp that is very reminiscent of a vintage J bass(61-66). If you've played a real vintage J bass you'll have a better understanding.

The bass plays like butter and balances very well and there is no neck dive at all.

The bass is passive and set up like a traditional Jazz(V V T).

The neck is solid, it kind of reminds me of a graphite neck but with a wooden sound and feel.Every note that is played is very clear and the harder you dig in, the notes never seem to get distorted, the notes sustain forever. You can even feel the notes sustain throughout the instruments overall construction even when the bass is unplugged.

The electronics are extremely quite and allow for what seems to be a very versatile instrument.

It is interesting how a bass could cause so much controversy from so many,especially when they haven't even held one in their hands let alone played one.

I would like to keep this thread civil and respectful, so if any one haven't actually played one at this point there really isn't anything one can say.

That's like me saying riding Elephants are a bumpy ride, when I've never rode one :)

The big question; Is it really worth the money you payed?

I my self feel that a bass over 3000$ needs to have a "Become-a-pro-button" that makes you into a mix of Jaco P, Larry G and Dave H.

Two things has impressed me tho.
First is sustain, duhh..
And the second thing is how clear it sounds when doing chords. You can really hear every single note in the chord.
 
A bit off topic here, but do you guys have the need for tons of sustain on a bass? Other than a solo bassist, I'm not sure where you would need sustain beyond that of a typical run of the mill bass.

Playing non-run of the mill music. FWIW, it's always better to have more sustain. You can easily mute, but you can't get it if it's not there in the first place. One band I was in would have me sustain at a whole note and it took a good bass to do so. If I simply died out, the whole notes would have sucked.
 
anyone who bases impressions on anything other than having actual experience with an instrument is a product of marketing and marketing alone.

not taking a stab at you bolt-on, but rather those who have issues with the bass. you seem to know what you are after and have done your homework...that's why i'm so interested to hear your actual feedback.

the you tube clips were enough for me to believe that this is not the bass for me (although I've said that before and been proven wrong by playing a bass in person).

do tell...
 
interesting...you could've taken that review word for word as my review of the Carl Thompson no frills that I used to own. Everything from people complaining about the look to the cost...and me just amazed at how it is hard to put into words how such a simple instrument could be so amazing.

I've always marveled at the haters on talkbass when it comes to a high priced bass that not many people have played. Gotta love em...it really shows you the importance of marketing and brand recognition in today's world. No wonder so many people buy Sadowsky, MTD, and Fodera for thousands and thousands of bucks without ever playing one.

Speculation is a very dangerous and powerful thing...

sounds like you found a bass that fits you perfectly. elegant, simple, and no detail overlooked. glad you are happy with the bass. i'd love to hear from other owners.