Not to get too far OT, but...where are you guys playing that these Fender Nazi sound men and "old guys" have sway over what kind of instrument you use?
Now, I'll admit that contemporary country music is almost completely driven by image, gimmicks, conservatism, and faux nostalgia, so I could see the puppet masters in that field wanting their creations to maintain a certain look and
perceived sound. But anywhere else? C'mon...
I played drums with an original band in Nashville for a number of years (think jangly Big Star-esque power pop). During our career, we went through four bass players. These guys used: a Fernandes P-Bass copy, a Kubicki Factor, an Ibanez, and a Rick 4001. All played appropriately and all had great tones that fit our music. Not once did I ever hear a sound man or a representative of our management team say, "You should really get a Fender."
There are country, pop, rock, and Americana guys all over Nashville (in both high- and low-profile gigs) playing Jazz Basses, Stingrays, Ricks, 5-strings, and hollow-bodies.
None of this is to say that you should ever show up with an instrument who's sound is not appropriate for the music you're going to be playing. I probably wouldn't show up for most mainstream gigs with my new flip-flop painted "12 string backward strung headless tapping machine" (total win, BTW!), because it wouldn't be a good fit, musically. Would I take a Rick to almost
any gig? Oh, hell, yeah.
OK, rant over. What I'd really like to see Fender come out with is a surf green P/J, with P-neck, 1.625" nut, active/passive switching, and the ability to swap between two tone caps with a push-pull knob. Now
that would be thinking outside the box!
