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Which DI?

What's your favorite direct box?

  • Raidal JDV

    Votes: 3 2.6%
  • Radial J48

    Votes: 3 2.6%
  • Radial JDI

    Votes: 23 20.0%
  • Countryman Associates Type 85

    Votes: 7 6.1%
  • ART PDB

    Votes: 0 0.0%
  • ART X Direct

    Votes: 0 0.0%
  • ART Z Direct

    Votes: 1 0.9%
  • Whirlwind Direct-JT

    Votes: 0 0.0%
  • Whirlwind Hotbox

    Votes: 0 0.0%
  • Whirlwind Director

    Votes: 0 0.0%
  • Whirlwind Imp 2

    Votes: 2 1.7%
  • Whirlwind EDB1

    Votes: 0 0.0%
  • Avalon U5

    Votes: 24 20.9%
  • Summit Audio TD-100

    Votes: 2 1.7%
  • PreSonus TubePre

    Votes: 3 2.6%
  • Aguilar DB 900

    Votes: 7 6.1%
  • Ampeg SVTDI

    Votes: 2 1.7%
  • Sadowsky Bass Preamp/DI

    Votes: 4 3.5%
  • Tech 21 NYC SansAmp Bass Driver DI

    Votes: 34 29.6%

  • Total voters
    115
I have a quick question for the JDI supporters...

How does it do with passive basses? I'm considering a JDI and a lot of the work I do is with a Fender P.
It does just fine with a passive bass. Remember that most of the Motown bass tracks were recorded with a P Bass plugged into a passive DI (actually, it was simply a UTC transformer put into a little box).
 
I'm digging the DI out of my EBS Microbass II a lot. A bit of overkill if all you want is a DI, though. Out of the ones I've tried, I dig the Radial, Countryman, Avalon, Summit, and PreSonus. I don't like the Whirlwind and the SansAmp. Although I've used both and been able to get a good enough sound, they're not my favorites.

But quite honestly, it really doesn't matter. I've gotten absolutely great recordings of bass tracks with a Whirlwind Imp2. What's important is the quality of the performance. But if you can afford it, it certainly doesn't hurt to have an expensive one.
 
My DI is not listed….:( I use the DI built into my Zoom B2.1u … I used to use the DI from my Laney Amp, but I discovered that it was a DI off the input (not selectable)…so I moved "upstream" to my Zoom…here I have the option of pre and post effect, plus a ground lift ...works for me...I get no complaints from the soundman, so works for him, too...
 
I use the JDI for live work because it sounds great, it's passive and built very tough. I can go to a gig without an amp but never without my JDI.

For recording I use the Aguilar DB900 which sounds slightly better than the JDI. Fatter low-end and extended treble response. However, those slight differences doesn't justify using that big (and more fragile) box for live shows. Nobody would hear a difference.

On certain occasions, I've also used Radial J48 and the BSS (model?) at the soundmen's request with excellent results.

I'd still really love to try the REDDI and the TD-100...

The winner for me is still the JDI, in case someone is looking for a good DI, simple and that doesn't cost that much.
 
What's your favorite direct box?

... Which direct box do you use? This could be for live or studio use...

So, what IS your question?

My favorite DI? - well, it kinda' depends on a lot of variables. What instrument? Active or passive (if it's a bass)? Who's playing it? Am I looking for "punch"? Or is the part more "melodic", or "lyrical"?


Which direct box do I use? Lots! (BTW, why doesn't the poll allow multiple answers?) Countryman Associates Type 85, Whirlwind Hotbox, mid-70's "FETBOX" (limited edition custom-built), Whirlwind Director, Whirlwind Imp 2, Radial JDI, homemade DI made from Jensen DB-E, homemade DI made from Jensen DB-D, homemade DI made from Jensen 13K7 . . . PLUS all of the "instrument in" preamps at the studio - Focusrite model 7, Manley VoxBox, AMEK/R. Neve 9098 modules, Avalon U5, Aphex tube dual mic pre, GrooveTubes tube DI, etc
 
No, it will not damage it. If something doesn't need phantom power, it does not take it. It's not so much that the mixer sends phantom power, it's like it's there, if something needs/wants it, it'll go get it, if something doesn't need/want it, it'll ignore it. Make sense? I hope so.

Just a note for budding home recordists, this is true for everything except many ribbon microphones.

--

I have been playing live with my band just plugging in to the little vlz pro board and setting the gain a little towards the mic range. Seems to work great with my steinberger spirit. Not so much with my other basses.

I'm sure this breaks a million rules, but it does get a certain cutting tone out of the fretless. Recording, the electric can go right into my Firepod, no problems.

So carrots it is.
 
I'm just trying a new DI box that I just got.... I haven't tracked with it yet, maybe tonight at the gig I'll get some tracking done as well as a taste for the 'live' results. It's the Millennia TD-1. I really like the Tube signal path over the Solid State so far. The tube path just offers more dynamics and response to my touch. Although the SS path is great, it doesn't offer the same breath as the tube path. With 8 simultaneous outputs, hooking this up to meet your needs should be a snap.

So far so good and from what I can tell it's built like a Sherman tank!!!
 
I'm just trying a new DI box that I just got.... I haven't tracked with it yet, maybe tonight at the gig I'll get some tracking done as well as a taste for the 'live' results. It's the Millennia TD-1. I really like the Tube signal path over the Solid State so far. The tube path just offers more dynamics and response to my touch. Although the SS path is great, it doesn't offer the same breath as the tube path. With 8 simultaneous outputs, hooking this up to meet your needs should be a snap.

So far so good and from what I can tell it's built like a Sherman tank!!!

I've heard nothing but fantastic things on the Millennia products in the studio. I'd be really interested to hear your thoughts on your live results.

Can you blend the channels on the TD-1? A 75/25 mix might be really interesting.
 
I've heard nothing but fantastic things on the Millennia products in the studio. I'd be really interested to hear your thoughts on your live results.

Can you blend the channels on the TD-1? A 75/25 mix might be really interesting.

I'll report my findings after the gig tonight.....

You can blend the channels IF you had a Y-cable and a second TD-1. :)
 
Well, I gotta say....for live and for tracking, the TD-1 provides me all the tube goodness with all the clarity my Solid State rigs give me. For live, I have that tube dynamic vibe going on. Band members described it as clear, full, more present in the mix without being too loud. In the recording, I experienced the same results. I can finally get the tone I've often gotten live to translate in the recording as well. Recordings in the past always sounded thin and almost sterile. Still have to mess with it. The only complaint so far with this is the output is really hot. Not sure in the transformer circuit output will offer a lower signal....we'll have to see....
 
No, it will not damage it. If something doesn't need phantom power, it does not take it. It's not so much that the mixer sends phantom power, it's like it's there, if something needs/wants it, it'll go get it, if something doesn't need/want it, it'll ignore it. Make sense? I hope so.


This is not true for the DI out of many bass heads, though. Plenty of bass heads will fry if you connect them to phantom power as they aren't transformer coupled.

For example:

AG500 owners manual said:
* Note: The D.I. on the AG 500 is not designed for use with phantom power. Phantom power is a power supply that can be switched on at the channel input of some mixing consoles. It is used to power some types of microphones. Use of phantom power (usually labeled as 48V) may cause damage to the amplifier. Make sure that the phantom power is switched off.
 
I asked the same question to Markbass, and got the reply below:

"Dear Chris,

Let me start by thanking you for contacting us and congratulations on your choice in Little Mark II Markbass head.

Also for the LMII You can use the D.I. even if the mixer applies the phantom to all the XLR channels without damaging the unity.

Have a best New Year 2007 full of music happily powered by Markbass.

TY once again,

Riccardo Damiani

Markbass Online Customer Service

[email protected]"

I have done this, and it is fine, as advised by Markbass themselves.