Maybe I'm alone on this one, but I dig the sound and feel of dead, or very broken in roundwounds. I don't mind new strings, but I would much rather have a year-old set of rounds. Also, I prefer nickel rounds because I like a warmer, smoother tone. My current favorites are DR nickel lo-riders and Fender 7150s.
I play passive P and J basses, and I love vintage tone, so I suppose this is natural for me. I have tried flats and love the tone of them, but I can never get used to the feel and tension. When a set of nickel rounds goes dead, I get a nice thumpy tone similar to flats but I can get a little pickstyle grind when I need it. This is something I can't do with flats. Also, I find that I can play quicker on dead rounds compared to dead flats.
I'm not going to go bashing guys that like new strings and change steel rounds every couple of gigs, because I know that sound is desirable for a lot of modern funk. But I find that I can still get a great slap tone with flats. Even Larry Graham used black tapewounds for his slap stuff.
I also see a lot of guys that do use strings for several months, and dig the worn-in vibe, but end up changing them when they go completey dead. My question is why, I would just like to know your perspective.
Heck, even Paul Turner who is my biggest influence goes by this philosophy (dead DR hi-beams I think):
Here are some examples of his tone:
So who digs dead rounds, either nickel or steel?
I play passive P and J basses, and I love vintage tone, so I suppose this is natural for me. I have tried flats and love the tone of them, but I can never get used to the feel and tension. When a set of nickel rounds goes dead, I get a nice thumpy tone similar to flats but I can get a little pickstyle grind when I need it. This is something I can't do with flats. Also, I find that I can play quicker on dead rounds compared to dead flats.
I'm not going to go bashing guys that like new strings and change steel rounds every couple of gigs, because I know that sound is desirable for a lot of modern funk. But I find that I can still get a great slap tone with flats. Even Larry Graham used black tapewounds for his slap stuff.
I also see a lot of guys that do use strings for several months, and dig the worn-in vibe, but end up changing them when they go completey dead. My question is why, I would just like to know your perspective.
Heck, even Paul Turner who is my biggest influence goes by this philosophy (dead DR hi-beams I think):
Dead strings are funkier – discuss!
I agree, although years ago I didn’t and these feelings sometimes change in time. I always have a bass strung with flats too, but my favourite is “played-in” steel rounds. I like a darker thud, even for slap. I’d never argue against a tone like Marcus Miller but it’s generally not what I’m looking for. I’m not looking for lots of top and zing and often don’t change strings at all, especially on my Music Man basses.
Here are some examples of his tone:
So who digs dead rounds, either nickel or steel?
:scowl: