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Why Do We Keep Coming Back to the P-Bass?

Go back in time and there are plenty of them. Geezer Butler wrote the playbook of heavy metal bass on a P Bass! Steve Harris, Frank Bello, Joey Vera, Pete Way, Peter Baltes, Duff McKagan, and plenty of other influential metal bassists played P Basses too. PJ pickup configurations count for me on this one.

PJ setup absolutely does not count. Once you add a second pickup to a Precision, it has changed.
A Spector NS2 and a Fodera absolutely sound nothing like P, just because it has a spit P in there.

Frank Bello & Duff's tones are grittier from the two pickups, they'd sound bonky'er had they used only a single P pickup.
 
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PJ setup absolutely does not count. Once you add a second pickup to a Precision, it has changed.
A Spector NS2 not a Fodera absolutely sound nothing like P, just because it has a spit P in there.

Frank Bello & Duff's tones are grittier from the two pickups, they'd sound bonky'er had they used only a single P pickup.
I stand corrected. Not sure what I was thinking late last night! I'm imagining their tones with just a P pickup and it wouldn't be right. Frank even has his own set of signature EMGs and there are two of them (P and J).

I edited my post to reflect that PJ configurations are different than straight P configurations.
 
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Hmmmm….. funny thing is , I keep coming back to the StingRay. That StingRay bounce to the notes is the sound of bass in my head.
I admit , I do love a good PBass and a Jazz Bass. I have a Sandberg that can cover these 2 basses with a touch more modern capability added in. But it is shaped a feels more like a StingRay .

I use lots of other things. I for sure dont keep coming back to P's.

I only own one P because I wanted some guy's equipment and I had to buy the P along with it as a package, so that bass only cost me 100 after said and done.
 
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I understand! In modern metal, I don't think it would work as well as an active bass. The great DD Verni of Overkill invented "the Clank" in 1987 or 1988. He switched from a Rickenbacker 4001 to a BC Rich bass with 2 active P pickups. That bass sound changed metal bass forever. Most modern metal bassists use a variant of that tone. Listen to the Overkill albums Under the Influence or The Years of Decay and it's there. He's in standard tuning, but the tone is what I'm talking about.

For drop tunings below B0, the traditional P Bass tone will probably not work. I would want more tonal variety if I were playing that low and DD Verni's clank would be where I start my inspiration as an Overkill fan.
I need to check this as I'm not familiar with Overkill more than their name. And yes clanky tone is essential with high gain guitars.
 
I need to check this as I'm not familiar with Overkill more than their name. And yes clanky tone is essential with high gain guitars.
You're gonna love them if you like East Coast thrash metal. I recommend listening to any of their 1980s albums (Feel the Fire, Taking Over, Under the Influence, and The Years of Decay) Ironbound, and Scorched.

Scorched is their most recent album and it's amazing! It came out on the same day as 72 Seasons by Metallica in 2023. I prefer it over 72 Seasons as much as I love Metallica.
 
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After 40+ years of playing and a number of failed attempts to get comfortable with P-Basses, I finally got one that worked for me….
 

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I'm surprised that no one's brought up retail store inventory as a metric.
Go into any Guitar Center and apart from a couple of Music Man basses, Jack Casadys, Hofners and a bigger selection of Jazzes, just about EVERYTHING else has one split pickup and the P-Bass body shape.
At least, that been my experience recently.
And please don't argue that it's because of the corporate overlords forcing it down the customers' throats. No, it's because they're giving the people what they want.
So, yes... certainly a high demand.
The OP's question: WHY do they persist?
 
I'm not mad at anyone, I just think the whole thing is silly. A bunch of old dudes clutching their P-basses like rifles because Fox News told you that the government is coming to take them away.

Sure, yeah, P-basses are just fine. But they aren't the go-to for the vast majority of modern players and there are very, very few actual name players out there in today's music business who use one as their primary bass. It's not 1969 anymore and that's okay. You can enjoy the past without constantly screaming at all the kids get off your lawn.
In Australia there is a late night music video tv show that I watch at times to see what younger musicians are doing. I can tell you that here is Oz lots of young bass players are using Precision basses for all kinds of music.
 
In Australia there is a late night music video tv show that I watch at times to see what younger musicians are doing. I can tell you that here is Oz lots of young bass players are using Precision basses for all kinds of music.
As an Australian, I can confirm this to be pretty true. Most touring bands I come across are playing either a Fender Precision, or a Fender Jazz bass, probably an equal split to be honest. It could have something do to with basses like Rickenbackers and Musicmans being very expensive here, but you can buy a standard Fender P (or formerly the Player P) for under $1K. That's not to say you don't see non-Fenders around.
 
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The P bass is like a shark. It's been around forever and doesn't need to change because it's perfect. It sounds perfect, it feels perfect, and it can be easily repaired. It's reliable and simple. It doesn’t distract you with quirks, design flaws, sound issues or weird ergonomics. There comes a point where not wanting to be annoyed by your bass is reason enough to play a P.
 
Yeah, this is a big pet peeve, getting harder and harder to find a P-bass (or any bass) with a 1.75" nut width these days. The only new ones on the market seem to be the Vintera (now over $1K) and the American Original (or whatever they're called now) (now well over $2K).

If I don't more than $1K to spend on a bass, there are no options. And, if I have the cash, and want a try more modernized, flashier P (like a Lakland or a Sandberg), again, no options.

It could be us wide neck folks are in a small enough minority not to be a lucrative market, which, far enough, but sad for us.
I think if more bass players tried a 1.75 nut width bass neck that was thin front to back they would be surprised how comfortable they are. My hands are not large and I really liked my 1.5 nut Peavey necks ...until the first time I laid hands on a wide/shallow neck.
My hand automatically relaxes when the width is wider but the depth is not.
 
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I think if more bass players tried a 1.75 nut width bass neck that was thin front to back they would be surprised how comfortable they are. My hands are not large and I really liked my 1.5 nut Peavey necks ...until the first time I laid hands on a wide/shallow neck.
My hand automatically relaxes when the width is wider but the depth is not.
Wide necks, shallow or not, hit a nerve in my fretting hand index finger making them legitimately painful to play.
 
You're gonna love them if you like East Coast thrash metal. I recommend listening to any of their 1980s albums (Feel the Fire, Taking Over, Under the Influence, and The Years of Decay) Ironbound, and Scorched.

Scorched is their most recent album and it's amazing! It came out on the same day as 72 Seasons by Metallica in 2023. I prefer it over 72 Seasons as much as I love Metallica.
For me Metallica was the best before the album Reload. 72 seasons is not my favorite album and the first 5 albums had a different twist from other band of the time because of Lars Ulrich's Danish origin bringing the British heavy metal and hard rock influence. Also, Burton had a lot of influence into melodies and harmonic contents that many trash metal on that time didn't have.

That new Overkill sounded a lot more traditional trash than modern Metallica. Question is did he played with P or something else? :)
 
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