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Not this thread again, to summarize: Jauqo's not factually correct 100% and knows this and uses this to goad people into violating forum policy. By doing this he gets more people checking him out. Even I've listened to his stuff and the C# is there, but you're not really hearing the 17hz. You are still, however, hearing the low C# and I can see how it can sound cool in different musical contexts. Most people know this but there are always a few that see the factual inaccuracies and try to bring science, evidence, and reasoning into the equation.

I like 10.3 Hz, E00 just sounds like pure evil, I don't care if their is a "musical application".Worth the conversation as it is evolving . . . 17 Hz will be heard in Anaheim. Ideally 10 Hz will be heard.
Not this thread again, to summarize: Jauqo's not factually correct 100% and knows this and uses this to goad people into violating forum policy. By doing this he gets more people checking him out. Even I've listened to his stuff and the C# is there, but you're not really hearing the 17hz. You are still, however, hearing the low C# and I can see how it can sound cool in different musical contexts. Most people know this but there are always a few that see the factual inaccuracies and try to bring science, evidence, and reasoning into the equation.
I was just trying to show the op what how the low C# can be used in a band context, that is all.

There has been very little, if any evidence to this statement seen here.
By your own opinion, your own opinion is irrelevant. Unless you've been around since some Christian d-bags a few centuries ago decided to write down and define Western music in a certain way.
Jauqo, do you have any close up pictures of the strings? I'd kinda like too see what strings that big look like strung on the bass.
I like 10.3 Hz, E00 just sounds like pure evil, I don't care if their is a "musical application".
Then why doesn't someone put up a list of music that uses this supposedly new art form, so we can check it out?
What's so hard about doing this?
Now, that's more like it, some honesty about the situation. No music, just pure evil.
Something has to exist before it can be made use of. That some things don't meet your approval is fine. It must keep things simple for you.
Jauqo, you malicious bastard
showing people how to use notes lower that E1
How could you ?!?
:scowl: When are you going to give up this bass nonsense and start playing ukulele like a respectable person? :scowl:
__________________
damn kids and their bass guitars
Wow, sounds like someone needs a nice tall glass of hate what you don't understand juice.Some interesting links, cris' sake, you'd think I was threatening to pull your teeth, or seize you firstborn just to get a few educational examples.
Wow! Theories of existence and the use there of! You must be a friggin' Messiah with that knd of philosophical insight.
Simple? Well it's pretty simple to see some potential string sales in your future, that prolly feels good to you, right? No harm done.![]()
There really is no reason for the antipathy displayed here towards this "new" experimentation on the bass guitar.
You have to acknowledge though that most human beings cannot hear 17 hz. Some may be able to...but I question the use of notes that a majority of the audience can't hear.
Still, it is very cool to develop this kind of instrument, one whose low notes reach beyond the audible range of most human beings. We must remember that it's simply a tool to supply new textural options when making music.
When Anthony Jackson brought the first iteration of his 6 string to some recording sessions, he got major flack behind his back: "Tell him if he wants to bring his science experiment he can book his own sessions."
There really is no reason for the antipathy displayed here towards this "new" experimentation on the bass guitar.
You have to acknowledge though that most human beings cannot hear 17 hz. Some may be able to...but I question the use of notes that a majority of the audience can't hear.
Still, it is very cool to develop this kind of instrument, one whose low notes reach beyond the audible range of most human beings. We must remember that it's simply a tool to supply new textural options when making music.
When Anthony Jackson brought the first iteration of his 6 string to some recording sessions, he got major flack behind his back: "Tell him if he wants to bring his science experiment he can book his own sessions."
You need to say like 50 "Hail Fenders" for your open mind to be forgiven