Wenge top/back, purpleheart/walnut/maple neck, bubinga fretboard, fretlines, vol/tone dual pot. There is no amount of perfection in this thing; glue is poking out of the seams, the neck contour isn't uniform all the way down (hands tools probly), the lines get quite sloppy the higher they are. But the tone is excellent even unplugged, except for the buzzing. I thought I would replace the p/up with maybe a Carvin stacked HB, but there is absolutely no removing the current unit!
I actually asked him about a wooden cover back in June when I was getting my ideas together, and he said no!
I ordered my JB in the end June; got a Completion email early Nov., showing no lines, no dual pot; received another completion email and received the bass in late Dec. Six friggin months
If I get another one from him, it will have less-exotic woods, no lines, a KA soapbar, hopefully not glued into the body, and I might supply a metal bridge; There is no way of ground the wiring to the strings! And no shielding. And his wiring skills don't seem to be up to par; I've removed everything removable to start finishing and the black wire broke off from the jack.
I asked for a neck only of purpleheart. I got layers cuz "I put stringers in all my basses." What gets me is that when I was figuring a price with him, I asked what it would cost to have the three African woods for the stringers, and he kept saying plus $100; so I left out the exotic woods and thought I would get a plainly purple neck all the way through the instrument. And the completion emails show walnut and maple stringers. Grr. And I don't get the deal with the center body line. It's just a thin piece of maple that adds alot of glue. Wood vibrates, glue doesn't. How am I to know he does that to everything he touches? Grr.
I sound mad. I'm more like this:
