Some experimenting this morning.
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Purchase a few EBS (gold) flat patch cables will help your space concerns, too...The addition of the Sadowsky isn't noticeable so I think it'll be a cable from Dave, the LA-1A as DI, TU-2 and Rolls for IEM's. Will fit (tightly) on the Nano. Not going to get a fancy power supply, just plug in a couple wall warts and save a few hundred bucks...at least for now.
Hey guys!!! If anybody might be interested in a cool looking pedal for their worship board, I have a looper pedal for sale. It is a looper that simply "loops" pedals together in a chain. I had it custom made for me, but I am not able to play in a band now, and this looper has never been used. You can hook up multiple pedals in each channel, or just hook up one per channel. That way, you would only stomp on the looper pedal, and save all your other pedals.
If anyone is interested hit me up. Here is the link where u can see it:
For Sale/Trade - Pedals!!! 2 Wahs and a Looper!!!!
Thanks for everyone's time and have a blessed weekend!!!!!
Barry
I'm late to the party, but this right here is exactly why my church rig is nothing more than a wireless -> HX Stomp. Is the preamp as good as a Noble? Nah. Is the LA-1A model as good as the real thing? Nope. Will anybody even be able to tell the difference in church? Heck no.I am of the opinion - particularly in the area of worship gigging, but also in most live scenarios - that when it comes to spending a ton of money on fantastic gear, eventually you reach, "a point of diminishing returns" as someone once called it. As long as you have "decent" or "pretty good" gear (which can be relative), I think the average congregant is not going to notice any difference between you playing through your Sadowsky Pre as a DI vs. playing through something like REDDI or Avalon U5. Maaaaaayyybe a highly trained sound person might notice a difference, but most of us don't have those. After playing for years at my old church with modestly trained sound people, the ONLY time my sound was complemented was when I walked in with a good compressor and a Southampton Ictineo preamp.
To me, the most important factors are technique, a good bass with proper setup, a good compressor, and a solid preamp if you're playing passive basses. Apart from that, any decent DI should do the trick, and the rest is icing on the cake. Most of the rest of what we do we do for our own enjoyment. I will say I have found that the right compressor goes a long way. But in many live scenarios I've gigged in, the sound guy is going to add their own compression to that anyway. So even THAT can become a somewhat moot point.
On the other hand, if you're spending a lot of time in the studio where every nuance of your playing can be heard, I think it makes sense to invest in the best gear possible, so you don't find yourself just plugging into some random studio's direct box and being totally at their mercy.
I'm late to the party, but this right here is exactly why my church rig is nothing more than a wireless -> HX Stomp. Is the preamp as good as a Noble? Nah. Is the LA-1A model as good as the real thing? Nope. Will anybody even be able to tell the difference in church? Heck no.
Heck, it's already kinda overkill on its own, but I do like the flexibility to throw in some effects from time to time when I want them. I *really* like that the entire setup was under a grand, weighs under 10lbs, and fits in my gig bag.
I wish the HX Stomp had an XLR DI. Then it would really be a single and simple solution.
I don't necessarily disagree. But sometimes we do things just for us and that's OK, too. I enjoy the feel and sound that my very expensive tube compressor gives me. Does the congregation or other audience know? Probably not, but you may also be surprised at who does notice your tone. Our singer noticed and she notices nothing. She's not into gear.
I don't usually get al gaga over a pedal...especially a $500 pedal. But I've also never had every single person in the band and sound guy react to a change in my gear - and in such a positive way.
I also think if you are using IEM's that you really want a great tone in your ears. You don't have an amp and room and PA to help with that sound.
I thought about a HX Stomp. I don't use effects much and it would be an affordable way to have effects when you need them. I don't want a bunch of pedals when I use maybe one for a single song and maybe not every gig. A single pedal into a good DI would be easy. I wish the HX Stomp had an XLR DI. Then it would really be a single and simple solution.
Sure. I am doing this with my LA-1A Tube Compressor.A lot of Stomp owners are using a TRS 1/4" to XLR cable as a solution to this. The Stomp can send Mic or Line level.
It did. IEM and FOH. LIke I said, everyone noticed and that's rare.So did it make a huge difference in your IEM tone?
Nice. But my OCD is being triggered by the fact that the LA is hanging over the wood trim. You need a smaller wireless unit.
Nice. But my OCD is being triggered by the fact that the LA is hanging over the wood trim. You need a smaller wireless unit.
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I'm going to play it tonight live and if it doesn't blow me away (better than My Union Compressor) then I'm sending back or selling. It would have to be another level better due to the size and power requirements.